Continuity Conscious

NolandHeatAJ

In coaching a student in a master class, Alfred Brendel mentioned that very tapered phrase-endings may not allow for long-range musical continuity. If some notes in a cantabile phrase are much softer than the rest, those soft notes may seem to belong to another voice -- they drop out of the line, or suggest a subsidiary one. (In very soft tapering at the end of a melodic line, frequently I have the sense that pianists lose contact with the … [Read more...]

Can’t get a word in

B101

There is music that suffers in performance from conventionally good music-making. Mainstream classical playing seems to rely on clichés of "musicality" -- arching every phrase, breathing between groups, tracing all those lines up and then down again. Some pieces need different treatment. The first movement of Beethoven's Opus 101 is an extended, wordless run-on sentence. Theoretically, we may understand that no satisfying cadence in A major … [Read more...]