(Martha) Graham (Cracker) -ies
The big news from my colleagues in Europe who wake up before me is that both The King's Singers and Hilary Hahn are nominated for GRAMMIES. We have Hahnda Accord in Best Classical Album and Best Instrumental Soloist(s) Performance (with Orchestra), and All The King's Singers' Horses and All the King's Singers' Men in Best Classical Crossover Album. Now let's see...six Singers plus one Hahn times two tickets each minus four managers minus one mother minus wives and children...yeah, there's no way I'm getting to that ceremony. (((Sigh.)))
Awards are funny. David wins the Pulitzer and suddenly presenters who didn't love his music before are banging (on a can) down his door. When a friend of mine's client didn't win a Grammy last year and he was upset about it, I said, come on, she's unbelievably successful: what would a Grammy really do for her career at this point? Legitimize her as an artist? Hardly. Well, he said, I would have liked to add "Grammy Award-winning artist X...." to the first line of her bio.
I have found that the Grammies are a point of reference for the "outside world" about classical artists, that is, a way to let people who haven't heard of a certain artist know he or she is "that good". Sometimes, I'll meet someone and the conversation will go like this:
What do you do? Classical music PR.
Oh, that's cool. Name someone you work for. Is it? And...Hilary Hahn?
Mmmm...don't know her. She's a violinist. Mmm.... She played for the Pope's 80th birthday. Weird, OK.... She played on 'The Village' soundtrack. I loved 'Sixth Sense'. She won a Grammy. Oh! Cool, great, yeah.
So the Grammies are a cultural touchstone - is this the right use of that phrase? - or, perhaps more accurately, a popular culture mile marker of success. What is that worth, though, monetarily speaking, slash, what does winning a Grammy mean for an artist's overall profile?
Both The Kings Singers and Hilary have won Grammies before, so I already get to slap "Grammy Award-winning..." next to their names in their bios and pop-culture-mile-marker-of-success name-drop "Grammy" to folks outside the industry.** BUT - would Grammy wins this year result in, oh, what's the word - "album sales"? Does a shiny Grammy sticker on an album make the difference (it might), or is there more we can do to channel the win of a mainstream award into recording and concert revenue?
**Not that this means we should "give someone else a chance" (boo, ridiculous) and that all seven Life's a Pitch readers shouldn't vote for my British lads and all-American girl! Also, for changing record industry sales and marketing forever by virtue of "getting it out quickly", Radiohead's In Rainbows is the official Life's a Pitch choice for Album of the Year.
Update, 12/4 like, 10:18 AM - Grammy voters vote on all categories, no matter what their particular genre of choice, correct? So, let's say voters who know classical music are reading this blog/will read the press release I'm about to send out - that's great. But how do I reach voters who are super psyched to get out there and vote for "N.i.*.*.e.r (The Slave and The Master)" in Category 31, Best Rap Solo Performance? They might be sleeper King's Singers fans! You-never-know. And anyone who doesn't think someone voting for "Back to Back Hall of Fame Polkas" in Category 76, you guessed it, Best Polka Album wouldn't vote for the Schoenberg if they had heard it is simply incorrect. I want those votes!
Awards are funny. David wins the Pulitzer and suddenly presenters who didn't love his music before are banging (on a can) down his door. When a friend of mine's client didn't win a Grammy last year and he was upset about it, I said, come on, she's unbelievably successful: what would a Grammy really do for her career at this point? Legitimize her as an artist? Hardly. Well, he said, I would have liked to add "Grammy Award-winning artist X...." to the first line of her bio.
I have found that the Grammies are a point of reference for the "outside world" about classical artists, that is, a way to let people who haven't heard of a certain artist know he or she is "that good". Sometimes, I'll meet someone and the conversation will go like this:
What do you do? Classical music PR.
Oh, that's cool. Name someone you work for. Is it? And...Hilary Hahn?
Mmmm...don't know her. She's a violinist. Mmm.... She played for the Pope's 80th birthday. Weird, OK.... She played on 'The Village' soundtrack. I loved 'Sixth Sense'. She won a Grammy. Oh! Cool, great, yeah.
So the Grammies are a cultural touchstone - is this the right use of that phrase? - or, perhaps more accurately, a popular culture mile marker of success. What is that worth, though, monetarily speaking, slash, what does winning a Grammy mean for an artist's overall profile?
Both The Kings Singers and Hilary have won Grammies before, so I already get to slap "Grammy Award-winning..." next to their names in their bios and pop-culture-mile-marker-of-success name-drop "Grammy" to folks outside the industry.** BUT - would Grammy wins this year result in, oh, what's the word - "album sales"? Does a shiny Grammy sticker on an album make the difference (it might), or is there more we can do to channel the win of a mainstream award into recording and concert revenue?
**Not that this means we should "give someone else a chance" (boo, ridiculous) and that all seven Life's a Pitch readers shouldn't vote for my British lads and all-American girl! Also, for changing record industry sales and marketing forever by virtue of "getting it out quickly", Radiohead's In Rainbows is the official Life's a Pitch choice for Album of the Year.
Update, 12/4 like, 10:18 AM - Grammy voters vote on all categories, no matter what their particular genre of choice, correct? So, let's say voters who know classical music are reading this blog/will read the press release I'm about to send out - that's great. But how do I reach voters who are super psyched to get out there and vote for "N.i.*.*.e.r (The Slave and The Master)" in Category 31, Best Rap Solo Performance? They might be sleeper King's Singers fans! You-never-know. And anyone who doesn't think someone voting for "Back to Back Hall of Fame Polkas" in Category 76, you guessed it, Best Polka Album wouldn't vote for the Schoenberg if they had heard it is simply incorrect. I want those votes!
Categories:
About
Life's a Pitch Why don't we apply the successful marketing and publicity campaigns we see in our everyday lives to the performing arts? Great ideas are right there, ripe for the emulating. And who's responsible for the wide-reaching problems in ticket sales and audience development? Boring artists? Greedy managers? Overstretched marketing departments? We're beyond debating who owns the problem. Let's fix this thing.
more
Amanda Ameer left her position as Publicity Manager at IMG Artists in June 2007 to start First Chair Promotion, and currently represents Hilary Hahn, Gabriel Kahane, The King's Singers, David Lang and Eric Owens.
more
Contact Click here to send an email. more
Subscribe to the Newsletter Fill in your email address here.
more
more
Amanda Ameer left her position as Publicity Manager at IMG Artists in June 2007 to start First Chair Promotion, and currently represents Hilary Hahn, Gabriel Kahane, The King's Singers, David Lang and Eric Owens.
more
Contact Click here to send an email. more
Subscribe to the Newsletter Fill in your email address here.
more
Sites
Now Play It
This site has musicians teaching viewers how to play their most popular songs on the guitar via downloadable video. more
This site has musicians teaching viewers how to play their most popular songs on the guitar via downloadable video.
MOMA - Eye on Europe
This microsite for one of MOMA's 2006 exhibitions is a(n extreme) lesson in what can be done digitally for special projects (world premieres?).
more
This microsite for one of MOMA's 2006 exhibitions is a(n extreme) lesson in what can be done digitally for special projects (world premieres?).
The Metropolitan Opera
Sometimes, when the (performing arts) world gets me down, I go to The Met's website and feel better about it all.
more
Sometimes, when the (performing arts) world gets me down, I go to The Met's website and feel better about it all.
AJ Ads
Introducing
AJ Arts Blog Ads
Now you can reach the most discerning arts blog readers on the internet. Target individual blogs or topics in the ArtsJournal ad network.
Advertise Here
AJ Arts Blog Ads
Now you can reach the most discerning arts blog readers on the internet. Target individual blogs or topics in the ArtsJournal ad network.
Advertise Here
AJ Blogs
AJBlogCentral | rssculture
About Last Night
Terry Teachout on the arts in New York City
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
rock culture approximately
CultureGulf
Rebuilding Gulf Culture after Katrina
Rebuilding Gulf Culture after Katrina
Dewey21C
Richard Kessler on arts education
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Douglas McLennan's blog
Flyover
Art from the American Outback
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
David Jays on theatre and dance
Rockwell Matters
John Rockwell on the arts
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude
Jan Herman - arts, media & culture with 'tude
dance
Foot in Mouth
Apollinaire Scherr talks about dance
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...
Tobi Tobias on dance et al...
jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...
Doug Ramsey on Jazz and other matters...
media
Out There
Jeff Weinstein's Cultural Mixology
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...
Martha Bayles on Film...
classical music
The Future of Classical Music?
Greg Sandow performs a book-in-progress
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
Harvey Sachs on music, and various digressions
PostClassic
Kyle Gann on music after the fact
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds
Norman Lebrecht on Shifting Sound Worlds
publishing
book/daddy
Jerome Weeks on Books
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera
Scott McLemee on books, ideas & trash-culture ephemera
theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world
Chloe Veltman on how culture will save the world
Stage Write
Elizabeth Zimmer on time-based art forms
Elizabeth Zimmer on time-based art forms
visual
Aesthetic Grounds
Public Art, Public Space
Public Art, Public Space
Artopia
John Perreault's art diary
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Tyler Green's modern & contemporary art blog

2 Comments
Leave a comment