Results tagged “Thomas Quasthoff” from Rockwell Matters
Haydn's "Creation" dominates the concert programming at this spring's Salzburg Easter Festival, with its second and final performance set for Easter Sunday. Haydn' text descends from Milton and paints a benign Enlightenment view of God as the world's divine architect. The seven days of the creation conveniently end before the expulsion of Adam and Eve from Eden, though there is a hint at the very end that "false madness" might one day taint their idyll. Before such madness can work is snaky wiles, though, everything God does is perfect. Very much including the creation of man (and women, though women play second fiddle here) "in his image".
With all due respect to the fluty soprano Genia Kuhmeier and the beefily earnest tenor Michael Schade, and to the ethereal, sturdy singing of the Berlin Radio Choir and the brawny (those trumpets!) playing of the Berlin Philharmonic and the
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