A recording of my 2011 orchestra piece Serenity Meditation has arrived, courtesy of the Bowling Green State University New Music Festival, and conducted by J.J. Pearse. The piece, curated for this event by John Luther Adams, is based on three Ives songs, mostly "Serenity" and to a smaller extent "Sunrise" and "General William Booth Enters into Heaven." It's dedicated to Neely Bruce, who commissioned the keynote address in which I mentioned those three songs as examples of Ivesian stasis. I've had so little experience with orchestras that it's … [Read more...]
November While It’s Still November
When I moved my web site I didn't re-upload the four-plus-hour recording Sarah Cahill and I made in Kansas City of Dennis Johnson's minimalist piano classic November. Several people have asked me to reinstall it and I keep forgetting, but it's up here now. Andy Lee is recording the piece for the Irritable Hedgehog label, so there will be an excellent commercial studio recording out soon. I'll let you know. … [Read more...]
Everybody’s a Critic
"I might end up never firing the pistol. Contrary to Chekhov's principle." "That's fine, too," Tamaru said. "Nothing could be better than not firing it. We're drawing close to the end of the twentieth century. Things are different from back in Chekhov's time. No more horse-drawn carriages, no more women in corsets. Somehow the world survived the Nazis, the atomic bomb, and modern music." - Haruki Murakami, 1Q84, p. 1108 And I started reading the book because it mentioned Janacek's Sinfonietta in the second … [Read more...]
The Schumann of Postclassicism
Since his memorial service I've been desperately longing to hear William Duckworth's Simple Songs about Sex and War, but I couldn't find my old tape of it. (There's a commercial CD, but the performance is weird and too disappointing to listen to.) Finally I ran across an mp3 on a hard drive - he and Nora must have given it to me last time I visited - and for all those similarly susceptible I post it here. Based on poems written for Bill by Hayden Carruth, it is the perfect postclassical song cycle, sung by the incomparable Barbara Noska (a … [Read more...]

Recent Comments
Bob Gilmore on Ives, Caught Between Two Caricatures
Agreed. I love Ives 1, terrific piece. But I'd have to say my favourite of all the symphonies is the...M. on Ives, Caught Between Two Caricatures
Mr. Plush has already written, in his first sentence, what I would have liked to. Consider it seconded.Bill B on Ives, Caught Between Two Caricatures
You can hear it without going to it. The concert is streamed live over WQXR, as are all of...Vincent Plush on Ives, Caught Between Two Caricatures
Kyle, you have just reminded us (as if we needed reminding) why we regard you as one of the most...Steven Ledbetter on Minimalism Invented in England, It Turns Out
Sullivan did, indeed, brilliantly solve the problem set him by Gilbert's lyric, but he didn't find it easy. In fact...Paul Schleuse on Minimalism Invented in England, It Turns Out
The additive process is clearly there, but the harmony isn't really static. The alternation between D and D maj7/sus4 is...Gene on Minimalism Invented in England, It Turns Out
"Das Rheingold" opens with six minutes of tonic, not dominant. KG replies: But after six minutes of E-flat the curtain opens...Juhani Nuorvala on Minimalism Invented in England, It Turns Out
The minimalist I'm most reminded of by that Gilbert and Sullivan piece is Tom Johnson. - For additive process, there's...Ian Stewart on Minimalism Invented in England, It Turns Out
For additive precedents there is also the the folk song "Green Grow the Rushes, O". I also believe that the big...Paul A. Epstein on Minimalism Invented in England, It Turns Out
This is one of my very favorite G&S numbers. It's not only gorgeous, but if done right it can...