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Jeff Weinstein's Cultural Mixology

Milton Rogovin: ‘The Rich Have Their Own Photographers’

February 17, 2011 by Jeff Weinstein

                                                                                     rOGOVIN  communist
                                                                                     POLITICS buffalo
                                                                                     DOCUmentary  art
                                                                                     PHOTOGRAPHy

joekemp.jpg

                          Milton Rogovin: Joseph Kemp, Hanna Furnace, Buffalo N.Y., 1978


All art is political, dripping with implicit or aggressive assumptions about what is right or wrong with the world. The very notion that someone would make something without obvious practical use is itself as political as an upraised fist. 

Yet contemporary art that expresses an explicit political point of view is not thought by most art lovers to be top Christie’s material. There are well-known exceptions, to be sure; is it odd that women come more easily to mind? Martha Rosler, Kara Walker, Barbara Kruger … the list is not long, and the danger that fame defangs and coopts is ever-present. 

Politics also consists of surprise in context. An otherwise ordinary photo of two men or two women kissing wouldn’t raise an eyebrow in a family album such as my husband’s and mine, but could raise the roof in certain countries — even parts of our own. We know too, from the recent, sad Smithsonian Frolics, that art can be used in political ways that the artist may never have intended. 

Optometrist-turned-photographer Milton Rogovin died last month at the age of 101. He was a social activist, a Communist, “Top Red in Buffalo” according to the papers. His best photos, especially those in the 1962 series “Store Front Churches,” are as beautiful as any I can think of. Political. Beautiful.

You may read — or listen — to my appreciation of his life’s work in Obit Magazine. More photos and videos of the artist are on his elaborate family website. 

Daylight magazine put together this slideshow with that same Obit voiceover (added 2/18).

Also, the University of Arizona’s Center for Creative Photography has just now posted hundreds of Rogovin shots on its cumbersome but valuable site. You’ll have to register first in order to view them, but it’s certainly worth the trouble.

Milton Rogovin, 1960 (c) Frederic Marschall.jpg
Milton Rogovin, 1960
Copyright Frederic Marschall


































For an automatic alert when there is a new Out There post, email jiweinste@aol.com.




Filed Under: main Tagged With: Milton Rogovin photography politics art Communist Buffalo optometrist documentary

Comments

  1. jstheater says

    February 19, 2011 at 12:19 pm

    Thank you for this entry, especially now as we are witnessing organized labor fighting for its life, for our lives and livelihoods. Thank you.

Jeff Weinstein

Based in New York, I've been an editor of arts coverage at New York's "Soho Weekly News" (1977-79); of visual arts and architecture criticism and much else at the "Village Voice" (1981-95, with a stint as managing editor of "Artforum"); of the fine arts at the "Philadelphia Inquirer" (1997-2006); of arts and culture at "Bloomberg News" (2006-07). Until recently... Read More…

Out There

The media make a potentially fatal mistake by dividing arts coverage into high and low, old and young, and by trivializing our passionate attraction to things. In Out There I propose that all creative expression has the potential to be both … [Read More...]

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Recently & Elsewhere

I wrote and narrated a Daylight Magazine slideshow (click on "Read more" below to access it and the rest), an appreciation of the late photographer Milton Rogovin. Also one about the late photographer Helen Levitt. To go back in time, kindly click … [Read More...]

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