Bruce Nauman, 'Double Steel Cage Piece'

NaumanDoubleSteelCagePiece2.jpg"I woke up, naked, strapped to a bed, in a very white room. The room measured approximately 4m x 4m. The room had three solid walls, with the fourth wall consisting of metal bars separating it from a larger room. I am not sure how long I remained in the bed. After some time, I think it was several days, but can't remember exactly, I was transferred to a chair where I was kept, shackled by hands and feet for what I think was the next 2 to 3 weeks. During this time I developed blisters on the underside of my legs due to the constant sitting. I was only allowed to get up from the chair to go [to] the toilet, which consisted of a bucket. Water for cleaning myself was provided in a plastic bottle.

I was given no solid food during the first two or three weeks, while sitting on the chair. I was only given Ensure and water to drink. At first the Ensure made me vomit, but this became less with time.

The cell and room were air-conditioned and were very cold. Very loud, shouting type music was constantly playing. It kept repeating about every fifteen minutes twenty-four hours a day. Sometimes the music stopped and was replaced by a loud hissing or crackling noise."

-- Abu Zubaydeh, as told to the International Committee of the Red Cross regarding his detention in Afghanistan, where he was detained for approximately nine months from May, 2002 to February, 2003. The ICRC concluded that the United States' treatment of Abu Zubaydeh, more fully detailed in this ICRC report, was in contravention of international law and that "the ill-treatment to which [detainees] were subjected while held in the CIA program, either singly or in combination, constituted torture."

To read first-hand reports of America's torture of suspected terrorists, including the rest of Abu Zubaydeh's account, see page 28 of the ICRC report. The report was first made public by Mark Danner in "US Torture: Voices from the Black Sites" in the New York Review of Books, April 9, 2009. 

Image: Bruce Nauman, Double Steel Cage Piece, 1974, from the collection of Museum Boijmans Van Beuningen, Rotterdam. This is an installation shot from the ongoing Nauman exhibit at Ca' Foscari, part of the Bruce Nauman presentation at and around the 2009 Venice Biennale. Photo: Michele Lamanna, courtesy Philadelphia Museum of Art.

Related: Bruce Nauman's 1981 'hanging chairs' sculptures become us. Part two.
July 14, 2009 12:16 PM |

Blogroll

The Lead List

Greg Allen
Art History Newsletter
Bloggy
Brooklyn Museum
C-Monster
Culture Monster (LAT)
Conscientious
Greg Cook
Eyeteeth
Fallon & Rosof
Heart as Arena
HouChron Arts in Houston
Indy Museum of Art
LACMA on Fire
LACMA's Unframed
Looking Around
Modern Art Obsession
Off Center
PORT
Regina Hackett
Sixteen Miles
Touching Harms the Art
Hrag Vartanian
Venetian Red
James Wagner
Edward Winkleman

Boston & New England

Artblog Comments
Brief Epigrams
Leslie K. Brown
Exhibitionist
Hol Art Books
Jason Landry
Megan & Murray
Modern Kicks
Our Daily Red

Chicago

Art or Idiocy?
Edward Lifson
Museumist
No Caption Needed
Not If But When #2
Sharkforum

Denver

Art Palaver Fort Collins
Gallery Hopper
Minutiae

Great Lakes

Art in Pittsburgh
Cigarettes and Purity
Culture Scout
Digging Pitt
Eageageag
Mattress Factory
The Thinking Eye
Unedit my Heart
View on Canadian Art

Los Angeles

art.blogging.la
Marshall Astor
Eco Art Blog
Carol Es
The Flog
Frenchy But Chic
Dennis Hollingsworth
I call it oranges
Leap Into the Void
Lenscratch
Robert Olsen
Positive Ape Index
Steve Roden
The OC Art Blog
Try Harder

Midwest (KS --> OH)

2buildings1blog
Art City (Mil J-S)
Arts Admin
Cincy Art Snob
MW Capacity
Nelson-Atkins
On the Cusp
Tony Renner
Shorttage
St. Louis Art Map
StL P-D Culture Club

Minneapolis

Chron. of Artistic Failure
Ongoing

New York City

AFC
American Modern
Aperture Exposures
art:21
ArtCatZine
ArtCritical
ArtObserved
Art on my Mind
Art Vent
Artists Unite Issue
ArtsBeat (Buffalo News)
Carefully Aimed Darts
Daily Gusto
Delicious Ghost
Eponanonymous
Deborah Fisher
Flavorwire
Amy Goodwin
Ground Glass
Bill Gusky
John Haber
Ethan Ham
High Low and in Between
Hungry Hyaena
I Heart Photograph
Immersion Blog
MTAA-RR
Joanne Mattera
NEWSgrist
The Old Gold
Oly's Musings
Anne Sherwood Pundyk
Restless
Smarthistory
Catherine Spaeth
Amy Stein
Two Coats of Paint
Updownacross

Philadelphia

Art Blog By Bob
From This Moment
In It for Life
Matthews the Younger
Romanblog II
Zoe Strauss
Douglas Witmer

Portland

DK Row
TJ Norris

San Francisco

Bay Area Art Quake
Timothy Buckwalter
Chez Namastenancy
Engineer's Daughter
Open Space (SFMOMA)

Seattle

Art and Politics Now
Hankblog
Seattle Art Blog
Slog visual arts
Translinguistic other
Joey Veltkamp

Texas & Southwest

Art Motel Radio
ArtsHouston Blog
Border Art Dialogue
'Bout What I Sees
Amon Carter Museum
Emvergeoning
Glasstire blogs
Chris Jagers
KERA Arts & Culture
Marilu Knode
MAMFW
Wax by the Fire

Washington, DC, Baltimore

Adventures of Hoogrrl
artPark
DC Art Seen
DC Public Library blog
Eyelevel (SAAM)
From the Isle of Baltimore
Grammar.police
Hatchets and Skewers
Ionarts
Jumping in Art Museums
Philip Kennicott
Matthew Langley
NTHP
Signal Fire

Podcasts

ArtsHouston
Bad at Sports
Dallas ArtCast

Architecture

ArchDaily
BLDGBLOG
A Daily Dose
Dezeen
Life Without Buildings
Pruned
Subtopia

About this Entry

This page contains a single entry by Modern Art Notes published on July 14, 2009 12:16 PM.

Considering torture through art was the previous entry in this blog.

Bruce Nauman's hanging chairs become us is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

AJ Ads

Introducing
AJ Arts Blog Ads

Now you can reach the most discerning arts blog readers on the internet. Target individual blogs or topics in the ArtsJournal ad network.

Advertise Here

[advertisement]

[advertisement]

AJ Blogs

AJBlogCentral | rss

culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
critical difference
Laura Collins-Hughes on arts, culture and coverage
Dewey21C
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Dog Days
Dalouge Smith advocates for the Arts
Flyover
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
Plain English
Paul Levy measures the Angles
Real Clear Arts
Judith H. Dobrzynski on Culture
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

classical music
Creative Destruction
Fresh ideas on building arts communities
The Future of Classical Music?
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
PianoMorphosis
Bruce Brubaker on all things Piano
PostClassic
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world

visual
Aesthetic Grounds
Public Art, Public Space
Another Bouncing Ball
Regina Hackett takes her Art To Go
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Creative Commons License
This weblog is licensed under a Creative Commons License.