main: June 2009 Archives

paulin.4.07.jpgIn my recent Village Voice piece on New Orleans, I made reference to a battle in the Louisiana State Legislature over arts funding, and the deep and cynical cuts proposed by Gov. Bobby Jindal. My friend Ned Sublette, as erudite a political commentator as he is a historian, suspects a national effort to "zero-out" arts budgets in states with Republicans in power -- to "shock-doctrine" it away, Ned put it -- under the guise of economic prudence. In Louisiana at least, the attempt is on the table in the legislature as we speak: The effects would be deep, far-reaching, and perhaps irreversible. 

Michael Sartisky, the executive director of the Louisiana Endowment for the Humanities offers clarity and passion on the subject in "Dirge for Culture," his latest editor's note for the LEH's Cultural Vistas magazine:

A Dirge for Culture 
Editor's Column from LCV Summer 2009

Mosquitoes and high water. It does not take a capacious intellectual leap to imagine what Louisiana amounts to without culture. It's the equivalent of boiling crawfish in plain water, eating rice without red beans, burying the dead without music. Imagine shelves without books, houses without porches, porches without gingerbread, balconies without wrought iron. We may as well be New Jersey or North Dakota. We may as well be dead.

Yet, as I write these words, our state government has placed the knife at our collective throats, setting the state appropriation for the Louisiana Endowment for the Humanities not at a cut proportionate to the budget crisis, but at absolute zero, threatening to accomplish what the savage forces of nature could not.

June 6, 2009 1:59 PM | | Comments (1)
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"Why is music called the divine art, while all other arts are not so called? We may certainly see God in all arts and in all sciences, but in music alone we see God free from all forms and thoughts. In every other art there is idolatry. Every thought, every word has its form. Sound alone is free of form. Every word of poetry forms a picture in our mind. Sound alone does not make any object appear before us."

So wrote Sufi master Hazrat Inayat Khan in The Mysticism of Sound and Music (Shambala Publications). I was hipped to that book by pianist Randy Weston, who claimed that he found it lying on a curb, a chance encounter with formative wisdom.  And the book has turned up again and again in my conversations with musicians from many cultures and traditions, especially in jazz circles. Sufi musicians have been among my wisest teachers during the course of my career. Not least among them Senegalese superstar singer and bandleader Youssou N'Dour, whose 2004 CD, Egypt (Nonesuch), a declaration of Sufi identity, was devastating for both its beauty and its political punch at a deeply troubled time. 

N'Dour opens "Muslim Voices: Arts & Ideas" an innovative multi-disciplinary festival at several sites in New York, June 5-14. His Super étoile band plays BAM's Howard Gilman Opera House on the 5th. A fine and searching film chronicling his Egypt album and tour, "I Bring What I Love," screens there the following night, with a brief performance by N'Dour. It's a tough call though...

June 1, 2009 5:08 PM |

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