music: August 2007 Archives

I arrived in New Orleans Thursday, and I've barely rested since. I'm ambivalent about the whole "Katrina Anniversary" thing: one the one hand, it seems shallow and crude and beside the point; on the other, markers are makers and, when it comes to journalism, pegs are pegs. And so many smart and hard-working people in New Orleans are making use of this moment to highlight what's right, what's wrong, and what's needed. The president is here already, I think. He's supposed to speak somewhere or another tomorrow: It will be hard to get anything across over the hollow ring of his promises at Jackson Square in 2005.

I worry that the piece I just filed for is too downcast -- there is so much good and positive going on every day here. But it's true and accurate and I mean what I say about culture leading the way. The rains come and go here lately -- light, refreshing and utterly unthreatening. Then it breaks, and the sun burns piercing hot. And I keep forgetting to leave extra time to talk to people I bump into in the street. It's like that here...

August 28, 2007 4:17 PM | | Comments (0)

Max Roach died yesterday at 83, silently in his sleep. But from his teens until his death he was gloriously unsilent as a drummer, composer, bandleader, organizer, activist and fearless creative soul. Roach was one of those few who helped define what bebop sounds like but who transcended that and every other category.

It was hardly coincidence that Roach was at the drums for seminal or especially revealing recordings such as the late-1940s work by Charlie Parker and Bud Powell, Thelonious Monk's "Brilliant Corners," and Duke Ellington's "Money Jungle." As the drummer for Sonny Rollins's 1958 "Freedom Suite" and as conceptualist-composer-drummer for "We Insist! Max Roach's Freedom Now Suite," Roach displayed a conscience and relevance one wishes jazz could muster in these troubled times. And Roach's acts of empowerment in collaboration with Charles Mingus -- founding Debut Records, launching an alternative jazz festival in 1960 to protest the Newport jazz Festival's policies -- stand as inspirational markers for similar acts of independence by artists today, from John Zorn to Maria Schneider.

August 17, 2007 11:07 AM | | Comments (0)



About this Archive

This page is a archive of entries in the music category from August 2007.

music: July 2007 is the previous archive.

music: September 2007 is the next archive.

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About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
critical difference
Laura Collins-Hughes on arts, culture and coverage
Richard Kessler on arts education
Douglas McLennan's blog
Dog Days
Dalouge Smith advocates for the Arts
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
Plain English
Paul Levy measures the Angles
Real Clear Arts
Judith H. Dobrzynski on Culture
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
Focus on New Orleans. Jazz and Other Sounds
Doug Ramsey on Jazz and other matters...

Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

classical music
Creative Destruction
Fresh ideas on building arts communities
The Future of Classical Music?
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Harvey Sachs on music, and various digressions
Bruce Brubaker on all things Piano
Kyle Gann on music after the fact
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

Drama Queen
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world

Aesthetic Grounds
Public Art, Public Space
Another Bouncing Ball
Regina Hackett takes her Art To Go
John Perreault's art diary
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
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