It's my party and I'll get press if I want to
...press if I want to, press-if-I-want to...
These composer birthday concert festivities are getting ridiculous.
Steve Reich at 70: OK, that was kind of fun, but why not 75? Or 77, for that matter? Every year should metaphorically be "Steve Reich at 70", as far as I'm concerned.
Leonard Bernstein this fall: I'm not entirely sure why New York City is celebrating his would-be 90th birthday slash the 18th anniversary of his death, but I'm not complaining about the Bernstein Mass et al being presented. I really don't understand why 90 years (when you're no longer with us) warrants The New Yorker profile the festival/Bernstein will surely get, though.
This year we also have Olivier Messiaen, who would have turned 100: another excuse for festivals and box sets (again, not complaining, but...), and Krzysztof Penderecki, alive and kickin'/composing at 75.
Do presenters really need arbitrary composer birthday celebrations to create new logos and generate potential press hooks? It all kind of loses meaning after a while, no? [This from the girl who sent out a media alert about Arnold Schoenberg's 134th bee-day not one month ago, but no matter.]
Props to Penderecki for recently telling The Philadelphia Inquirer:
In that spirit, I'd like to start the buzz for a 15-month, city-wide, totally-fake festival in 2011 right now:
Update, Wednesday the 15th, 11:15ish - The press powers-that-be at C to the Hall kindly informed me, "There's in fact a convergence of Bernstein anniversaries this year. In addition to the 90th, there's the 65th anniversary of his New York Philharmonic debut at Carnegie Hall (11/14) and the 50th anniversary of his appointment as the Philharmonic's Music Director." Fair enough. I really wish it was all timed with the 'West Side Story' revival on the broad way, though. 'West Side Story' opened in 1957, so 2009 would be 52 years? Jerome Robbins was born in 1918, so 2009 would be 91 years? He died 10 years ago, but by March 2009 it will be 11? Maybe it was just time for a revival, no anniversary? Unrelated, but if they're keeping the original choreography I'm going to flip my lid. Wait for it.
These composer birthday concert festivities are getting ridiculous.
Steve Reich at 70: OK, that was kind of fun, but why not 75? Or 77, for that matter? Every year should metaphorically be "Steve Reich at 70", as far as I'm concerned.
Leonard Bernstein this fall: I'm not entirely sure why New York City is celebrating his would-be 90th birthday slash the 18th anniversary of his death, but I'm not complaining about the Bernstein Mass et al being presented. I really don't understand why 90 years (when you're no longer with us) warrants The New Yorker profile the festival/Bernstein will surely get, though.
This year we also have Olivier Messiaen, who would have turned 100: another excuse for festivals and box sets (again, not complaining, but...), and Krzysztof Penderecki, alive and kickin'/composing at 75.
Do presenters really need arbitrary composer birthday celebrations to create new logos and generate potential press hooks? It all kind of loses meaning after a while, no? [This from the girl who sent out a media alert about Arnold Schoenberg's 134th bee-day not one month ago, but no matter.]
Props to Penderecki for recently telling The Philadelphia Inquirer:
"This year, I'm a little tired of myself," he said. "I have more than 50 concerts of my music to celebrate my birthday [Nov. 23]. It's a pleasure to hear my music in different performances, and with this great orchestra and soloists. But it always takes my time from [writing] another piece."The medieval-torture-device-stretching of anniversaries is amazing, too. When I worked at McCarter Theatre in Princeton, I swear we celebrated its "75th Anniversary" one year, and then managed to also celebrate its "75th Anniversary Season" the next. Carry the one, bring it down...mmm...those numbers just don't add up.
In that spirit, I'd like to start the buzz for a 15-month, city-wide, totally-fake festival in 2011 right now:
Update, Wednesday the 15th, 11:15ish - The press powers-that-be at C to the Hall kindly informed me, "There's in fact a convergence of Bernstein anniversaries this year. In addition to the 90th, there's the 65th anniversary of his New York Philharmonic debut at Carnegie Hall (11/14) and the 50th anniversary of his appointment as the Philharmonic's Music Director." Fair enough. I really wish it was all timed with the 'West Side Story' revival on the broad way, though. 'West Side Story' opened in 1957, so 2009 would be 52 years? Jerome Robbins was born in 1918, so 2009 would be 91 years? He died 10 years ago, but by March 2009 it will be 11? Maybe it was just time for a revival, no anniversary? Unrelated, but if they're keeping the original choreography I'm going to flip my lid. Wait for it. Categories:
About
Life's a Pitch Why don't we apply the successful marketing and publicity campaigns we see in our everyday lives to the performing arts? Great ideas are right there, ripe for the emulating. And who's responsible for the wide-reaching problems in ticket sales and audience development? Boring artists? Greedy managers? Overstretched marketing departments? We're beyond debating who owns the problem. Let's fix this thing.
Amanda Ameer left her position as Publicity Manager at IMG Artists in June 2007 to start First Chair Promotion, and currently represents Hilary Hahn, Gabriel Kahane, The King's Singers, David Lang and Eric Owens. She is temporarily serving as Director of Publicity at Universal Music Classical.
Contact Click here to send an email.
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Amanda Ameer left her position as Publicity Manager at IMG Artists in June 2007 to start First Chair Promotion, and currently represents Hilary Hahn, Gabriel Kahane, The King's Singers, David Lang and Eric Owens. She is temporarily serving as Director of Publicity at Universal Music Classical.
Contact Click here to send an email.
Subscribe to the Newsletter Fill in your email address here.
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Now Play It
This site has musicians teaching viewers how to play their most popular songs on the guitar via downloadable video. more
This site has musicians teaching viewers how to play their most popular songs on the guitar via downloadable video.
MOMA - Eye on Europe
This microsite for one of MOMA's 2006 exhibitions is a(n extreme) lesson in what can be done digitally for special projects (world premieres?).
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This microsite for one of MOMA's 2006 exhibitions is a(n extreme) lesson in what can be done digitally for special projects (world premieres?).
The Metropolitan Opera
Sometimes, when the (performing arts) world gets me down, I go to The Met's website and feel better about it all.
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Sometimes, when the (performing arts) world gets me down, I go to The Met's website and feel better about it all.
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Terry Teachout on the arts in New York City
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Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
rock culture approximately
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Rebuilding Gulf Culture after Katrina
Rebuilding Gulf Culture after Katrina
Dewey21C
Richard Kessler on arts education
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Douglas McLennan's blog
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Art from the American Outback
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
David Jays on theatre and dance
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John Rockwell on the arts
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude
Jan Herman - arts, media & culture with 'tude
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Foot in Mouth
Apollinaire Scherr talks about dance
Apollinaire Scherr talks about dance
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Tobi Tobias on dance et al...
Tobi Tobias on dance et al...
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Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
Howard Mandel's freelance Urban Improvisation
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Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...
Doug Ramsey on Jazz and other matters...
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Jeff Weinstein's Cultural Mixology
Jeff Weinstein's Cultural Mixology
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Martha Bayles on Film...
Martha Bayles on Film...
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The Future of Classical Music?
Greg Sandow performs a book-in-progress
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
Harvey Sachs on music, and various digressions
PostClassic
Kyle Gann on music after the fact
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds
Norman Lebrecht on Shifting Sound Worlds
publishing
book/daddy
Jerome Weeks on Books
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera
Scott McLemee on books, ideas & trash-culture ephemera
theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world
Chloe Veltman on how culture will save the world
Stage Write
Elizabeth Zimmer on time-based art forms
Elizabeth Zimmer on time-based art forms
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Aesthetic Grounds
Public Art, Public Space
Public Art, Public Space
Artopia
John Perreault's art diary
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Tyler Green's modern & contemporary art blog

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