A related problem is that academics seeking tenure must encode their insights into turgid prose. As a double protection against public consumption, this gobbledygook is then sometimes hidden in obscure journals — or published by university presses whose reputations for soporifics keep readers at a distance.
Jill Lepore, a Harvard historian who writes for The New Yorker and is an exception to everything said here, noted the result: “a great, heaping mountain of exquisite knowledge surrounded by a vast moat of dreadful prose.”
But today on his blog Paul Krugman stepped in, upped the ante, and as usual got to the real point:
But it’s really important to step away from the math and drop the jargon every once in a while, and not just as a public service. Trying to explain what you’re doing intuitively isn’t just for the proles; it’s an important way to check on yourself, to be sure that your story is at least halfway plausible.
I once talked to a theorist… who said that his criterion for serious economics was stuff that you can’t explain to your mother. I would say that if you can’t explain it to your mother, or at least to your non-economist friends, there’s a good chance that you yourself don’t really know what you’re doing.
All musicologists who feel compelled to add several pages on Lacan or Deleuze to the first chapter of your book/dissertation when they’re not really germane to your subject matter, please keep this in mind.