Life's a Twitch, Part 2 (The Publicists)
Many thanks to @cjpr: Christina Jensen, Christina Jensen PR; @CarnegieMatt: Matt Carlson, Carnegie Hall; @dotdotdottweet: Steven Swartz, DotDotDot Music; @SarahBaird: Sarah Baird, Boosey and Hawkes; @BklsweetMedia: Amanda Sweet, Bucklesweet Media; @glennpetry, @seanmgross, @PhilipWilder: Glenn Petry, Sean Gross and Philip Wilder, 21C Media Group; and @mlaffs: Maura Lafferty, New Century Chamber Orchestra for their help with this. Now stop Tweeting and answering blog questions and revise some bios!
These interviews were conducted via carrier pigeon, i.e. e mail.
___________________
How long have you been using Twitter?
@cjpr: Since March 2009.
@CarnegieMatt: About seven months.
@dotdotdottweet: Since last winter - don't recall exactly when I started, but it was definitely BO (Before Oprah).
@SarahBaird: I began listening in March 2008 but didn't join the conversation and start tweeting until March 2009.
@BklsweetMedia: One week!
@glennpetry: We began using Twitter last season 2008-2009.
@seanmgross: I signed up for Twitter over a year ago, but I didn't start actively using it until about six months ago.
@PhilipWilder: I began my life as a tweeter about 9 months ago.
@mlaffs: Since April or March?
Were you motivated by personal or professional reasons?
@cjpr: Professional.
@CarnegieMatt: I was initially motivated because Carnegie Hall was planning its own Twitter account (now launched @carnegiehall) as part of an expanded social media effort. So I wanted to see what all the fuss was about. That said, my feed is really meant to be a personal account - I comment on non-musical matters as well, and it's linked to my personal email account. If I could do it again, I suppose I wouldn't have picked @carnegiematt as my handle since it's not reflective of everything you read there.
@dotdotdottweet: Mostly personal - thought it might be fun. Its promotional potential wasn't immediately obvious to me.
@SarahBaird: I was curious about Twitter and I appreciated the ability to see trends and participate in conversations, share experiences. The major impetus for me to join was SXSW. I was heading to Austin and knew that I'd only be able to see about 20 of the thousands of showcasing bands, and meet about 20 of the thousands of interesting people. So Twitter was a way for me to tune into the larger conversation and tweet-up with people who were zipping around to different venues. I'd say it's personal-professional for me. I tweet as Sarah-Baird-Who-Works-for-Boosey-&-Hawkes. So a person who follows me isn't following a company megaphone, but the same person they'd see if they were my colleague, working in my office. None of my personal friends follow me on Twitter (who aren't involved in the industry).
@BklsweetMedia: Professional but just like most things in my life, those boundaries are blurred. I actually sent out a tweet last week about DC Green Works and my great meeting with them about bayscaping in my yard.
@glennpetry: I would say we were motivated by both personal and professional reasons, which is why we maintain both "personal" and "professional" Twitter accounts.
@seanmgross: I use my own Twitter account mainly for personal reasons. I let my friends and "followers" (although I don't like that word...it makes me sound creepy, like I'm trying to be David Koresh) know about a new restaurant that I discovered, an interesting article I read, or something unusual or funny that happened to me that day. However, I don't share anything that is too personal, since my Tweets can also be seen by colleagues and clients. For our company, I oversee a separate 21C Media Group Twitter feed that is one of several ways that the press and public can elect to receive information on our clients (other ways include our website, news release emails, RSS feed, and Facebook page). Each tweet includes a one-line news item and a link to a news release on our company's website. It's not meant to be the most interactive Twitter feed. We encourage our artists to Twitter on their own if they are interested and have the time to commit to it, as this is where the true power of Twitter lies. Our feed is engineered to be more of news feed, like CNN's but with a much more singular focus.
@PhilipWilder: Since I travel tons for work, as well as my life as a "bi-coastal", it initially seemed to be a good way to keep in touch with friends and colleagues. Now, I have a good amount of followers - friends and strangers - and have many discussions with them over Twitter and through email when 140 characters isn't enough. Of course, 21C posts daily Tweets on breaking news about our clients too. Mine are more of an inside view from Behind the scenes.
@mlaffs: Initially, I wanted to get to know the tool and the user base before even considering using it for my company, since I've seen a lot of arts organizations mis-use social media. Since then, the relationships that I have built have offered both personal and professional value.
These interviews were conducted via carrier pigeon, i.e. e mail.
___________________
How long have you been using Twitter?
@cjpr: Since March 2009.
@CarnegieMatt: About seven months.
@dotdotdottweet: Since last winter - don't recall exactly when I started, but it was definitely BO (Before Oprah).
@SarahBaird: I began listening in March 2008 but didn't join the conversation and start tweeting until March 2009.
@BklsweetMedia: One week!
@glennpetry: We began using Twitter last season 2008-2009.
@seanmgross: I signed up for Twitter over a year ago, but I didn't start actively using it until about six months ago.
@PhilipWilder: I began my life as a tweeter about 9 months ago.
@mlaffs: Since April or March?
Were you motivated by personal or professional reasons?
@cjpr: Professional.
@CarnegieMatt: I was initially motivated because Carnegie Hall was planning its own Twitter account (now launched @carnegiehall) as part of an expanded social media effort. So I wanted to see what all the fuss was about. That said, my feed is really meant to be a personal account - I comment on non-musical matters as well, and it's linked to my personal email account. If I could do it again, I suppose I wouldn't have picked @carnegiematt as my handle since it's not reflective of everything you read there.
@dotdotdottweet: Mostly personal - thought it might be fun. Its promotional potential wasn't immediately obvious to me.
@SarahBaird: I was curious about Twitter and I appreciated the ability to see trends and participate in conversations, share experiences. The major impetus for me to join was SXSW. I was heading to Austin and knew that I'd only be able to see about 20 of the thousands of showcasing bands, and meet about 20 of the thousands of interesting people. So Twitter was a way for me to tune into the larger conversation and tweet-up with people who were zipping around to different venues. I'd say it's personal-professional for me. I tweet as Sarah-Baird-Who-Works-for-Boosey-&-Hawkes. So a person who follows me isn't following a company megaphone, but the same person they'd see if they were my colleague, working in my office. None of my personal friends follow me on Twitter (who aren't involved in the industry).
@BklsweetMedia: Professional but just like most things in my life, those boundaries are blurred. I actually sent out a tweet last week about DC Green Works and my great meeting with them about bayscaping in my yard.
@glennpetry: I would say we were motivated by both personal and professional reasons, which is why we maintain both "personal" and "professional" Twitter accounts.
@seanmgross: I use my own Twitter account mainly for personal reasons. I let my friends and "followers" (although I don't like that word...it makes me sound creepy, like I'm trying to be David Koresh) know about a new restaurant that I discovered, an interesting article I read, or something unusual or funny that happened to me that day. However, I don't share anything that is too personal, since my Tweets can also be seen by colleagues and clients. For our company, I oversee a separate 21C Media Group Twitter feed that is one of several ways that the press and public can elect to receive information on our clients (other ways include our website, news release emails, RSS feed, and Facebook page). Each tweet includes a one-line news item and a link to a news release on our company's website. It's not meant to be the most interactive Twitter feed. We encourage our artists to Twitter on their own if they are interested and have the time to commit to it, as this is where the true power of Twitter lies. Our feed is engineered to be more of news feed, like CNN's but with a much more singular focus.
@PhilipWilder: Since I travel tons for work, as well as my life as a "bi-coastal", it initially seemed to be a good way to keep in touch with friends and colleagues. Now, I have a good amount of followers - friends and strangers - and have many discussions with them over Twitter and through email when 140 characters isn't enough. Of course, 21C posts daily Tweets on breaking news about our clients too. Mine are more of an inside view from Behind the scenes.
@mlaffs: Initially, I wanted to get to know the tool and the user base before even considering using it for my company, since I've seen a lot of arts organizations mis-use social media. Since then, the relationships that I have built have offered both personal and professional value.
How often and in what ways do you interact with members of the press on Twitter?
@cjpr: Occasionally - mainly passing around links to interesting articles. I have never pitched anyone on Twitter. I would say the majority of my interactions are with musicians, other arts professionals, and some people I only know on Twitter. I've also found it very useful for finding out what's going on in my neighborhood - for example, when the Schnitzel Truck is stationed in my 'hood, or when there's a free concert in a gallery nearby.
@CarnegieMatt: I follow some writers just to find out what they're currently into and writing about, sometimes commenting and retweeting if I particularly like a story or tweet that they've written.
@dotdotdottweet: Just about every day, in all the ways Twitter offers -- direct messages, messages, @ replies, RTs.
@SarahBaird: I log into Tweetdeck in the morning (my NASA Command and Control Center) and leave it open all day while I'm at the office. I have different groups set up for colleagues, press/writers, composers, biz news, pr/new media interest, etc., so I can easily follow different types of conversations. Often I'm just listening, taking the pulse of the day but if I feel moved I'll join in. I post press releases first on Twitter before sending to my e-mail list, so that journalists who follow me get some added value. I also use Twitter to share interesting audio/video links, factoids, and composer news that wouldn't be best served in a press release. Like when I learned that Donald Trump included an entire paragraph about the genius of Steve Reich in his latest book. Perfect for Twitter.
@BklsweetMedia: I might respond to them if I see an interesting tweet but thus far, it's been infrequent.
@glennpetry: Quite a range for this answer. Sometimes numerous times in a day, sometimes daily and at a minimum numerous times throughout the week on Twitter, both passively (ie, we're reading each other's tweets) and actively (ie, responding to tweets).
@seanmgross: Since in my job I alternate between wearing a marketer and a publicist's hat, I find Twitter--and most social media--is more effective in energizing fans and the "classical music community" than it is the press. However, there are also members of the press who follow us on Twitter and Facebook.
@PhilipWilder: I have interacted directly with a few members of the press on Twitter. However, most interactions have been a bit passive so far like retweets, etc... It's difficult to quantify the professional advantages to Tweeting, but I can say that I have many new sets of ears all over the world. They respond to things I write, give me tips on cities where I travel, share their opinions about artists I'm about to hear and sometimes ask to meet in person. I've been invited to parties, concerts and even asked to host an online radio show by new Twitter acquaintances too. In a way, it has allowed me to practice public relations in its purest form.
@mlaffs: Twitter has been a great equalizer for me. I interact with members of the press just as I do many of my other contacts and friends. I never sought them out specifically, but I came to value our relationships. I hope the value and advantage that these relationships have brought to my work is reciprocated for the other parties.
Do you feel you've ever gotten a feature or a review for one of your clients or projects exclusively via Twitter?
@cjpr: Possibly once, but it's hard to say. There is an elusive critic whose personal contact information I don't have, who follows me on Twitter. He reviewed a concert I Tweeted about, but it's possible he heard about the concert another way too.
@CarnegieMatt: No. Although it may one day become a tool for such a use, I still feel that communication via e-mail, press release, or phone is the professional standard.
@dotdotdottweet: Very hard to tell -- anyone I'm communicating with on Twitter is probably getting my propaganda through other means as well. However, immediately after I was on the Bang on a Can Marathon Live Twitter Team, I received inquiries from two new potential clients -- a completely unexpected bonus.
@SarahBaird: I've gotten at least three stories directly from Twitter. A story about Steve Reich/Twitter, a review of a recording, and connection with the writer of a major composer profile in the UK.
@BklsweetMedia: Not yet.
@glennpetry: I couldn't prove that we have gotten a feature or review exclusively via Twitter.
@seanmgross: It's hard to tell if our being on Twitter actually results in more press coverage, but what we do know is that it is certainly effective in getting our information out there virally. Arts organizations often "retweet" our posts when they pertain to artists who are performing on their series, and people occasionally comment on our Tweets and ask us questions about our clients and services. In summary, I do feel that Twitter has made the world a better place.
@PhilipWilder: Not yet!
@mlaffs: I secured two online articles through relationships built on Twitter, but the communication was obviously not exclusive to Twitter.
How much of any given day do you spend on Twitter? How much of any given day do you spend writing and sending out press releases?
@cjpr: I enjoy Twitter and Tweet regularly about what I'm working on or what I'm reading, and I like to see what other people are Tweeting about - it's a good way to stay informed. But I don't have enough time to devote to it to get very involved in discussions with individuals on Twitter - going back and forth in conversations. Someone will @cjpr me and sometimes I won't see it for 24 hours - so I feel like my responses are always delayed, and I feel some Twitter guilt. The majority of my day is definitely spent on other forms of communication - such as writing and sending out press releases.
@CarnegieMatt: A few minutes here and there on Twitter. Not too much really. Of course that will change as more and more writers and musicians start using the medium. As for press releases, I spend too much time writing and editing press releases, but that time is spent on making them as topical and compelling as possible so when they are read, it leads to interest.
@dotdotdottweet: Twitter: varies, but I try to look in and post a few tweets at least twice a day. I've installed Tweetdeck, which allows me to post simultaneously to Twitter and Facebook, saving a lot of time and energy. I definitely recommend it. Press releases: varies quite a bit depending on the time of the season, the kinds of projects I'm working on, my artists' calendars... But writing and sending certainly take a major share of my time.
@SarahBaird: I'd say I might Tweet 0-8 times, depending on the day. My position encompasses advertising, marketing, publications, website, social media, and press for B&H, so I'm not always wearing my PR hat. I probably do an average of three press releases a month and five eNewsletters a year, only focused on the most major news, which is why Twitter is a nice outlet for some of the other news and information that might not otherwise be served.
@BklsweetMedia: Thus far I would say I spend about 45 minutes total on Twitter. The second question varies greatly but let's say 1 hour/day.
@glennpetry: Time on Twitter does vary widely as well, really depending on the nature of the day and if there are Twitter-able events. 2 minutes to 1/2 hour....perhaps all told in a day. Writing and sending press releases is considerably more time consuming. A few hours each day.....typically. Now if we could keep our news releases down to 140 characters we might be able to save some time there....!
@PhilipWilder: Every day is different. Tweets have gotten more targeted and clever, so it can be easy to follow links and trails for a while each day. But generally, I spend no more than 15 minutes on Twitter every day. Most of my day is spent writing releases and materials about my clients. And many of my tweets are inspired by news releases or general updates about my clients. I also tweet about music and musicians I hear for fun. Glenn Petry at 21C does the sending.
@mlaffs: My job is so varied (marketing, PR, customer service), that it's hard to say. I keep Twitter running throughout the day, and check in on it periodically, like email. There's no way to keep up with everything that's going on, but I like to have a sense of what people are talking about, and try to join in on conversations whenever possible. I'm leery of just using Twitter to make my pitches or promote my product. I know that my colleagues can be turned off by such an approach. My goal is to offer quality content, engage in conversations, and build relationships, so that when I do pitch something, it's more meaningful. Press releases are somewhat infrequent in my office, compared to my colleagues at bigger organizations. A typical release takes a couple days to draft, edit, and receive approval before going out. Sending the release takes an hour or so (we do it the old way, by BCC'ing everyone on the press list from my email).
@cjpr: Occasionally - mainly passing around links to interesting articles. I have never pitched anyone on Twitter. I would say the majority of my interactions are with musicians, other arts professionals, and some people I only know on Twitter. I've also found it very useful for finding out what's going on in my neighborhood - for example, when the Schnitzel Truck is stationed in my 'hood, or when there's a free concert in a gallery nearby.
@CarnegieMatt: I follow some writers just to find out what they're currently into and writing about, sometimes commenting and retweeting if I particularly like a story or tweet that they've written.
@dotdotdottweet: Just about every day, in all the ways Twitter offers -- direct messages, messages, @ replies, RTs.
@SarahBaird: I log into Tweetdeck in the morning (my NASA Command and Control Center) and leave it open all day while I'm at the office. I have different groups set up for colleagues, press/writers, composers, biz news, pr/new media interest, etc., so I can easily follow different types of conversations. Often I'm just listening, taking the pulse of the day but if I feel moved I'll join in. I post press releases first on Twitter before sending to my e-mail list, so that journalists who follow me get some added value. I also use Twitter to share interesting audio/video links, factoids, and composer news that wouldn't be best served in a press release. Like when I learned that Donald Trump included an entire paragraph about the genius of Steve Reich in his latest book. Perfect for Twitter.
@BklsweetMedia: I might respond to them if I see an interesting tweet but thus far, it's been infrequent.
@glennpetry: Quite a range for this answer. Sometimes numerous times in a day, sometimes daily and at a minimum numerous times throughout the week on Twitter, both passively (ie, we're reading each other's tweets) and actively (ie, responding to tweets).
@seanmgross: Since in my job I alternate between wearing a marketer and a publicist's hat, I find Twitter--and most social media--is more effective in energizing fans and the "classical music community" than it is the press. However, there are also members of the press who follow us on Twitter and Facebook.
@PhilipWilder: I have interacted directly with a few members of the press on Twitter. However, most interactions have been a bit passive so far like retweets, etc... It's difficult to quantify the professional advantages to Tweeting, but I can say that I have many new sets of ears all over the world. They respond to things I write, give me tips on cities where I travel, share their opinions about artists I'm about to hear and sometimes ask to meet in person. I've been invited to parties, concerts and even asked to host an online radio show by new Twitter acquaintances too. In a way, it has allowed me to practice public relations in its purest form.
@mlaffs: Twitter has been a great equalizer for me. I interact with members of the press just as I do many of my other contacts and friends. I never sought them out specifically, but I came to value our relationships. I hope the value and advantage that these relationships have brought to my work is reciprocated for the other parties.
Do you feel you've ever gotten a feature or a review for one of your clients or projects exclusively via Twitter?
@cjpr: Possibly once, but it's hard to say. There is an elusive critic whose personal contact information I don't have, who follows me on Twitter. He reviewed a concert I Tweeted about, but it's possible he heard about the concert another way too.
@CarnegieMatt: No. Although it may one day become a tool for such a use, I still feel that communication via e-mail, press release, or phone is the professional standard.
@dotdotdottweet: Very hard to tell -- anyone I'm communicating with on Twitter is probably getting my propaganda through other means as well. However, immediately after I was on the Bang on a Can Marathon Live Twitter Team, I received inquiries from two new potential clients -- a completely unexpected bonus.
@SarahBaird: I've gotten at least three stories directly from Twitter. A story about Steve Reich/Twitter, a review of a recording, and connection with the writer of a major composer profile in the UK.
@BklsweetMedia: Not yet.
@glennpetry: I couldn't prove that we have gotten a feature or review exclusively via Twitter.
@seanmgross: It's hard to tell if our being on Twitter actually results in more press coverage, but what we do know is that it is certainly effective in getting our information out there virally. Arts organizations often "retweet" our posts when they pertain to artists who are performing on their series, and people occasionally comment on our Tweets and ask us questions about our clients and services. In summary, I do feel that Twitter has made the world a better place.
@PhilipWilder: Not yet!
@mlaffs: I secured two online articles through relationships built on Twitter, but the communication was obviously not exclusive to Twitter.
How much of any given day do you spend on Twitter? How much of any given day do you spend writing and sending out press releases?
@cjpr: I enjoy Twitter and Tweet regularly about what I'm working on or what I'm reading, and I like to see what other people are Tweeting about - it's a good way to stay informed. But I don't have enough time to devote to it to get very involved in discussions with individuals on Twitter - going back and forth in conversations. Someone will @cjpr me and sometimes I won't see it for 24 hours - so I feel like my responses are always delayed, and I feel some Twitter guilt. The majority of my day is definitely spent on other forms of communication - such as writing and sending out press releases.
@CarnegieMatt: A few minutes here and there on Twitter. Not too much really. Of course that will change as more and more writers and musicians start using the medium. As for press releases, I spend too much time writing and editing press releases, but that time is spent on making them as topical and compelling as possible so when they are read, it leads to interest.
@dotdotdottweet: Twitter: varies, but I try to look in and post a few tweets at least twice a day. I've installed Tweetdeck, which allows me to post simultaneously to Twitter and Facebook, saving a lot of time and energy. I definitely recommend it. Press releases: varies quite a bit depending on the time of the season, the kinds of projects I'm working on, my artists' calendars... But writing and sending certainly take a major share of my time.
@SarahBaird: I'd say I might Tweet 0-8 times, depending on the day. My position encompasses advertising, marketing, publications, website, social media, and press for B&H, so I'm not always wearing my PR hat. I probably do an average of three press releases a month and five eNewsletters a year, only focused on the most major news, which is why Twitter is a nice outlet for some of the other news and information that might not otherwise be served.
@BklsweetMedia: Thus far I would say I spend about 45 minutes total on Twitter. The second question varies greatly but let's say 1 hour/day.
@glennpetry: Time on Twitter does vary widely as well, really depending on the nature of the day and if there are Twitter-able events. 2 minutes to 1/2 hour....perhaps all told in a day. Writing and sending press releases is considerably more time consuming. A few hours each day.....typically. Now if we could keep our news releases down to 140 characters we might be able to save some time there....!
@PhilipWilder: Every day is different. Tweets have gotten more targeted and clever, so it can be easy to follow links and trails for a while each day. But generally, I spend no more than 15 minutes on Twitter every day. Most of my day is spent writing releases and materials about my clients. And many of my tweets are inspired by news releases or general updates about my clients. I also tweet about music and musicians I hear for fun. Glenn Petry at 21C does the sending.
@mlaffs: My job is so varied (marketing, PR, customer service), that it's hard to say. I keep Twitter running throughout the day, and check in on it periodically, like email. There's no way to keep up with everything that's going on, but I like to have a sense of what people are talking about, and try to join in on conversations whenever possible. I'm leery of just using Twitter to make my pitches or promote my product. I know that my colleagues can be turned off by such an approach. My goal is to offer quality content, engage in conversations, and build relationships, so that when I do pitch something, it's more meaningful. Press releases are somewhat infrequent in my office, compared to my colleagues at bigger organizations. A typical release takes a couple days to draft, edit, and receive approval before going out. Sending the release takes an hour or so (we do it the old way, by BCC'ing everyone on the press list from my email).
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About
Life's a Pitch Why don't we apply the successful marketing and publicity campaigns we see in our everyday lives to the performing arts? Great ideas are right there, ripe for the emulating. And who's responsible for the wide-reaching problems in ticket sales and audience development? Boring artists? Greedy managers? Overstretched marketing departments? We're beyond debating who owns the problem. Let's fix this thing.
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Amanda Ameer left her position as Publicity Manager at IMG Artists in June 2007 to start First Chair Promotion. She currently represents Hilary Hahn, Gabriel Kahane, The King's Singers, David Lang, Eric Owens, Michael Gordon, Hélène Grimaud, Sondra Radvanovsky and Julia Wolfe, and serves as a consultant to Chamber Music America.
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Amanda Ameer left her position as Publicity Manager at IMG Artists in June 2007 to start First Chair Promotion. She currently represents Hilary Hahn, Gabriel Kahane, The King's Singers, David Lang, Eric Owens, Michael Gordon, Hélène Grimaud, Sondra Radvanovsky and Julia Wolfe, and serves as a consultant to Chamber Music America.
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Contact Click here to send an email. more
Subscribe to the Newsletter Fill in your email address here.
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Now Play It
This site has musicians teaching viewers how to play their most popular songs on the guitar via downloadable video. more
This site has musicians teaching viewers how to play their most popular songs on the guitar via downloadable video.
MOMA - Eye on Europe
This microsite for one of MOMA's 2006 exhibitions is a(n extreme) lesson in what can be done digitally for special projects (world premieres?).
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This microsite for one of MOMA's 2006 exhibitions is a(n extreme) lesson in what can be done digitally for special projects (world premieres?).
The Metropolitan Opera
Sometimes, when the (performing arts) world gets me down, I go to The Met's website and feel better about it all.
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Sometimes, when the (performing arts) world gets me down, I go to The Met's website and feel better about it all.
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Laura Collins-Hughes on arts, culture and coverage
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Richard Kessler on arts education
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Dalouge Smith advocates for the Arts
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For immediate release: the arts are marketable
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No genre is the new genre
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David Jays on theatre and dance
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Paul Levy measures the Angles
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Jan Herman - arts, media & culture with 'tude
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Tobi Tobias on dance et al...
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Howard Mandel's freelance Urban Improvisation
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Focus on New Orleans. Jazz and Other Sounds
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Doug Ramsey on Jazz and other matters...
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Martha Bayles on Film...
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Fresh ideas on building arts communities
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Greg Sandow performs a book-in-progress
Greg Sandow performs a book-in-progress
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Exploring Orchestras w/ Henry Fogel
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Harvey Sachs on music, and various digressions
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Bruce Brubaker on all things Piano
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Kyle Gann on music after the fact
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Greg Sandow on the future of Classical Music
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Norman Lebrecht on Shifting Sound Worlds
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Jerome Weeks on Books
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Scott McLemee on books, ideas & trash-culture ephemera
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Wendy Rosenfield: covering drama, onstage and off
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Chloe Veltman on how culture will save the world
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Public Art, Public Space
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Regina Hackett takes her Art To Go
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John Perreault's art diary
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Lee Rosenbaum's Cultural Commentary
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Tyler Green's modern & contemporary art blog

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