
The "reception" of a piece of music becomes part of its identity. Our performances, recordings, reviews, reactions, lawsuits, teaching, reflection, arrangements, remixes, appropriation -- all of that is the piece, along with the text we started from. Famous music acquires a larger and larger, and more multiply-determined identity. Eventually, there are so many components that none of us can affect the whole very much. When I give the first … [Read more...]




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Ian Stewart on Arts & Crafts
This is a really interesting post and raises many points. Copying out music is really a good way of learning,...Eliza on Klained
I'm reading the comments on the YouTube video. What a remarkable early-21st-century crossover-under, intertextual cultural re-appropriattion!CrossEyedPianist on Amphora
Another fascinating post, thank you. I have heard Levin speak on Mozart and the piano several times, most recently about the...Ian Stewart on Amphora
Leon Fleisher's attitude I can understand. Despite the fact that most of my work has involved improvising, and for many...Jay Golan on Amphora
This is a great post. I would only add that in historic preservation circles -both for conservation of objects and...