Monsters vs. The Economy/Environment/Creativity

If you're in town on January 17th, come keep me company at the Chamber Music America conference; it's really awkward if the PR person doesn't have attendees. I'll be yammering away about good arts marketing and publicity for little-to-no shekels at 1:30 in something intriguingly called the Manhattan room. My points are going to be that this is actually a really easy time to be saving money on arts promotion - there is no way I could have afforded to do artist publicity on my own ten years ago...I don't have company letterhead, I rarely spend money on postage - and that tightened budgets should be viewed as opportunities for pooled resources and community-building.

Incidentally, this will not be held up as an example of any of those things:

Some 150 million 3-D glasses will be given away so Super Bowl viewers can watch a three-minute sneak preview of the big-screen animated feature "Monsters vs. Aliens."

Although 3-D telecasts are nothing new, this is the first time one has been done for such a large audience. DreamWorks Animation chief Jeffrey Katzenberg called the stunt "perhaps the biggest media-advertising event in history." He wouldn't give a hard figure on the cost, but said it "involves tens of millions of dollars. (Washington Post)

Snore/groan. What is interesting, though, is that the move Monsters vs. Aliens comes out on March 27th, and here we are reading about it on January 6th. The Superbowl is - hold on, I have to Google that - on February 1st, so this modern-day Merchant Ivory film gets press on account of an announcement of a promotion in early January, then press on the first of February for said promotion coming to fruition, and then presumably will get more press for another publicity stunt in early March, or at least then start sending the stars involved to the big TV programs and buying up major ad space. That is a long time for the masses to be seriously thinking about Monsters vs. Aliens.

I've mentioned this, but I rarely find out about a classical album or concert that I'm not working on before I start seeing press about it, or sometimes ads in the week or so before it releases/occurs. Obviously, labels and organizations don't have the financial luxury of taking out ads so many months in advance, but it is worth applying or adapting the model of these stretched-back awareness campaigns to our own projects. If anyone has an example of a concert or disc they really started promoting over three months in advance, I'd love to hear about it. Actually, tell us what you're working on NOW for three MONTHS from now, and in doing so you'll be getting coverage of some form three months in advance and we can all participate! See what I did there?
January 6, 2009 10:23 AM | | Comments (3)

Categories:

3 Comments

Anticipation marketing has long been a staple of the technology sector for product launches (think iPod and iPhone and the Nintendo Wii) and the movie biz (Blair Witch Project was an excellent example from the late 90s). It's not something we arts organizations use much, but I think we can more and more, especially seasonally (outdoor summer theater), for debut events (Dudamel in LA, and Muti in Chicago), and for returning favorites. I wrote my MBA thesis on anticipation in arts marketing - good to see you encouraging conversation on the topic, Amanda!

A very time-ly issue, Amanda. I had the privilege of working with composer Douglas J. Cuomo throughout 2008. Doug's chamber opera Arjuna's Dilemma came out on disc in July, four months before its stage premiere at BAM's Next Wave Festival in November. I was initially concerned about the long gap between the CD release and the production, but it turned out to be a great bonus, giving the story 'legs' it might not have had otherwise. The results were gratifying (three previews and a feature in NYT Arts & Leisure; a Weekend Edition feature, etc.). I'm now working with the MATA Festival, starting three months out with an eye toward long-lead outlets. It's always advantageous to have that kind of elbow room, and I'm hoping to make the best of it.

Wouldn't it be nice to have that financial luxury? Our trend this season so far has been that a large majority of our ticket sales have been happening the week of, and there are even long lines at the door, which isn't common for our organization. That trend hasn't motivated us to put massive amounts of energy and money into advance advertising. We're moving more toward local publications that get delivered weekly to homes, and have seen a good response from that. We've even cut back on magazines, because shelling out more money to have a glossy image show up in front of someone at the beginning of the month for a concert at the end of the month is not a good ROI in the current climate for us.

Leave a comment

About

Life's a Pitch Why don't we apply the successful marketing and publicity campaigns we see in our everyday lives to the performing arts? Great ideas are right there, ripe for the emulating. And who's responsible for the wide-reaching problems in ticket sales and audience development? Boring artists? Greedy managers? Overstretched marketing departments? We're beyond debating who owns the problem. Let's fix this thing.
more

Amanda Ameer left her position as Publicity Manager at IMG Artists in June 2007 to start First Chair Promotion, and currently represents Hilary Hahn, Gabriel Kahane, The King's Singers, David Lang and Eric Owens.
more

Contact Click here to send an email. more

Subscribe to the Newsletter Fill in your email address here.
more

Archives

Archives: 156 entries and counting

Sites

Now Play It
This site has musicians teaching viewers how to play their most popular songs on the guitar via downloadable video. more
MOMA - Eye on Europe
This microsite for one of MOMA's 2006 exhibitions is a(n extreme) lesson in what can be done digitally for special projects (world premieres?).
more
Spoon
This website makes me feel impossibly uncool, and I love it for that very reason.
more
The Metropolitan Opera
Sometimes, when the (performing arts) world gets me down, I go to The Met's website and feel better about it all.
more

Resources

RSS Feeds 
RSS is an acronym for "RDF Site Summary," or "Rich Site Summary."  RSS is a family of XML-based Web feed formats used to publish frequently updated content such as blog entries, news headlines, and podcasts in a standardized format. 
more
YouTube 
YouTube, created in 2005, is a free video sharing website where users can upload, view, and share video clips.  YouTube uses Adobe Flash technology to display a wide variety of user-generated video content, including movie clips, TV clips, and music videos, as well as amateur content such as videoblogging and short original videos.
more
Wikipedia 
Wikipedia, created in 2001, is a multilingual, web-based, free content encyclopedia project.  Wikipedia's articles provide links to guide the user to related pages with additional information.  Articles are written collaboratively by volunteers from all around the world.  Wikipedia is one of the largest reference sites on the internet, with at least 684 million people visiting the site yearly.  It contains more than ten million articles in more than 250 languages (over two million in English alone). 
more
MySpace 
MySpace, launched in 2004, is the largest social networking website in the United States.  A free-access website, MySpace allows anyone aged 14 and over to create a personal profile.  Unlike other social networking sites, MySpace allows users to personalize their profiles by entering HTML into certain areas on their pages, thus displaying video or flash content instead of text.  Users may also customize the colors, backgrounds, and fonts on their profiles through the use of CSS (cascading style sheets). more
Facebook 
Launched in 2004, Facebook is now the second largest social networking website in the United States (behind MySpace). The free-access website allows users to easily connect and interact with other people, and it is now also possible to create a Facebook profile for an artist, band, brand, or business. Users can add themselves as "fans" of an artist or business, write on an artist/business profile's "Wall," upload photos, and join other fans in discussion groups. more
more resources

AJ Ads

Introducing
AJ Arts Blog Ads

Now you can reach the most discerning arts blog readers on the internet. Target individual blogs or topics in the ArtsJournal ad network.

Advertise Here

AJ Blogs

AJBlogCentral | rss

culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
CultureGulf
Rebuilding Gulf Culture after Katrina
Dewey21C
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Flyover
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
Plain English
Paul Levy measures the Angles
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

classical music
The Future of Classical Music?
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
PostClassic
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world

visual
Aesthetic Grounds
Public Art, Public Space
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Creative Commons License
This weblog is licensed under a Creative Commons License.