Over at Dial M, main man Phil Ford asks what "post-rock" is, exactly:
Is it a genre, with specific musical conventions and characteristics that can be invoked or withheld for expressive effect? Is it a scene, a regional filiation of bands and individuals? Maybe, and maybe. But I like to use it as a term for music conceived within a particular historical moment -- a moment where the rock narrative is revealed to be the rockist narrative, i.e., as just another ideology, and as such something with a history and therefore doomed to eventual senescence and death.
...It's not as if you can't make rock music after that awful moment where the jazz-flute abyss opens before you, but you can't carry on as before. Henceforth, you're not rocking, you're "rocking." You take your first tottering steps towards modernism, doubt, and self-reflexivity -- all notably un-rocking things.
Okay, sure, but that raises a question of periodization. The expression is associated with certain 1990s bands, for example, most of which I would pay no small price never to hear from again, unless struck with life-threatening insomnia. But Phil's description seems like it could apply to earlier developments.
Not to turn this into a replay of that old game show When Did Modernism End/Postmodernism Begin? but I have to ask....
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