When the working day is done
I went to see the band Letters to Cleo last week. My friend and I had no idea why they were coming to the city; he just saw them listed on a Bowery Presents e mail and bought tickets with-a-quickness. At the concert, the lead singer - no, not "Cleo", "Kay Hanley" - said something from the stage to the effect of, "Well, there's no real reason for these concerts, no new CD or tour. We're not getting back together as a band. We just thought it would be fun."
Hmmm: now when have any of my classical musician friends or clients ever done a concert "just for fun"? Their schedules are planned so far out and venue exclusivity rules are so strict that there really aren't many opportunities to just pick up and play a concert, but presumably, professional musicians consider all performing fun; or do they? Are the NY Philharmonic musicians having fun? Is it work? Is it at least fun work?
How do we know who's having fun and who's not? When an artist - like Lang Lang three years ago, for example - is emotive and passionate on stage, he or she is often criticized for being unfocused, accused of being ridiculous; eyes will roll. When an artist - like Hilary or, say, the pianist Pierre-Laurent Aimard - is calm, cool and collected on stage, people comment that they are just that: too cool, emotion-less.
So, assuming everyone is actually having fun on stage - which I'm not entirely sure we can do - how could/should performers show this without being criticized for not taking "their art" seriously enough? That Letters to Cleo concert was fun - no way around it. There was no pressure on the band to sell discs or get press and the fans were all just happy to be there (despite one guy shouting out "I feel old!!", which made us all glance around awk-weirdly). Now, at a classical concert, if We the Audience can't tell if the performers are having fun, how can we have fun ourselves?
I sincerely enjoy (most) classical music concerts, but I'm not so sure I have fun at them. I have fun before the concert, I have fun seeing friends and colleagues at intermission; if it's for work, I have fun going backstage and/or going out to dinner after, but the concert itself? Not really that fun. The last classical concert I did have fun at - and I'm not just saying this because I work for David - was the Bang on a Can Marathon. I sat on the steps with a whole crop of friends, folks were milling around so there was a lot of good people-watching, you could go to the Mexican restaurant next door if you felt like a drink/snack, and it went super late. I had fun! But that wasn't in a concert hall, so I'm not sure it counts for the purposes of this discussion.
Thanks for that, Dictionary.com.
First of all, like hell anyone has ever said "like fun he did." Second, reading the definitions, it seems the problem with classical music being "fun" is the informal connotations of the word; can a concert be fun and serious at the same time? Can artists respect the repertoire, the concert halls, the audiences, and whomever/whatever else they're supposed to be respecting while having a good time?
I'm going to see the band CSS tonight. Here is a photo I took from their concert over the summer:
They have balloons. They're definitely having fun. And so will I.
Hmmm: now when have any of my classical musician friends or clients ever done a concert "just for fun"? Their schedules are planned so far out and venue exclusivity rules are so strict that there really aren't many opportunities to just pick up and play a concert, but presumably, professional musicians consider all performing fun; or do they? Are the NY Philharmonic musicians having fun? Is it work? Is it at least fun work?
How do we know who's having fun and who's not? When an artist - like Lang Lang three years ago, for example - is emotive and passionate on stage, he or she is often criticized for being unfocused, accused of being ridiculous; eyes will roll. When an artist - like Hilary or, say, the pianist Pierre-Laurent Aimard - is calm, cool and collected on stage, people comment that they are just that: too cool, emotion-less.
So, assuming everyone is actually having fun on stage - which I'm not entirely sure we can do - how could/should performers show this without being criticized for not taking "their art" seriously enough? That Letters to Cleo concert was fun - no way around it. There was no pressure on the band to sell discs or get press and the fans were all just happy to be there (despite one guy shouting out "I feel old!!", which made us all glance around awk-weirdly). Now, at a classical concert, if We the Audience can't tell if the performers are having fun, how can we have fun ourselves?
I sincerely enjoy (most) classical music concerts, but I'm not so sure I have fun at them. I have fun before the concert, I have fun seeing friends and colleagues at intermission; if it's for work, I have fun going backstage and/or going out to dinner after, but the concert itself? Not really that fun. The last classical concert I did have fun at - and I'm not just saying this because I work for David - was the Bang on a Can Marathon. I sat on the steps with a whole crop of friends, folks were milling around so there was a lot of good people-watching, you could go to the Mexican restaurant next door if you felt like a drink/snack, and it went super late. I had fun! But that wasn't in a concert hall, so I'm not sure it counts for the purposes of this discussion.
fun
[fuhn]
noun, verb, funned, fun⋅ning, adjective -noun
1. something that provides mirth or amusement: A picnic would be fun.
-verb (used without object), verb (used with object)
2. enjoyment or playfulness: She's full of fun.
-adjective
3. Informal. joke; kid.
4. Informal. of or pertaining to fun, esp. to social fun: a fun thing to do; really a fun person.
--Idioms
5. Informal. whimsical: flamboyant: The fashions this year are definitely on the fun side.
6. for or in fun, as a joke; not seriously; playfully: His insults were only in fun.
7. like fun, Informal. certainly not; of doubtful truth: He told us that he finished the exam in an hour. Like fun he did!
8. make fun of, to make the object of ridicule; deride: The youngsters made fun of their teacher.
Thanks for that, Dictionary.com.
First of all, like hell anyone has ever said "like fun he did." Second, reading the definitions, it seems the problem with classical music being "fun" is the informal connotations of the word; can a concert be fun and serious at the same time? Can artists respect the repertoire, the concert halls, the audiences, and whomever/whatever else they're supposed to be respecting while having a good time?
I'm going to see the band CSS tonight. Here is a photo I took from their concert over the summer:
They have balloons. They're definitely having fun. And so will I. Categories:
About
Life's a Pitch Why don't we apply the successful marketing and publicity campaigns we see in our everyday lives to the performing arts? Great ideas are right there, ripe for the emulating. And who's responsible for the wide-reaching problems in ticket sales and audience development? Boring artists? Greedy managers? Overstretched marketing departments? We're beyond debating who owns the problem. Let's fix this thing.
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Amanda Ameer left her position as Publicity Manager at IMG Artists in June 2007 to start First Chair Promotion, and currently represents Hilary Hahn, Gabriel Kahane, The King's Singers, David Lang and Eric Owens.
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Amanda Ameer left her position as Publicity Manager at IMG Artists in June 2007 to start First Chair Promotion, and currently represents Hilary Hahn, Gabriel Kahane, The King's Singers, David Lang and Eric Owens.
more
Contact Click here to send an email. more
Subscribe to the Newsletter Fill in your email address here.
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Sites
Now Play It
This site has musicians teaching viewers how to play their most popular songs on the guitar via downloadable video. more
This site has musicians teaching viewers how to play their most popular songs on the guitar via downloadable video.
MOMA - Eye on Europe
This microsite for one of MOMA's 2006 exhibitions is a(n extreme) lesson in what can be done digitally for special projects (world premieres?).
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This microsite for one of MOMA's 2006 exhibitions is a(n extreme) lesson in what can be done digitally for special projects (world premieres?).
The Metropolitan Opera
Sometimes, when the (performing arts) world gets me down, I go to The Met's website and feel better about it all.
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Sometimes, when the (performing arts) world gets me down, I go to The Met's website and feel better about it all.
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Terry Teachout on the arts in New York City
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Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
rock culture approximately
CultureGulf
Rebuilding Gulf Culture after Katrina
Rebuilding Gulf Culture after Katrina
Dewey21C
Richard Kessler on arts education
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Douglas McLennan's blog
Flyover
Art from the American Outback
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
David Jays on theatre and dance
Plain English
Paul Levy measures the Angles
Paul Levy measures the Angles
Rockwell Matters
John Rockwell on the arts
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude
Jan Herman - arts, media & culture with 'tude
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Foot in Mouth
Apollinaire Scherr talks about dance
Apollinaire Scherr talks about dance
Seeing Things
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Tobi Tobias on dance et al...
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Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...
Doug Ramsey on Jazz and other matters...
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Out There
Jeff Weinstein's Cultural Mixology
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...
Martha Bayles on Film...
classical music
The Future of Classical Music?
Greg Sandow performs a book-in-progress
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
Harvey Sachs on music, and various digressions
PostClassic
Kyle Gann on music after the fact
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds
Norman Lebrecht on Shifting Sound Worlds
publishing
book/daddy
Jerome Weeks on Books
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera
Scott McLemee on books, ideas & trash-culture ephemera
theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world
Chloe Veltman on how culture will save the world
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Aesthetic Grounds
Public Art, Public Space
Public Art, Public Space
Artopia
John Perreault's art diary
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Tyler Green's modern & contemporary art blog

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