With Friends Like These

Sascha Radetsky of ABT. He'll meet you outside.
Tight Deadline
There's a peculiar first-person piece in the latest issue of Newsweek, odd as much from an editing point of view as from a writer's or reader's. "Don't Judge Me by My Tights," offered as a "My Turn" column, is a credo by American Ballet Theater soloist Sascha Radetsky that can be summed up in one short swipe: Don't think I'm a sissy because I dance ballet.
Those limp, nancy cliches, he writes, have nothing to do with what he really does:
On an average day at the job, I handle lithe, lovely women, engage in duels and delight in the experience of an exotic locale. I move like a gymnast or martial artist and embody the vilest of pimps or the most chivalrous and passionate of lovers.
Yes, that's the beat beat beat of the jackhammers you hear in the pit.
And if I were you, great unthinking public, I'd be careful to keep any doubts to myself:
But for you out there who still feel compelled to malign male dancers with half-truths and petty stereotypes, well, maybe we need to step outside. I'll leave my tights on.

Jamie Bell as Billy Elliot
The Third Gay
At first I looked to see if a mistake had been made and the piece really came from a Newsweek "Last 25 Years" special issue. Billy Elliot, after all, was released in 2000 and won its three Oscar noms the next year. You don't remember this U.K. gem, one of the most appealing queer-stereotype smashers -- and dance-invigorating narratives -- ever on screen, in which a miserable working-class straight boy discovers his happiness and core self in an inescapable zeal for ballet? Well, neither does the Newsweek staff.
Editors, maybe there are ways to butch up this sort of tired stuff. Sure, defend the boys who want to dance. Yet make a wee effort and find a nongay toe-shoe guy who doesn't whine about moronic bigotry, but slaps it down with a pliant wrist instead; discover the guy who likes, even loves, to be taken for a sissy. How about a couple of lesbian and gay dancers to back him up? There's gotta be a George Clooney in ballet somewhere. ("No, I'm gay, gay. The third gay -- that was pushing it.")
If he really knows his subject, this winning fellow could also demonstrate how a great part of the magnetism of his vocation comes from activating the cross-gender power and sensuousness of bodies in motion, male and female.
By the way, Mr. Radetsky, no matter what role you take or costume you don, you can't strip from dance the surprise of erotic desire.
* * *
Unforgettable TV phrase of the week:
"Yes, that was from my Joan of Arc cocktail line."
An Out There award not even worth the paper it isn't written on goes to the reader who can name the speaker and program.
* * *
For an automatic alert when there is a new Out There post, email jiweinste@aol.com.
Categories:
Blogroll
More a saltstick than a roll, but six for the moment:
David Lida
Obit
Save the Deli
ARTicles
The Gay Recluse
Artopia
AJ Blogs
AJBlogCentral | rssspecial
the blog of the National Performing Arts Convention
Terry Teachout on the arts in New York City
Andrew Taylor on the business of arts & culture
rock culture approximately
Rebuilding Gulf Culture after Katrina
Douglas McLennan's blog
Art from the American Outback
John Rockwell on the arts
Jan Herman - arts, media & culture with 'tude
dance
Apollinaire Scherr talks about dance
Tobi Tobias on dance et al...
media
Jeff Weinstein's Cultural Mixology
Martha Bayles on Film...
music
Greg Sandow performs a book-in-progress
Howard Mandel's freelance Urban Improvisation
Focus on New Orleans. Jazz and Other Sounds
Exploring Orchestras w/ Henry Fogel
Kyle Gann on music after the fact
Doug Ramsey on Jazz and other matters...
Greg Sandow on the future of Classical Music
Norman Lebrecht on Shifting Sound Worlds
publishing
Jerome Weeks on Books
Scott McLemee on books, ideas & trash-culture ephemera
theatre
Chloe Veltman on how culture will save the world
Elizabeth Zimmer on time-based art forms
visual
Public Art, Public Space
John Perreault's art diary
Lee Rosenbaum's Cultural Commentary
Tyler Green's modern & contemporary art blog

1 Comments
Leave a comment