Before, I've speculated that many of Beethoven's texts read as parody -- a mockery of 18th-century styles and practices. In some postmodern music -- John Zorn or Rzewski's People United -- musical styles, harmonic behaviors, or keyboard textures come on and off like readymade shirts in a fitting room. Though now it may be harder to discern (our subtle reception of old stylistic distinctions may be dulled), Beethoven does something … [Read more...]
Archives for August 2010
Off the grid
By the later 20th Century, the performance of classical music -- for orchestra, also chamber music, and solos -- was dominated by pervasive strong regular beat. Emphasis on beat-regularity is the outcome or reflection of several musical and societal changes, among these mass production, the standardization of time keeping (time zones), the metronome, sound recording, the ascent of conducting, more emphasis on "full" scores, the practice of … [Read more...]
What Would Yehudi Do?
Perhaps we receive our most important education from models around us. We emulate them. And if we don't imitate behavior details, we may take on the approach or method of someone we admire. Vicarious models can be important. At 14, I devoured Arthur Rubinstein's My Young Years. I loved it more than Mr. Rubinstein's playing that I heard on recordings. The book seemed to offer a complete how-to-live prescription to a young pianist -- or young … [Read more...]