Golden opportunities
Question: Why don't either of the two massive banners for the Lincoln Center 50th Anniversary at the Time Warner Center tell us how or with whom we will be celebrating?
(The second banner hanging to the right of this one is identical.) What kind of programming and which artists will the festivities include? Are we not excited enough about this to put an exclamation point after "Anniversary"? That's too bad. Was there not space to maybe list some of the features of the new plaza? What's my motivation for going to LincolnCenter.org/50? Lots of "50s" in something resembling the 9 to 5: The Musical font doesn't exactly spur me to digital action.
For the sake of the blog, I did in fact go to the anniversary website. Yes, I would like to hear Plácido Domingo singing "E lucevan le stelle" from Tosca in 1969, "Interactive Timeline". But no! I do not want to hear Plácido over Fanfare for the Common Man, which starts playing automatically when you go to the site with no option to turn it off. The lesser-known Tosca/Fanfare mash-up! Unable to figure out how to turn off the sound on the main page of the site, I muted my computer and messed around with the timeline in silence.
Now I want to hear Leontyne Price on the timeline. Un-mute. But wait - here's Audra McDonald singing "Some Days", presumably at...American Songbook? Or is it with orchestra? How would I know, since there's no audio player with credit information in sight.
Tom Brokaw's voice emerges from the ether. Ah - now I see what's going on: there's a "Commemorative Ceremony" tab and the audio is coming from video that begins but is hidden when the website launches. So you have to figure that out before you click on the "Interactive Timeline" tab, which is your first option, if you want to hear the audio on said "Interactive Timeline" without the "Commemorative Ceremony" audio playing simultaneously.
According to my friend Alex, "This is a case of a sloppy element on a site. The problem is that the flash video player starts on page load, but the actual video isn't viewable until a user navigates to the Ceremony tab. While this is annoying on its own, it gets even messier when a user clicks into the interactive timeline. This causes a Javascript 'lightbox' overlay to appear, but all of the elements on the site continue to operate as if nothing had happened so there is overlapping audio from the Ceremony video. The easy solution - don't auto-start the video. It would also be nice to not use the ugliest out-of-the-box Flash video player..."
I love Lincoln Center. The buildings are my favorite in the world, and the Vivien Beaumont is my favorite theater in the city, and when I was ~7 I wanted to be proposed to in front of the fountain (but upon rethinking, that's pretty lame). Just this morning, I wrote the following in an e mail to my friend Shree, "OK, then the new Hard Rock Café at Lincoln Center at 6pm, and then onto more freebasing fat at the game." She wrote back, "Um 'Lincoln Center'? Slip of the type?" (I meant "Yankee Stadium"). So I love Lincoln Center, but come on: figure out the audio on your website.
Some gentle readers may think I pick on Carnegie Hall and Lincoln Center too much on this blog. First, I live here, so I see what they're doing. But second, Carnegie Hall and Lincoln Center (along with maybe the Kennedy Center and now Disney Hall?) are two of the only arts presenters that people outside the industry have heard of. There are many reasons they have reputations as the best in the world; I just want their marketing and media to be some of those reasons. Much should be expected.
(The second banner hanging to the right of this one is identical.) What kind of programming and which artists will the festivities include? Are we not excited enough about this to put an exclamation point after "Anniversary"? That's too bad. Was there not space to maybe list some of the features of the new plaza? What's my motivation for going to LincolnCenter.org/50? Lots of "50s" in something resembling the 9 to 5: The Musical font doesn't exactly spur me to digital action. For the sake of the blog, I did in fact go to the anniversary website. Yes, I would like to hear Plácido Domingo singing "E lucevan le stelle" from Tosca in 1969, "Interactive Timeline". But no! I do not want to hear Plácido over Fanfare for the Common Man, which starts playing automatically when you go to the site with no option to turn it off. The lesser-known Tosca/Fanfare mash-up! Unable to figure out how to turn off the sound on the main page of the site, I muted my computer and messed around with the timeline in silence.
Now I want to hear Leontyne Price on the timeline. Un-mute. But wait - here's Audra McDonald singing "Some Days", presumably at...American Songbook? Or is it with orchestra? How would I know, since there's no audio player with credit information in sight.
Tom Brokaw's voice emerges from the ether. Ah - now I see what's going on: there's a "Commemorative Ceremony" tab and the audio is coming from video that begins but is hidden when the website launches. So you have to figure that out before you click on the "Interactive Timeline" tab, which is your first option, if you want to hear the audio on said "Interactive Timeline" without the "Commemorative Ceremony" audio playing simultaneously.
According to my friend Alex, "This is a case of a sloppy element on a site. The problem is that the flash video player starts on page load, but the actual video isn't viewable until a user navigates to the Ceremony tab. While this is annoying on its own, it gets even messier when a user clicks into the interactive timeline. This causes a Javascript 'lightbox' overlay to appear, but all of the elements on the site continue to operate as if nothing had happened so there is overlapping audio from the Ceremony video. The easy solution - don't auto-start the video. It would also be nice to not use the ugliest out-of-the-box Flash video player..."
I love Lincoln Center. The buildings are my favorite in the world, and the Vivien Beaumont is my favorite theater in the city, and when I was ~7 I wanted to be proposed to in front of the fountain (but upon rethinking, that's pretty lame). Just this morning, I wrote the following in an e mail to my friend Shree, "OK, then the new Hard Rock Café at Lincoln Center at 6pm, and then onto more freebasing fat at the game." She wrote back, "Um 'Lincoln Center'? Slip of the type?" (I meant "Yankee Stadium"). So I love Lincoln Center, but come on: figure out the audio on your website.
Some gentle readers may think I pick on Carnegie Hall and Lincoln Center too much on this blog. First, I live here, so I see what they're doing. But second, Carnegie Hall and Lincoln Center (along with maybe the Kennedy Center and now Disney Hall?) are two of the only arts presenters that people outside the industry have heard of. There are many reasons they have reputations as the best in the world; I just want their marketing and media to be some of those reasons. Much should be expected.
Categories:
About
Life's a Pitch Why don't we apply the successful marketing and publicity campaigns we see in our everyday lives to the performing arts? Great ideas are right there, ripe for the emulating. And who's responsible for the wide-reaching problems in ticket sales and audience development? Boring artists? Greedy managers? Overstretched marketing departments? We're beyond debating who owns the problem. Let's fix this thing.
more
Amanda Ameer left her position as Publicity Manager at IMG Artists in June 2007 to start First Chair Promotion, and currently represents Hilary Hahn, Gabriel Kahane, The King's Singers, David Lang, Eric Owens and Hélène Grimaud.
more
Contact Click here to send an email. more
Subscribe to the Newsletter Fill in your email address here.
more
more
Amanda Ameer left her position as Publicity Manager at IMG Artists in June 2007 to start First Chair Promotion, and currently represents Hilary Hahn, Gabriel Kahane, The King's Singers, David Lang, Eric Owens and Hélène Grimaud.
more
Contact Click here to send an email. more
Subscribe to the Newsletter Fill in your email address here.
more
Sites
Now Play It
This site has musicians teaching viewers how to play their most popular songs on the guitar via downloadable video. more
This site has musicians teaching viewers how to play their most popular songs on the guitar via downloadable video.
MOMA - Eye on Europe
This microsite for one of MOMA's 2006 exhibitions is a(n extreme) lesson in what can be done digitally for special projects (world premieres?).
more
This microsite for one of MOMA's 2006 exhibitions is a(n extreme) lesson in what can be done digitally for special projects (world premieres?).
The Metropolitan Opera
Sometimes, when the (performing arts) world gets me down, I go to The Met's website and feel better about it all.
more
Sometimes, when the (performing arts) world gets me down, I go to The Met's website and feel better about it all.
AJ Ads
Introducing
AJ Arts Blog Ads
Now you can reach the most discerning arts blog readers on the internet. Target individual blogs or topics in the ArtsJournal ad network.
Advertise Here
AJ Arts Blog Ads
Now you can reach the most discerning arts blog readers on the internet. Target individual blogs or topics in the ArtsJournal ad network.
Advertise Here
AJ Blogs
AJBlogCentral | rssculture
About Last Night
Terry Teachout on the arts in New York City
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
rock culture approximately
critical difference
Laura Collins-Hughes on arts, culture and coverage
Laura Collins-Hughes on arts, culture and coverage
Dewey21C
Richard Kessler on arts education
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Douglas McLennan's blog
Dog Days
Dalouge Smith advocates for the Arts
Dalouge Smith advocates for the Arts
Flyover
Art from the American Outback
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
David Jays on theatre and dance
Plain English
Paul Levy measures the Angles
Paul Levy measures the Angles
Real Clear Arts
Judith H. Dobrzynski on Culture
Judith H. Dobrzynski on Culture
Rockwell Matters
John Rockwell on the arts
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude
Jan Herman - arts, media & culture with 'tude
dance
Foot in Mouth
Apollinaire Scherr talks about dance
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...
Tobi Tobias on dance et al...
jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...
Doug Ramsey on Jazz and other matters...
media
Out There
Jeff Weinstein's Cultural Mixology
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...
Martha Bayles on Film...
classical music
The Future of Classical Music?
Greg Sandow performs a book-in-progress
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
Harvey Sachs on music, and various digressions
PianoMorphosis
Bruce Brubaker on all things Piano
Bruce Brubaker on all things Piano
PostClassic
Kyle Gann on music after the fact
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds
Norman Lebrecht on Shifting Sound Worlds
publishing
book/daddy
Jerome Weeks on Books
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera
Scott McLemee on books, ideas & trash-culture ephemera
theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world
Chloe Veltman on how culture will save the world
visual
Aesthetic Grounds
Public Art, Public Space
Public Art, Public Space
Another Bouncing Ball
Regina Hackett takes her Art To Go
Regina Hackett takes her Art To Go
Artopia
John Perreault's art diary
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Tyler Green's modern & contemporary art blog

2 Comments
Leave a comment