Results tagged “Chicago jazz festival” from Jazz Beyond Jazz
Start a Twitter campaign, and see what happens! Do as many people hear live jazz in a week as attended Woodstock, say? Using the hashtag #jazzlives, a rough count is underway, supported by independent jazz activists, musicians, festivals, journalists but most of all the listeners themselves. It's a lesson in how people participate in culture now, with encouraging findings.
Continue reading Social networking does its #jazzlives stuff.
All is not dismal in Jazzville: Producer George Wein has found a title sponsor -- CareFusion -- for his jazz festivals in Newport next month and New York City summer 2010. SFJazz has announced a stellar lineup including Ornette Coleman for its fall fest, Oct. 10 - Nov. 21.
As Mitch Myers reports from the 13-day 30th annual Festival International de Jazz de Montreal, diversity, provided by living legends and genuinely engaging younger talents, is the key. As James Hale reported from the just ended 11-day-long Ottawa Jazz Festival (as which he worked as a media consultant), "the personalities behind the music are as strong and creative as ever."
So are festivals the future -- or just the present -- of jazz?
Continue reading Jazz health, bright moments.
New speculation on the jazz magazine crisis: Having no summer advertorial supplements for JVC Jazz Festivals (which aren't happening) may have hugely hurt JT's seasonal revenues. How could the loss of three consecutive monthly multi-page inserts, all expenses paid for by the client, not shake a publication's income stream?
Complete disclosure: I edited the JVC Jazz Festival program books in the 1990s, when they were inserts into Tower Records' free monthly magazine Pulse!, and for a year when JVC America, responsible for the Japanese owned electronics firms' promotional investment in George Wein's international jazz fests, switched the contract to Jazziz. Ah, those were the days!
Complete disclosure: I edited the JVC Jazz Festival program books in the 1990s, when they were inserts into Tower Records' free monthly magazine Pulse!, and for a year when JVC America, responsible for the Japanese owned electronics firms' promotional investment in George Wein's international jazz fests, switched the contract to Jazziz. Ah, those were the days!
Continue reading Domino effect of JVC Jazz Fest failure on Jazz Times? .
An estimated 20,000 to 30,000 listeners of all ages, genders, races, religions -- Americans and visitors from abroad, too -- enjoyed the directly expressive, highly personalized music of Pulitzer Prize-winner Ornette Coleman as the finale of the outdoor Chicago Jazz Festival last Sunday night. The attentive, mellow and celebratory audience response, including a standing ovation throughout the 5000 seats nearest the bandshell in Grant Park, suggested that improvisation created without a priori conventions or artificial constraints, which Coleman throughout his remarkable career has alluded to as "free jazz," "harmolodics" and "sound grammar," upon easy access and unpressured exposure, is as natural as breathing, feeling and talking. As Coleman declared on one of his recordings almost 50 years ago, This is our music.
Continue reading Chicago hears Ornette Coleman -- This is our music.
The best thing about the Chicago Jazz Festival is that it's curated by an independent committee of people (mostly from the Jazz Institute of Chicago) who really love music, rather than being overly influenced by promoters, booking agents and managers representing a few big name artists who are trying to fill blank dates during their big tours.
Singer Dee Dee Bridgewater's first-time ever tribute to the late Betty Carter, her mentor, electrified the crowd at Grant Park Friday night -- after drummer Thurman Barker led a brilliant set by stalwarts from Chicago's avant garde-leaning Association for the Advancement of Creative Musicians (AACM), and trombonist Julian Priester soloed throughout original repertoire written by local trombonist T.S. Galloway in honor of the fabled Du Sable High School band director Capt. Walter Dyett. This is not a schedule that could have been imagined by anyone but Chicagoans intimately aware of the Chicago Jazz Fest's 30-year history.
Continue reading Benefits of aficionado-programmed fests.
Sonny Rollins at 78 is still a saxophone collosus, as he demonstrated leading his touring sextet Thursday night to open the Chicago Jazz Festival. His bent posture, shock of white hair and strong features give him the air of an Old Testament prophet, and his stamina may not be all it was when he was younger, but he brought wisdom, humor and intensity to an upbeat and swinging rendition of Irving Berlin's "Falling In Love Is Wonderful," sweet warmth to Ellington's "In A Sentimental Mood" (backed only by his rhythm section), and for a finale uproarious energy to a bare-bones Chicago blues. Read Neil Tesser's article in the Chicago Reader for background on how Rollins cleaned up his act in Chicago, circa 1955, which accounts for his affection for the city to this day.
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A city's jazz scene is best measured not by an annual festival -- though Sonny Rollins free at the Frank Gehry-designed Pritzker Pavillion in Chicago's Millennium Park on Thursday night was a fine thing. The real signs of Chicago's jazz depth and diversity are evident in the unique "club tour" (aka pub crawl), which the Jazz Institute of Chicago cleverly designs to introduce listeners to local musicians playing small venues way outside the downtown Loop.
Continue reading Chicago jazz fest in neighborhood clubs.
Free jazz fests across the U.S. mark summer's glorious end. Manhattan's Charlie Parker festival (held Saturday Aug. 23 and Sunday 24 in Marcus Garvey park uptown and Tompkins Square Park downtown), the Chicago Jazz Festival (which formally starts Thursday Aug 28 with Sonny Rollins at downtown Grant Park's Petrillo bandshell) and the Detroit International Jazz Festival (celebrating Detroit-Philadelphia music connections, Aug 29 - Sept. 1 on multiple stages along the river at Hart Plaza and down the street at Campus Martius Park) and smaller events such as the Fox Jazz Festival in Menasha, Wisconsin have become traditions.
Continue reading Jazz fests of August.
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Howard Mandel
I'm a Chicago-born and New York-based writer, editor, author, arts producer for National Public Radio -- for more than 30 years, a freelance arts journalist
working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere. I'm president of the Jazz Journalists Association. moreContact me Click here to send me an email... more
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A Blog Supreme (NPR)
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All About Jazz
Andrea Cantor's JazzInk
The Bad Plus' Do The Math
Bob Lewis' Jazz My Two Cents Worth
Bret Primack, Jazz Video Guy
Bruno Leicht's Subjective Jazz Views
Carl Wilson's cross-genre Zoilus
CelebStoner
David R. Adler's Lerterland
Darcy James Argue's Secret Society
Dave Douglas's Greenleaf Music Blog
David Ryshpan's Settled in Shipping
Dean Minderman's St. Louis Jazz Notes
Don Heckman and The International Review of Music
Doug Ramsey's Riffides
Fred Kaplan's Jazz Messenger
Hank Shteamer's Dark Forces Swing Blind Punches
James Hale's Jazz Chronicles
Jazz.com
JazzCorner
Jazz Foundation of America
Jazz Journalists Association's Jazzhouse
JazzWest
Willard Jenkins' Independent Ear
Kazue Yokoi's exblog (in Japanese)
Larry Blumenfeld's Listen Good
Marc Myers' Jazzwax
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Nate Chinen, The Gig
Pamela Espeland's Bebopified
Plastic Sax, Jazz in Kansas City
Peter Hum's JazzBlog
Tim Posgate's Canadian 'jazzlife'
Rock & Rap Confidential
Thelonius Monk Institute of Jazz
U of Guelph's Improvisation, Community and Social Practice
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Andrew Taylor on the business of arts & culture
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Laura Collins-Hughes on arts, culture and coverage
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Richard Kessler on arts education
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Douglas McLennan's blog
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Dalouge Smith advocates for the Arts
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Art from the American Outback
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For immediate release: the arts are marketable
For immediate release: the arts are marketable
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No genre is the new genre
No genre is the new genre
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David Jays on theatre and dance
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Paul Levy measures the Angles
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Judith H. Dobrzynski on Culture
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John Rockwell on the arts
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Jan Herman - arts, media & culture with 'tude
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Apollinaire Scherr talks about dance
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Tobi Tobias on dance et al...
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Howard Mandel's freelance Urban Improvisation
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Focus on New Orleans. Jazz and Other Sounds
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Doug Ramsey on Jazz and other matters...
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Jeff Weinstein's Cultural Mixology
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Martha Bayles on Film...
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Fresh ideas on building arts communities
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Greg Sandow performs a book-in-progress
Greg Sandow performs a book-in-progress
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Exploring Orchestras w/ Henry Fogel
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Harvey Sachs on music, and various digressions
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Bruce Brubaker on all things Piano
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Kyle Gann on music after the fact
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Greg Sandow on the future of Classical Music
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Norman Lebrecht on Shifting Sound Worlds
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Jerome Weeks on Books
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Scott McLemee on books, ideas & trash-culture ephemera
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Wendy Rosenfield: covering drama, onstage and off
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Chloe Veltman on how culture will save the world
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Regina Hackett takes her Art To Go
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John Perreault's art diary
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Lee Rosenbaum's Cultural Commentary
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