Everybody ought to have a blog
Well, every publicist or marketing director, anyway.
Now, we all make mistakes. A few weeks back, I sent Steve Smith a potential Time Out NY listing without a date. He was kind enough to write back (errr...when is this??) rather than simply ignoring me, which would have been deserved. But I received two comments on this blog today that will certainly make me think about my pitching efforts and relationship with journalists going forward.
The first was an e mail suggesting I write about a website that I already written about, not five days ago. I'm not entirely sure how the person who pitched the site to me even located the "Contact" section on this blog without noticing the relevant entry, but she managed to. We live in the custom-built-for-the-lazy Age of Google. It is...painfully...simple to find out if someone has already written about your artist (or website, in this case), the fact that you're supposedly an expert on that which you are pitching (and consequently should know its press history) notwithstanding.
The second, and worse, was a comment on a recent entry ("I have had it with these motherf-ing snakes on this motherf-ing plane!"), from the American Symphony Orchestra. Not an actual comment, but rather a listing for an upcoming concert of theirs! What the Leon Botstein is this?? They tried to list a concert on a blog entry that used the word "motherf-ing" (2x) and referenced Snakes on a Plane, of all things! Did they think they could just sneak it in, folks would see it in the comment field - a blatant advertisement apropos of nothing - and buy tickets? Also - SPOILER ALERT - this is a blog about classical music publicity, so the ASO clearly didn't pay attention to where they were posting these listing-comments. Not incidentally, I asked two other ArtsJournal bloggers about this, and they got the same comment on recent entries. Is that...SPAM?
Not only is this just very odd, but it demonstrates a total lack of understanding of blog culture and etiquette. [insert "blog 'etiquette' is an oxymoron" joke __here__].
That said, perhaps the clever, clever American Symphony Orchestra has simply outsmarted me. If they purposely marketed their concert in an absurd fashion so I would post about it on this blog and consequently promote their concert, my hat goes off to them. Well-played. Well-played indeed.
Now, we all make mistakes. A few weeks back, I sent Steve Smith a potential Time Out NY listing without a date. He was kind enough to write back (errr...when is this??) rather than simply ignoring me, which would have been deserved. But I received two comments on this blog today that will certainly make me think about my pitching efforts and relationship with journalists going forward.
The first was an e mail suggesting I write about a website that I already written about, not five days ago. I'm not entirely sure how the person who pitched the site to me even located the "Contact" section on this blog without noticing the relevant entry, but she managed to. We live in the custom-built-for-the-lazy Age of Google. It is...painfully...simple to find out if someone has already written about your artist (or website, in this case), the fact that you're supposedly an expert on that which you are pitching (and consequently should know its press history) notwithstanding.
The second, and worse, was a comment on a recent entry ("I have had it with these motherf-ing snakes on this motherf-ing plane!"), from the American Symphony Orchestra. Not an actual comment, but rather a listing for an upcoming concert of theirs! What the Leon Botstein is this?? They tried to list a concert on a blog entry that used the word "motherf-ing" (2x) and referenced Snakes on a Plane, of all things! Did they think they could just sneak it in, folks would see it in the comment field - a blatant advertisement apropos of nothing - and buy tickets? Also - SPOILER ALERT - this is a blog about classical music publicity, so the ASO clearly didn't pay attention to where they were posting these listing-comments. Not incidentally, I asked two other ArtsJournal bloggers about this, and they got the same comment on recent entries. Is that...SPAM?
Not only is this just very odd, but it demonstrates a total lack of understanding of blog culture and etiquette. [insert "blog 'etiquette' is an oxymoron" joke __here__].
That said, perhaps the clever, clever American Symphony Orchestra has simply outsmarted me. If they purposely marketed their concert in an absurd fashion so I would post about it on this blog and consequently promote their concert, my hat goes off to them. Well-played. Well-played indeed.
Categories:
About
Life's a Pitch Why don't we apply the successful marketing and publicity campaigns we see in our everyday lives to the performing arts? Great ideas are right there, ripe for the emulating. And who's responsible for the wide-reaching problems in ticket sales and audience development? Boring artists? Greedy managers? Overstretched marketing departments? We're beyond debating who owns the problem. Let's fix this thing.
Amanda Ameer left her position as Publicity Manager at IMG Artists in June 2007 to start First Chair Promotion, and currently represents Hilary Hahn, Gabriel Kahane, The King's Singers, David Lang and Eric Owens.
Contact Click here to send an email.
Subscribe to the Newsletter Fill in your email address here.
Amanda Ameer left her position as Publicity Manager at IMG Artists in June 2007 to start First Chair Promotion, and currently represents Hilary Hahn, Gabriel Kahane, The King's Singers, David Lang and Eric Owens.
Contact Click here to send an email.
Subscribe to the Newsletter Fill in your email address here.
Sites
Now Play It
This site has musicians teaching viewers how to play their most popular songs on the guitar via downloadable video. more
This site has musicians teaching viewers how to play their most popular songs on the guitar via downloadable video.
MOMA - Eye on Europe
This microsite for one of MOMA's 2006 exhibitions is a(n extreme) lesson in what can be done digitally for special projects (world premieres?).
more
This microsite for one of MOMA's 2006 exhibitions is a(n extreme) lesson in what can be done digitally for special projects (world premieres?).
The Metropolitan Opera
Sometimes, when the (performing arts) world gets me down, I go to The Met's website and feel better about it all.
more
Sometimes, when the (performing arts) world gets me down, I go to The Met's website and feel better about it all.
AJ Ads
Introducing
AJ Arts Blog Ads
Now you can reach the most discerning arts blog readers on the internet. Target individual blogs or topics in the ArtsJournal ad network.
Advertise Here
AJ Arts Blog Ads
Now you can reach the most discerning arts blog readers on the internet. Target individual blogs or topics in the ArtsJournal ad network.
Advertise Here
AJ Blogs
AJBlogCentral | rssculture
About Last Night
Terry Teachout on the arts in New York City
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
rock culture approximately
CultureGulf
Rebuilding Gulf Culture after Katrina
Rebuilding Gulf Culture after Katrina
Dewey21C
Richard Kessler on arts education
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Douglas McLennan's blog
Flyover
Art from the American Outback
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
David Jays on theatre and dance
Rockwell Matters
John Rockwell on the arts
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude
Jan Herman - arts, media & culture with 'tude
dance
Foot in Mouth
Apollinaire Scherr talks about dance
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...
Tobi Tobias on dance et al...
jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...
Doug Ramsey on Jazz and other matters...
media
Out There
Jeff Weinstein's Cultural Mixology
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...
Martha Bayles on Film...
classical music
The Future of Classical Music?
Greg Sandow performs a book-in-progress
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
Harvey Sachs on music, and various digressions
PostClassic
Kyle Gann on music after the fact
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds
Norman Lebrecht on Shifting Sound Worlds
publishing
book/daddy
Jerome Weeks on Books
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera
Scott McLemee on books, ideas & trash-culture ephemera
theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world
Chloe Veltman on how culture will save the world
Stage Write
Elizabeth Zimmer on time-based art forms
Elizabeth Zimmer on time-based art forms
visual
Aesthetic Grounds
Public Art, Public Space
Public Art, Public Space
Artopia
John Perreault's art diary
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Tyler Green's modern & contemporary art blog

2 Comments
Leave a comment