Results tagged “Wynton Marsalis” from Jazz Beyond Jazz
For tickets to Jazz at Lincoln Center this weekend or a dvd of Wynton Marsalis and Willie Nelson performing live, try writing a blues. How hard can it be?
"Minutes seem like hours, hours seem like days,
Seems my baby would stop her lowdown ways" -- Muddy Waters, "Country Blues"
"Woke up this morning, looked 'round for my shoes
You know I had those mean old walkin' blues" -- Robert Johnson, "Walkin' Blues"
.
"Whoa, oh tell me baby
Where did ya stay last night? An' why don't ya hear me cryin'?
Whoo hoo, whoo whoo,
Whoo who. . . " -- Howlin' Wolf, "Smokestack Lightning"
Continue reading Blues lyrics: write to win.
Wynton Marsalis has high regard for the music of Ornette Coleman -- as demonstrated by Jazz at Lincoln Center's just-released 2009-2010 concert schedule, which begins next September 26 with a single performance by Coleman's quartet featuring two bassists and his son Denardo on drums.
This booking might seem like a point of departure for JALC, which has a reputation for being tradition- rather than innovation-minded, but it really isn't. The Lincoln Center Jazz Orchestra performed its members' original arrangements of Pulitzer Prize-winning composer Coleman's music in January 2004. Here's Wynton soloing on Ornette's tune "Free" from an LCJO concert in Salt Lake City:
Continue reading Reasons to be cheerful: Wynton books Ornette.
The jazziest scene at the second night of Jazz at Lincoln Center's Monk Festival was in the fifth floor atrium, during intermission of simultaneous concerts by pianist Danilo Perez's trio (reprising his cd Panamonk, in the Allen Room) and the Lincoln Center Jazz Orchestra performing members' arrangements of Monk's music in big band settings led by Wynton Marsalis, with featured pianist Marcus Roberts (in more formal Rose Hall).
Between sets all-age, all-hipster-style attendees mingled in the buzzy, high ceilinged room. Especially fashionable young couples gazed out upon the lights of Columbus Circle, Central Park and 59th Street and sometimes at each other. Films of Monk were projected on a large screen while a excitedly engaged, unannounced piano trio, lit but not raised off the floor, jammed on Monk themes. Arrestingly artful album covers of Monk's lps were displayed on stands politely guarded by low ropes; high end drinks and snacks were sold at kiosks around which the multi-generational crowd surged. CDs and Monk paraphernalia were available at one table, sponsorship info for J@LC at another, and brewer Doug Moody was pouring free samples of his tasty Brother Thelonious Belgian-style abbey ale at a third. The mood was lively as a village fair, in perhaps unfair contrast to the seriousness of intent palpable at the LCJO's concert, from which I'd come.
Continue reading Classic Monk, classical Jazz at Lincoln Center .
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Howard Mandel
I'm a Chicago-born and New York-based writer, editor, author, arts producer for National Public Radio -- for more than 30 years, a freelance arts journalist
working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere. I'm president of the Jazz Journalists Association. moreContact me Click here to send me an email... more
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Bruno Leicht's Subjective Jazz Views
Carl Wilson's cross-genre Zoilus
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