Results tagged “JazzTimes” from Jazz Beyond Jazz

Jazz Times was credited with 100,000 circulation in virtually all press accounts of its recent transfer of ownership -- which with annual subscription rate of nearly $24 per year suggests annual income from readership alone (there's income from ads, too) easily be in excess of $2 million dollars.

But as I noted in my last posting, the circulation figure is not verified by the non-profit Audit Bureau of Circulation or anyone else. It comes from Jazz Times advertising department, which of course sells ads on the basis of how many eyeballs can be said to be perusing them. The whole question of jazz mag circulation is murky -- surprising, at a time when I can chart by the hour the exact number of hits of readers on this blog, and even figure out where they come from. Here is correspondence on jazz mag circulation claims I received from Frank Alkyer, the publisher of 75-year-old Down Beat magazine, Jazz Times' rival (which has a $26.99 annual sub rate for 12 issues; JT puts out 10 and an education supplement). Alkyer says Down Beat's circulation is currently 70,000.
July 16, 2009 12:50 PM | | Comments (0)
The quick revival of magazine Jazz Times by Madavor Media is a good thing, but freelance contributors whose work has already been published are being told that they'll be paid only 50% of amounts due.

"Those checks are going out this week," according to an email sent by Lee Mergener, JT's editor-in-chief who is being retained during the transition in ownership, along with managing editor Evan Haga and two ad representatives. Mergner's memo continues, "Madavor only acquired the assets, not the liabilities, of the company, leaving JazzTimes' previous ownership to settle its debts as best it can."
July 14, 2009 2:58 PM | | Comments (2)
Jazz Times, the monthly which suspended publication in May, has been bought by Madavor Media and will print an August issue produced by its familiar staff and contributors, according to today's New York Times. Boston-based Madavor counts International Figure Skating, Volleyball and The Best of Northeast Golf among its "core titles," having acquired Doll, a long-established UK collector's periodical, in June 2008 and four regionally-oriented golf titles last September.
July 13, 2009 8:12 AM | | Comments (1)
JazzTimes confirms rumors first reported here the 38-year-old monthly magazine's deep financial distress requires it to stop publishing. Its management hopes for a brand-sale and re-emergence. But in a longer email to freelance contributors, those same managers adopt a can't-help-you-pal shrug toward the brand's freelance contributors.

"The brand and operation will undergo reorganization and restructuring in order to remain competitive in the current media," according to the brief note on the mag's website. In the iteration of this message that went out to Jazz Times' contributors, though, that assertion was followed by words of dread to freelance writers and photographers: ". . . payments for previous assignments remain in limbo, as the JazzTimes ownership seeks the necessary financing."

Payments In limbo? What would a carpenter, plumber, landlord say? "I'll take the shelves back." "Your toilet's in limbo." "No rent, you're out!"
June 9, 2009 11:09 PM | | Comments (0)
An associate editor of JazzTimes "until a couple of weeks ago when I was laid off" has confirmed that the magazine is in deep trouble. "There was some hope of a new buyer coming to the rescue," he writes, "but as of my last contact with the guys it wasn't looking good." I'd heard previously that the proposed deal fell through.

"Hopefully that will still happen," this source continues, "but with the loss of JVC and other advertisers it's doubtful the magazine would be able to survive in its present format." Meanwhile, numerous writers and photographers have contacted me with tales of waiting on payments since last March. These are bad signs. A lot of jazz people are, like my correspondent, hopeful. We'd like Jazz Times to continue, to prosper and flower. More news when I get some. . . good or bad.

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June 5, 2009 6:26 PM | | Comments (0)
New speculation on the jazz magazine crisis: Having no summer advertorial supplements for JVC Jazz Festivals (which aren't happening) may have hugely hurt JT's seasonal revenues. How could the loss of three consecutive monthly multi-page inserts, all expenses paid for by the client, not shake a publication's income stream?

Complete disclosure: I edited the JVC Jazz Festival program books in the 1990s, when they were inserts into Tower Records' free monthly magazine Pulse!, and for a year when JVC America, responsible for the Japanese owned electronics firms' promotional investment in George Wein's international jazz fests, switched the contract to Jazziz. Ah, those were the days!
June 4, 2009 4:28 PM | | Comments (4)
Rumors abound that JazzTimes magazine is folding -- it's laid off employees, notified writers of waits for May payments, not shipped its June issue to the printers and failed to sell itself to a new publisher. A senior contributor says he was told not to write his next column until asked for it. These are rumors, I stress: I've emailed JT's publisher and editors for confirmation or denial, comment and clarification, without response so far. It wouldn't be terribly surprising, given the economic drift and hard times for print media. But the demise of JazzTimes would change the game for everybody -- musicians, readers writers, advertisers -- focused on jazz.
June 3, 2009 5:15 PM | | Comments (17)
In his article on the collaboration of Jim Hall and Bill Frisell in the April issue of Jazz Times, Evan Haga refers to the "Big Three" of current jazz guitarists: Frisell, John Scofield and John McLaughlin.

Much as I dig them (and Hall), that designation is a rather typical journalistic foreshortening of a field, relegating to a rich second tier such high-profile powerhouse contenders as Pat Metheny, Pat Martino, Larry Coryell, James "Blood" Ulmer, Vernon Reid, George Benson, Les Paul, Russell Malone, Al Di Meola, Kenny Burrell, Toninho Horta, Romero Lumbambo, Stanley Jordan, Charlie Hunter, Lionel Loueke, Birelli Lagrene, John Pizzarelli, Mike Stern, Leni Stern, Lee Ritenour, Ben Monder, Kurt Rosenwinkel, Marc Ribot, Mary Halvorson, Elliott Sharp, Doug Wamble, Jeff Parker, Earl Klugh and Dave Fiuczynski, for starters. Whaddya think, readers: Are McLaughlin, Scofield and Frisell all that guitaristically dominant?

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April 27, 2009 8:41 AM | | Comments (15)

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Howard Mandel HM2.for%20web.jpg I'm a Chicago-born and New York-based writer, editor, author, arts producer for National Public Radio -- for more than 30 years, a freelance arts journalist working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere. I'm president of the Jazz Journalists Association. more

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Miles Davis intended On The Corner to be a personal statement, an esthetic breakthrough and a social provocation upon its release in fall of 1972. He could hardly have been more successful: the album was all that, though it has taken decades for its full impact to be understood.

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