Bruce Brubaker on all things piano
In U.S. criminal trials, juries are instructed that testimony given by police officers is no more or less reliable than testimony given by other witnesses. It has to be scrutinized. After Foucault, it seems absurd that in classical music we might still be so obsessed with "what the Composer wanted." Idris Khan: every ... stave of Frederick Chopin's Nocturnes for the piano We have texts. Texts that can be read variously, can be entered … [Read more...]
Just before playing a program that began with Chopin's Opus 45 Prelude, I started to think through the beginning of the music. Backstage in the green room, I had no piano and no copy of the written score -- and I couldn't recall the spacing, the exact arrangement of the notes, of the first chords in the piece. Solo pianists who play a lot of music by memory tend to be concerned about forgetting. For many pianists, it's the main focus of … [Read more...]
Recently, Meredith Monk asked me about my job -- my teaching job. She mentioned that although at least one university invited her, she hasn't held an academic position. There's Philip Glass's story about Mme. Boulanger's offer to write a recommendation letter which, she said, would get him a college position when he got back to the U.S. He declined the letter, he says, because he certainly would have used it! Can you be the best possible … [Read more...]
Every hand is different. Often large hands or hands with wide reach are thought to be an advantage in piano playing. In general, hands are getting bigger as bodies do. That makes some big stretches in old keyboard music more accessible, and less risky. Very wide fingers are a difficulty. It may be impossible to play in between the piano's black keys -- as it was for Walter Gieseking. We know that a few players of the modern piano (Daniel … [Read more...]
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