Results tagged “commissions” from Life's a Pitch
I love political campaign e mails. There's such a sense of urgency and drama. I got one this morning that said, "Own a piece of this movement by making a donation of $25 today." Own a piece of this movement. Boom. Yes. I even like how they're addressed - there's no "Dear Potential Subscriber" or "Dear Patron" or even "Dear Amanda E Ameer"; it's all "Amanda --". I'm like yes, what's up, how can I help you? Also, I appreciate them suggesting $25, a specific, manageable amount that I don't really have to think about.
Where is the sense of urgency in arts fundraising e mails? I don't want a free tote, I want to know that you really need my money now or something bad will happen (or something good WON'T happen). Also, where is the gesture toward a broader movement? Everyone wants to be part of something big and history-making; what is/where is the national arts movement, and will my donating money to Playwrights Horizons make me a part of it?
Last thought, re-triggered by our clever political friends: "own a piece of this movement, literally", formerly called, in my mind, "the church organ commission". When a church needs an organ (re)built or repaired, the fundraising committee asks church members to sponsor individual pipes. Money doesn't seemingly go into a general pot - you know which pipe is yours. I always wondered why dance companies and chamber orchestras (or symphony orchestras, for that matter) didn't seek to create new works commissioned by the so-called people. "I own 4:03 - 4:23 of the newest John Adams piece for Alarm Will Sound." The more people who commission the work, the more who have a vested interest in spreading the word and making the work a success; a new donor base and an established street team, all rolled into one!
Most importantly, donating money to tangibly help create a new piece of dance or music really would make me feel like I was part of a movement, literally and not so literally.
Where is the sense of urgency in arts fundraising e mails? I don't want a free tote, I want to know that you really need my money now or something bad will happen (or something good WON'T happen). Also, where is the gesture toward a broader movement? Everyone wants to be part of something big and history-making; what is/where is the national arts movement, and will my donating money to Playwrights Horizons make me a part of it?
Last thought, re-triggered by our clever political friends: "own a piece of this movement, literally", formerly called, in my mind, "the church organ commission". When a church needs an organ (re)built or repaired, the fundraising committee asks church members to sponsor individual pipes. Money doesn't seemingly go into a general pot - you know which pipe is yours. I always wondered why dance companies and chamber orchestras (or symphony orchestras, for that matter) didn't seek to create new works commissioned by the so-called people. "I own 4:03 - 4:23 of the newest John Adams piece for Alarm Will Sound." The more people who commission the work, the more who have a vested interest in spreading the word and making the work a success; a new donor base and an established street team, all rolled into one!
Most importantly, donating money to tangibly help create a new piece of dance or music really would make me feel like I was part of a movement, literally and not so literally.
About
Life's a Pitch Why don't we apply the successful marketing and publicity campaigns we see in our everyday lives to the performing arts? Great ideas are right there, ripe for the emulating. And who's responsible for the wide-reaching problems in ticket sales and audience development? Boring artists? Greedy managers? Overstretched marketing departments? We're beyond debating who owns the problem. Let's fix this thing.
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Amanda Ameer left her position as Publicity Manager at IMG Artists in June 2007 to start First Chair Promotion. She currently represents Hilary Hahn, Gabriel Kahane, The King's Singers, David Lang, Eric Owens, Michael Gordon, Hélène Grimaud, Sondra Radvanovsky and Julia Wolfe, and serves as a consultant to Chamber Music America.
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Twitter I gave in and answered the siren call of Twitter. Click the button to follow:
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Amanda Ameer left her position as Publicity Manager at IMG Artists in June 2007 to start First Chair Promotion. She currently represents Hilary Hahn, Gabriel Kahane, The King's Singers, David Lang, Eric Owens, Michael Gordon, Hélène Grimaud, Sondra Radvanovsky and Julia Wolfe, and serves as a consultant to Chamber Music America.
more
Contact Click here to send an email. more
Subscribe to the Newsletter Fill in your email address here.
more
Twitter I gave in and answered the siren call of Twitter. Click the button to follow:
more
Sites
Now Play It
This site has musicians teaching viewers how to play their most popular songs on the guitar via downloadable video. more
This site has musicians teaching viewers how to play their most popular songs on the guitar via downloadable video.
MOMA - Eye on Europe
This microsite for one of MOMA's 2006 exhibitions is a(n extreme) lesson in what can be done digitally for special projects (world premieres?).
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This microsite for one of MOMA's 2006 exhibitions is a(n extreme) lesson in what can be done digitally for special projects (world premieres?).
The Metropolitan Opera
Sometimes, when the (performing arts) world gets me down, I go to The Met's website and feel better about it all.
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Sometimes, when the (performing arts) world gets me down, I go to The Met's website and feel better about it all.
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AJ Blogs
AJBlogCentral | rssculture
About Last Night
Terry Teachout on the arts in New York City
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
rock culture approximately
critical difference
Laura Collins-Hughes on arts, culture and coverage
Laura Collins-Hughes on arts, culture and coverage
Dewey21C
Richard Kessler on arts education
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Douglas McLennan's blog
Dog Days
Dalouge Smith advocates for the Arts
Dalouge Smith advocates for the Arts
Flyover
Art from the American Outback
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
David Jays on theatre and dance
Plain English
Paul Levy measures the Angles
Paul Levy measures the Angles
Real Clear Arts
Judith H. Dobrzynski on Culture
Judith H. Dobrzynski on Culture
Rockwell Matters
John Rockwell on the arts
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude
Jan Herman - arts, media & culture with 'tude
dance
Foot in Mouth
Apollinaire Scherr talks about dance
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...
Tobi Tobias on dance et al...
jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...
Doug Ramsey on Jazz and other matters...
media
Out There
Jeff Weinstein's Cultural Mixology
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...
Martha Bayles on Film...
classical music
Creative Destruction
Fresh ideas on building arts communities
Fresh ideas on building arts communities
The Future of Classical Music?
Greg Sandow performs a book-in-progress
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
Harvey Sachs on music, and various digressions
PianoMorphosis
Bruce Brubaker on all things Piano
Bruce Brubaker on all things Piano
PostClassic
Kyle Gann on music after the fact
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds
Norman Lebrecht on Shifting Sound Worlds
publishing
book/daddy
Jerome Weeks on Books
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera
Scott McLemee on books, ideas & trash-culture ephemera
theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world
Chloe Veltman on how culture will save the world
visual
Aesthetic Grounds
Public Art, Public Space
Public Art, Public Space
Another Bouncing Ball
Regina Hackett takes her Art To Go
Regina Hackett takes her Art To Go
Artopia
John Perreault's art diary
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Tyler Green's modern & contemporary art blog

