Results tagged “Tony Award” from critical difference
If you listen to NPR's "Morning Edition" in a loop, catching the end of the show before you hear the beginning, today's program would have brought you a story on Andrew Lloyd Webber's sequel to "The Phantom of the Opera," complete with comments from its West End director, Jack O'Brien.
A while later, at the top of the show, you'd have been forgiven for thinking -- if your attention had wandered, or you'd been multitasking -- that they were already rerunning the same story, or another one on the same subject. "Standing near the back of the audience, Jack O'Brien would occasionally shout out his disapproval," reporter Don Gonyea intoned, and you might have imagined the three-time Tony Award winner at a tech, getting boisterous with his team.
Then Gonyea finished his sentence -- "once even causing the president to pause, briefly" -- and you might have thought, distractedly, "What's this? Obama's at a tech rehearsal?" But, no, this Jack O'Brien turns out to be a self-employed electrician who opposes the Democrats' health care legislation "because he believes it will use federal dollars to help cover abortions," and because he thinks the country can't afford the price tag. And Obama was at a university in Pennsylvania, not a theater in London.
Ah. That explains it.
The change was made in the hopes of bringing a higher profile to the Tony Awards telecast, according to Alan Wasser, an executive with the awards. ... Asked what difference the change would bring, Wasser said, "It gives the Tonys the imprimatur of credibility."
It might be surprising that in 2009, women are still having to grope their way to the power seat in an artistic field such as theater. And the helm of a musical, with its complex and expensive working parts, is perhaps the most difficult and challenging position the theater has to offer. Yet for all the successes of a Julie Taymor ("The Lion King") or a Susan Stroman ("The Producers"), women even today only occasionally receive the assignment to direct a big-budget, big-showcase musical.
But change is coming, however slowly. We'll get used to their styles (Watching Susan Stroman direct ''The Producers'' was a revelation; talk about velvet glove, iron fist!) and certainly, their successes. Nothing changes perceptions like a hit. The women directors I know have proved that they can get everything they want while still being decent to people. The famously bullying Jerome Robbins is just not the role model for them and the Broadway theater is better for it.