Results tagged “chapter 11” from Drama Queen
Still wallowing through a really damn depressing news cycle here in Philly (and I guess everywhere else, too), when lo and behold, what should appear in my inbox but an e-mail from my unflaggingly positive colleague, Howard Shapiro, outlining all the theaters we cover.
The bad news first: unfortunately, some of our coverage--basically anything over an hour's drive from the city--has been reduced. It appears we'll no longer cover regular Broadway openings, which is a shame (read: downright remiss) since as far as theater goes around these parts, Broadway's basically another one of our suburbs. However, we'll still be looking at New York productions when there's a local connection, which, considering the output of Pig Iron folks alone, ought to result in plenty of Amtrak mileage.
So that's that, and make of it what you will. (And, um, you know, if you really find yourself missing your Inquirer Broadway coverage, who am I to discourage you from letting people know?)
Ah, but you wanted the good news. Well, the good news is that despite everything--and I do mean everything short of an outright apocalypse--we've just added two new theaters to our regular coverage, and might yet add a third. Which brings the grand total of theaters covered by the Philadelphia Inquirer right now to 44. Of those, 34 have some sort of Actors' Equity agreement, and the rest are either Barrymore-eligible or mounted a noteworthy production in the past few years. Further, those 44 are at least a dozen or so more than what existed when I started this gig back when the biggest performance you could find on South Broad Street happened on New Year's Day and involved longshoremen in drag, glockenspiels and the public evacuation of numerous bodily fluids.
And get this: that's not even the end of it. Not included on the list are the often top-rate university productions we'll occasionally peek in on, the odd company that pops up mid-season to mount something ambitious, or--HELLO!--the two weeks of manic nonstop Live Arts Festival/Fringe action kicking off every season.
Somehow our theaters are holding steady, and improbably, in this decimated and dessicated economic climate, like Wall-E's stray sprig of green, they're even growing. The newspaper, well, that's another story, but as long as we're still getting a paycheck, as Shapiro says, "the explosion of professional theater in this city will keep us busy as all get-out." Amen, brother.
I've been clamoring to get hyperlinks incorporated into my Inquirer reviews for a while, but I know everyone's short on time and long on work over there right now, so no hard feelings. Still, with today's announcement of the Philadelphia Inquirer and Daily News' bankruptcy filing, I decided I'd take things into my own hands with today's review of Delaware Theatre Company's production of Copenhagen by being my own intern/dramaturg and making a few hyperlinks for you.
And if any play cries out for some helpful linkage, it's this one. Here's the review as it appears on Philly.com (please click the link; every visitor counts, you know). Keep this screen open, and when you get to the appropriate phrase over there, come back over here and click. Even better, set yourself up at the computer, newspaper in hand, and... Well, you get the idea. It's like those old children's books on tape that beeped when you were supposed to turn the page. Fun, right? No? Too bad. For us both.
(Below: Werner Heisenberg and Niels Bohr knocking back a few liquid particles in 1934.)