Results tagged “denver post” from Drama Queen
Sorry to have missed Friday's Mack Attack, but I'm out of town until April, so regular postings will resume then.
In the meantime, while I'm out in Colorado, the Denver Post is my local source for all things arts related. Yesterday's paper featured this interview with American theater's very own canary, Mike Daisey, whose warning of theater's dependence on the newspaper industry and subsequently, the dangers it faces without the support (or existence) of that industry, comes from the mouth of a very dark coal mine.
Proving how right he is, after reading that interview, I'm now considering making the three-hour drive from my base camp up in the mountains to go see his show "Monopoly" down in Colorado Springs next week. And on the strength of Denver Post critic John Moore's review of Reyna Von Vett's family-friendly burlesque revue (no, that's not a typo) "Leadville or Bust", I might also hike the family two hours down to Denver for the evening. Yes, I'm a pretty motivated theatergoer, but even forgetting my professional interest in the topic, there's just no substitute for being in a new town, picking up the paper and reading a local, respected critic's perspective on the area's performance scene. It generates excitement, offers a sense of legitimacy, corrals all the information into one consistent, reliable, quality spot, and of course, inspires ticket sales.
It's pretty rare for an artist to openly express appreciation for the spot on the creative food chain occupied by arts critics. However, as we become even more of an endangered species, I suspect Mr. Daisey may find himself among a growing number of like-minded conservationists, and hopefully, they will emerge before we have reached extinction.
I'm still in Colorado, a pretty exciting place to be right now. With all the fuss surrounding the Democratic National Convention, the city of Denver has done an admirable job of highlighting its arts scene. There was a New York Times piece about the city's public sculptures, PHAMALy, a handicapped theater company , performed for free for conventioneers and the public, and last night, Red Rocks Amphitheatre hosted an adult contemporary enviro-love note to Obama featuring Sheryl Crow and Dave Matthews.
But on Wednesday, the Denver Coliseum will host a related, and--at least to my tastes--far more exciting event: the Tent State Music Festival to End the War. Joining the festivities are, among others, Denver's Flobots and Wayne Kramer, but headlining are '90s revolution-rockers Rage Against the Machine, and that's where things get interesting.
Apparently, Rage has a real gripe with the current administration. Yesterday's Denver Post published an editorial by the band's members, which was distributed through Amnesty International. It seems the U.S. government has been using the band's music as part of its sleep deprivation and sensory overload torture campaign. The band says:
As artists and as human beings, it sickens us to know that the U.S. government has been using our music to torment detainees. We are especially appalled by the discovery that there is very little that we, as artists, can do to stop the military and the CIA from turning our music into a weapon. Our songs -- which include human rights themes such as freedom, our beautiful world, and the voice of the voiceless -- are meant to be cries against injustice, not accomplices to dehumanizing and extrajudicial acts.
Hopefully, the secret prisoners in question don't understand English all that well, because if they did, songs like "Bulls on Parade" and "Killing in the Name of" would probably serve more as inspiration for an overthrow of the U.S. government than deterrent. The clear irony here is that a band whose music is so blatantly anti-authoritarian is being used in the most authoritarian circumstance imaginable. And, as singer Zack de la Rocha, guitarist Tom Morello, et al, point out, they've made music to inspire people, not oppress them.
Even more frustrating, the musicians themselves have no recourse in this case. Though Jackson Browne, Abba, John Mellancamp, and even Frankie Valli were able to stop John McCain from using their music during his campaign, Rage is limited to, well, raging against the machine. Though last month Guardian blogger Sean Michaels suggested the military ought to pay royalty fees to the artists on its playlist, I imagine such an arrangement would be throughly repellent to the boys in the band.
I can't embed their Michael Moore-directed video for "Sleep Now in the Fire," but you can still click and enjoy it.