Can't you see, that I am not afraid?
NEW YORK--Hoping to boost attendance and broaden its base of supporters, the Metropolitan Museum of Art launched a new initiative this week that allows patrons, for the first time ever, to prod and scratch at the classic paintings in its revered collection.
"Though it contains more than two million pieces and represents a profound legacy of artistic achievement, most people remain completely indifferent to our museum," Met director Thomas P. Campbell said. "So we decided to try something a little different and give visitors a chance to experience our timeless works of art up close and personal."
Added Campbell, "Please, bring the whole family and smudge up our paintings as much as you want."
And the response?
Gerard Schmidt, a retired banker who lives near the Met, said he had never much cared for museums until he was given the chance to manhandle one of Monet's Water Lilies.
"At first it just looked like a picture of a bunch of lily pads, but then I started scraping at it with my pocket knife and the whole painting just sort of spoke to me," Schmidt said. "For the first time, I finally understand what Monet was trying to get across in her work."
A new trend?
And the cash-strapped Boston Symphony Orchestra has created a special "Jam Night" during which audience members can come up onstage to play along with the orchestra, improvise lyrics, or just twirl around waving colored scarves.
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Amanda Ameer left her position as Publicity Manager at IMG Artists in June 2007 to start First Chair Promotion. She currently represents Hilary Hahn, Gabriel Kahane, The King's Singers, David Lang, Eric Owens, Michael Gordon, Hélène Grimaud, Sondra Radvanovsky and Julia Wolfe, and serves as a consultant to Chamber Music America.
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This site has musicians teaching viewers how to play their most popular songs on the guitar via downloadable video.
This microsite for one of MOMA's 2006 exhibitions is a(n extreme) lesson in what can be done digitally for special projects (world premieres?).
Sometimes, when the (performing arts) world gets me down, I go to The Met's website and feel better about it all.
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