Caveat Lector
Evidently this is supposed to be devastatingly witty.
Alas, it leaves at least one reader completely undevastated. I guessed
that the "article" was machine- generated somewhere around the middle of
the first sentence, and was certain of it by the end of the second.
Sorry to have to break the news, but just because some academics refer to unfamiliar ideas or thinkers -- or use butt-ugly jargon to write gelatinous sentences -- it does not then follow that all of their work is necessarily a hodgepodge of random terms.
It is very popular to believe otherwise, of course. Not knowing anything about cultural theory is, in many cases, a point of great pride to the not-knower. The cost of being even a pluperfect ignoramus in such matters is minimal. Most of the time, in fact, the cost is nonexistent.
A certain impatience with contemporary litcritspeak is not (let's say) a thing kept well-hidden throughout the course of my career. But that impatience has been earned. I sit through plenty of conferences waiting to hear something that is not just triteness gussied up in polysyllables. This is a task I approach with all the enthusiasm of Job at discovering a new set of boils.
And yet there are indeed differences, I have discovered, not just between non-crap and crap, but between total crap and randomly generated strings of words. Strange to think this, but it is so.
Sorry to have to break the news, but just because some academics refer to unfamiliar ideas or thinkers -- or use butt-ugly jargon to write gelatinous sentences -- it does not then follow that all of their work is necessarily a hodgepodge of random terms.
It is very popular to believe otherwise, of course. Not knowing anything about cultural theory is, in many cases, a point of great pride to the not-knower. The cost of being even a pluperfect ignoramus in such matters is minimal. Most of the time, in fact, the cost is nonexistent.
A certain impatience with contemporary litcritspeak is not (let's say) a thing kept well-hidden throughout the course of my career. But that impatience has been earned. I sit through plenty of conferences waiting to hear something that is not just triteness gussied up in polysyllables. This is a task I approach with all the enthusiasm of Job at discovering a new set of boils.
And yet there are indeed differences, I have discovered, not just between non-crap and crap, but between total crap and randomly generated strings of words. Strange to think this, but it is so.
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Rebuilding Gulf Culture after Katrina
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Richard Kessler on arts education
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For immediate release: the arts are marketable
For immediate release: the arts are marketable
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No genre is the new genre
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John Rockwell on the arts
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Jan Herman - arts, media & culture with 'tude
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Tobi Tobias on dance et al...
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Howard Mandel's freelance Urban Improvisation
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Focus on New Orleans. Jazz and Other Sounds
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Doug Ramsey on Jazz and other matters...
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Greg Sandow performs a book-in-progress
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Exploring Orchestras w/ Henry Fogel
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Harvey Sachs on music, and various digressions
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Kyle Gann on music after the fact
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Greg Sandow on the future of Classical Music
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Norman Lebrecht on Shifting Sound Worlds
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Scott McLemee on books, ideas & trash-culture ephemera
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Wendy Rosenfield: covering drama, onstage and off
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Chloe Veltman on how culture will save the world
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Elizabeth Zimmer on time-based art forms
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Public Art, Public Space
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John Perreault's art diary
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Lee Rosenbaum's Cultural Commentary
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Tyler Green's modern & contemporary art blog

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