Endless Struggle
About the NBCC campaign
last spring, Maud Newton says, "The assumption was that print reviews by
professionals were, prima facie, superior to any other kind of book
discussion, and that their demise signaled the impending doom of book
culture."
Were people really saying that? Maybe they were and I wasn't paying attention, or have forgotten in the meantime. And Maud is in New York, which is a better place for hearing such conversations than DC, probably. But in any case, my recollection is different.
Were people really saying that? Maybe they were and I wasn't paying attention, or have forgotten in the meantime. And Maud is in New York, which is a better place for hearing such conversations than DC, probably. But in any case, my recollection is different.
The point of the campaign, as I understood it, was that it was a bad thing for newspapers to cut the
amount of coverage given to book reviews -- or to wipe out such
coverage entirely, as also happens. The trend ought
to be resisted as much as possible. And one way to do that was to raise
a stink.
These perspectives struck me, at the time, as reasonable. They still do. I don't recall anybody saying that the decline of newspaper review sections would mean the end of literary culture, though surely it is difficult to construe it as a good sign.
But maybe someone did make cataclysmic and/or self-aggrandizing claims? People do say such things, and I'm not saying that nobody did. If so, it was secondary or tertiary to the main points.
Oddly enough, though, it is not only print critics or NBCC members who say absurd things. Strange, but true! (I have now attended one NBCC board meeting. For the record: it is not actually true that they tie you to a chair with your hands bound behind your back and then brainwash you about the need to destroy the literary blogosphere. Unless, like, the whole thing was so traumatic that I just don't recall.)
There has been plenty of blogotriumphalism over the years. No particular group has established a monopoly on claims to offer commentary that is "prima facie, superior to any other kind of book discussion." The total amount of possible nonsense in this matter is not small. It comes from any number of horses' asses. And it is easy to spread around, far and wide, without anything getting usefully fertillized.
What is not easy -- whether for people writing for print publications or for bloggers -- is getting a claim on public attention. The real problem, I suspect, is that nobody else much gives a damn.
It's like that line about academic politics attributed to Henry Kissinger: "The struggle is so vicious because the stakes are so small."
I really thought this kind of thing would burn itself out eventually, but it's starting to look like it will just go on forever.
UPDATE: Just to be explicit -- because you can't ever state the obvious clearly enough -- I don't mean this as a denunciation of literary bloggers as such, let alone Maud in particular. It just seems as if time has come (or ought to have come) for the "us versus them" rhetoric to go. It has become too habitual. It doesn't help.
In that spirit, I'm cheered not only by the news from C. Max Magee at The Millions but its matter-of-factness about the role of literary blogging.
These perspectives struck me, at the time, as reasonable. They still do. I don't recall anybody saying that the decline of newspaper review sections would mean the end of literary culture, though surely it is difficult to construe it as a good sign.
But maybe someone did make cataclysmic and/or self-aggrandizing claims? People do say such things, and I'm not saying that nobody did. If so, it was secondary or tertiary to the main points.
Oddly enough, though, it is not only print critics or NBCC members who say absurd things. Strange, but true! (I have now attended one NBCC board meeting. For the record: it is not actually true that they tie you to a chair with your hands bound behind your back and then brainwash you about the need to destroy the literary blogosphere. Unless, like, the whole thing was so traumatic that I just don't recall.)
There has been plenty of blogotriumphalism over the years. No particular group has established a monopoly on claims to offer commentary that is "prima facie, superior to any other kind of book discussion." The total amount of possible nonsense in this matter is not small. It comes from any number of horses' asses. And it is easy to spread around, far and wide, without anything getting usefully fertillized.
What is not easy -- whether for people writing for print publications or for bloggers -- is getting a claim on public attention. The real problem, I suspect, is that nobody else much gives a damn.
It's like that line about academic politics attributed to Henry Kissinger: "The struggle is so vicious because the stakes are so small."
I really thought this kind of thing would burn itself out eventually, but it's starting to look like it will just go on forever.
UPDATE: Just to be explicit -- because you can't ever state the obvious clearly enough -- I don't mean this as a denunciation of literary bloggers as such, let alone Maud in particular. It just seems as if time has come (or ought to have come) for the "us versus them" rhetoric to go. It has become too habitual. It doesn't help.
In that spirit, I'm cheered not only by the news from C. Max Magee at The Millions but its matter-of-factness about the role of literary blogging.
Categories:
AJ Ads
AJ Blogs
AJBlogCentral | rssculture
About Last Night
Terry Teachout on the arts in New York City
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
rock culture approximately
critical difference
Laura Collins-Hughes on arts, culture and coverage
Laura Collins-Hughes on arts, culture and coverage
Dewey21C
Richard Kessler on arts education
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Douglas McLennan's blog
Dog Days
Dalouge Smith advocates for the Arts
Dalouge Smith advocates for the Arts
Flyover
Art from the American Outback
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
David Jays on theatre and dance
Plain English
Paul Levy measures the Angles
Paul Levy measures the Angles
Real Clear Arts
Judith H. Dobrzynski on Culture
Judith H. Dobrzynski on Culture
Rockwell Matters
John Rockwell on the arts
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude
Jan Herman - arts, media & culture with 'tude
dance
Foot in Mouth
Apollinaire Scherr talks about dance
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...
Tobi Tobias on dance et al...
jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...
Doug Ramsey on Jazz and other matters...
media
Out There
Jeff Weinstein's Cultural Mixology
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...
Martha Bayles on Film...
classical music
Creative Destruction
Fresh ideas on building arts communities
Fresh ideas on building arts communities
The Future of Classical Music?
Greg Sandow performs a book-in-progress
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
Harvey Sachs on music, and various digressions
PianoMorphosis
Bruce Brubaker on all things Piano
Bruce Brubaker on all things Piano
PostClassic
Kyle Gann on music after the fact
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds
Norman Lebrecht on Shifting Sound Worlds
publishing
book/daddy
Jerome Weeks on Books
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera
Scott McLemee on books, ideas & trash-culture ephemera
theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world
Chloe Veltman on how culture will save the world
visual
Aesthetic Grounds
Public Art, Public Space
Public Art, Public Space
Another Bouncing Ball
Regina Hackett takes her Art To Go
Regina Hackett takes her Art To Go
Artopia
John Perreault's art diary
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Tyler Green's modern & contemporary art blog

2 Comments
Leave a comment