Weekend roundup

  • On the occasion of the 100th St. Louis Art Museum 'Currents' show, David Bonetti dates the creation of 'Directions,' 'Projects,' 'MATRIX,' and 'Currents-like' shows to, well, click and see.

  • Robert Sullivan writes in the Washington Post with tough -love advice for the Smithsonian, its regents, and Congress. Sullivan will be answering questions on the Post's website at noon EDT, with a transcript available afterward (at that same link).

  • Two weeks ago, MAN was the first to tell you about SFMOMA's newly acquired Flavin. This weekend Kenneth Baker puts it in the context of both the museum's collection and a current show in Berkeley.

  • The Philly Inky's Ed Sozanski reviews the Pissarro show about which I'm posting today. I agree with his take on the pleasures to be found in the show's leisurely narrative.

  • Compare: Fast Forward at the Dallas Museum of Art (reviewed by Scott Cantrell) to my moaning about the MFA Houston.

  • Canada's Beaverbrook Art Gallery wins and keeps its art.

  • On this week's Bad at Sports podcast, MANpal Mary Leigh Cherry discusses the Artist Pension Trust.

  • April 2, 2007 11:21 AM |

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    About this Entry

    This page contains a single entry by Modern Art Notes published on April 2, 2007 11:21 AM.

    Pissarro and industry in the French landscape was the previous entry in this blog.

    Pissarro, meet Mitch Epstein is the next entry in this blog.

    Find recent content on the main index or look in the archives to find all content.

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