Results tagged “Jazz at Lincoln Center” from Jazz Beyond Jazz
The Kennedy Center presents more jazz in 2009-10 than all the other US government cultural institutions combined -- some 40 concerts of new and established talent in all styles. No surprise, public performance being the Center's reason for being, while the Library of Congress and the Smithsonian Institution are mandated for research and archival activities. But who supports the KenCen's jazz?
Continue reading Best DC jazz presenter: Kennedy Center.
The Five Peace Band -- guitarist John McLaughlin, keyboardist Chick Corea, alto saxist Kenny Garrett, bassist Christian McBride and drummer Brian Blade -- opened the last leg of a multi-month tour with a three-night stand at Jazz at Lincoln Center last night. The players' musicianship can't be faulted, their energy was high and they looked like they were deeply engaged in having fun. So are my expectations and/or standards disproportionate, unfulfillable? Why at concert end did I feel more enervated than invigorated?
Continue reading McLaughlin-Corea Five Peace Band and a fan's disappointment.
Eddie Palmieri, the genius and prophet of Afro-Caribbean jazz, showed Herbie Hancock, maybe Wynton Marsalis and certainly the roaring audience at Jazz at Lincoln Center's Rose Hall a thing or three last weekend. His band La Perfecta II, reconstituting the instrumentation and compositions for mambo, cha-cha and pachanga dancing Palmieri introduced in 1961, blew the lid off the joint as I've heard no other band do since it opened in 2004, establishing Latin music's clavé rhythm for all time at the core of what Marsalis likes to call "the house that swing built."
Swing they did, La Perfecta, swing hard, with style, precision and vengeance much more driving, cool and fiery than anything else taken for swing today. If only the Rose Hall seats could have been pushed aside for dancing. Swing, swivel, dip, cut, twist, step, shift, glide, gesture -- faster, faster, faster -- in perfect syncopation with the polyrhythmic percussion, the riffing trombones and trumpet, the steely-plucked trés and full-bodied but sparely applied flute.
Palmieri at the piano -- age 73, dapper in suit and yellow tie, busy cueing his horns, supporting his elegant yet impassioned male singers, goosing the tempo kept by his deft young bassist and veteran conga player, breaking into unpredictably funky or classical, flowing or staggered keyboard solos -- is probably the last surviving bandleader in America today who makes "swing" transcend its historic import to render big band virtuosity, intensity and density at highest speeds more immediate than tomorrow's pop. His music isn't contemporary, it's immediate, and thus timeless.
He expands on an extraordinary American idiom -- check out this clip from a Fania All-Stars session of Palmieri, the "Sun of Latin Music" with fellow keyboardists Larry Harlow and Papo Lucca, Johnny Pacheco playing flute and Ismael Quintana singing lead:
Continue reading Eddie Palmieri sets Jazz at Lincoln Center afire.
The jazziest scene at the second night of Jazz at Lincoln Center's Monk Festival was in the fifth floor atrium, during intermission of simultaneous concerts by pianist Danilo Perez's trio (reprising his cd Panamonk, in the Allen Room) and the Lincoln Center Jazz Orchestra performing members' arrangements of Monk's music in big band settings led by Wynton Marsalis, with featured pianist Marcus Roberts (in more formal Rose Hall).
Between sets all-age, all-hipster-style attendees mingled in the buzzy, high ceilinged room. Especially fashionable young couples gazed out upon the lights of Columbus Circle, Central Park and 59th Street and sometimes at each other. Films of Monk were projected on a large screen while a excitedly engaged, unannounced piano trio, lit but not raised off the floor, jammed on Monk themes. Arrestingly artful album covers of Monk's lps were displayed on stands politely guarded by low ropes; high end drinks and snacks were sold at kiosks around which the multi-generational crowd surged. CDs and Monk paraphernalia were available at one table, sponsorship info for J@LC at another, and brewer Doug Moody was pouring free samples of his tasty Brother Thelonious Belgian-style abbey ale at a third. The mood was lively as a village fair, in perhaps unfair contrast to the seriousness of intent palpable at the LCJO's concert, from which I'd come.
Continue reading Classic Monk, classical Jazz at Lincoln Center .
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I'm a Chicago-born and New York-based writer, editor, author, arts producer for National Public Radio -- for more than 30 years, a freelance arts journalist
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A Blog Supreme (NPR)
Alex W. Rodriguez's Lubricity
All About Jazz
Andrea Cantor's JazzInk
The Bad Plus' Do The Math
Bob Lewis' Jazz My Two Cents Worth
Bret Primack, Jazz Video Guy
Bruno Leicht's Subjective Jazz Views
Carl Wilson's cross-genre Zoilus
CelebStoner
David R. Adler's Lerterland
Darcy James Argue's Secret Society
Dave Douglas's Greenleaf Music Blog
David Ryshpan's Settled in Shipping
Dean Minderman's St. Louis Jazz Notes
Don Heckman and The International Review of Music
Doug Ramsey's Riffides
Fred Kaplan's Jazz Messenger
Hank Shteamer's Dark Forces Swing Blind Punches
James Hale's Jazz Chronicles
Jazz.com
JazzCorner
Jazz Foundation of America
Jazz Journalists Association's Jazzhouse
JazzWest
Willard Jenkins' Independent Ear
Kazue Yokoi's exblog (in Japanese)
Larry Blumenfeld's Listen Good
Marc Myers' Jazzwax
Michael Steinman's Jazz Lives
Nate Chinen, The Gig
Pamela Espeland's Bebopified
Plastic Sax, Jazz in Kansas City
Peter Hum's JazzBlog
Tim Posgate's Canadian 'jazzlife'
Rock & Rap Confidential
Thelonius Monk Institute of Jazz
U of Guelph's Improvisation, Community and Social Practice
Ralph Mirlello's Notes on Jazz
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Andrew Taylor on the business of arts & culture
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Laura Collins-Hughes on arts, culture and coverage
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Dalouge Smith advocates for the Arts
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Art from the American Outback
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For immediate release: the arts are marketable
For immediate release: the arts are marketable
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No genre is the new genre
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David Jays on theatre and dance
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Paul Levy measures the Angles
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Judith H. Dobrzynski on Culture
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Focus on New Orleans. Jazz and Other Sounds
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Doug Ramsey on Jazz and other matters...
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Jeff Weinstein's Cultural Mixology
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Martha Bayles on Film...
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Fresh ideas on building arts communities
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Greg Sandow performs a book-in-progress
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Exploring Orchestras w/ Henry Fogel
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Harvey Sachs on music, and various digressions
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Bruce Brubaker on all things Piano
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Kyle Gann on music after the fact
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Greg Sandow on the future of Classical Music
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Norman Lebrecht on Shifting Sound Worlds
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Scott McLemee on books, ideas & trash-culture ephemera
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Wendy Rosenfield: covering drama, onstage and off
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Chloe Veltman on how culture will save the world
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Regina Hackett takes her Art To Go
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John Perreault's art diary
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