Every Playboy bunny with her bleach blonde hair
Monday was a really sad night for me: Holly Madison and Hugh Hefner broke up, and I cared because I feel like I know them.
I have a sick fascination with The Girls Next Door, and no, gentle readers, I am not a 22-year-old frat boy. How can I love a show and hate everyone on it, you may ask? [That's not entirely true: I do enjoy Hef, who strikes a kind of ideal imbalance of obsession and apathy.] I watch the show (and, in the interest of full disclosure, have Seasons 1 and 2 on DVD) because I, and, spoiler alert, many others, crave backstage passes to other people's lives.
Given circa 15 minutes and a fast wireless connection, you could probably find out what Lindsay Lohan had for breakfast this morning. Given days/months, you probably couldn't find out what Joshua Bell had for breakfast, what he's doing at this moment, where he likes to eat dinner, if/who he's dating, so on, so forth. Why do we know everything about mainstream celebrities, and nothing about classical musician "celebrities"?
Most of the classical celebrities I know want to be mainstream celebrities, but I think they exist in a celebrity utopia: people generally know who they are, but no one cares what they had for breakfast. The grass is always greener, though, and because they can't get on Letterman, they're not famous enough.
In 2008, you can be a mainstream celebrity for doing absolutely nothing; the three girls "next door" date(d) an American icon...that's it. Not only did three randoms become famous, but the show saved the Playboy brand by exposing the (sanitized) behind-the-scenes elements of Hefner's life. Pre-show, I would have never said anything nice about Playboy, and now I'm buying DVDs about Hef's girlfriends? I'm calling him "Hef" like we're old friends?
[Side-thought, is The Girls Next Door anti-feminist or post-feminist?]
My point: classical musicians need to expose their personal lives if they expect to achieve mainstream levels of fame. In doing so, they may/will lose their privacy/happiness.
We did a YouTube Q&A with Hilary on Schoenberg's birthday, and a lot of the commenters said they were surprised that she was so quirky and funny. Yup, she's totally low-key, a bit strange (but aren't we all?) and ridiculously smart, and yet has (had?) a reputation for being an icy and stand-offish. When I saw the Marilyn Monroe "Happy Birthday, Mr. Schoenberg" she recorded, I told her no, come on...that's too weird! Hilary's response? "Well, that's me! Take it or leave it." Fair enough. She took a risk by answering strangers' questions and exposing her real personality online, but the channel has gotten over 6,000 views in the past few weeks, and hopefully current and future fans feel like they know her a little better, and will consequently enjoy her concerts and recordings more.
I meet my fair share of classical musicians, and most are really interesting and surprisingly down-to-earth. I love that I have to schedule my meetings with David Lang around his picking up his kids from school, for example, and that Eric Owens tells a story about how his aunt wrote a scathing letter to the editor when he got a bad review in Miami at the start of his career. Every classical musician doesn't need a reality TV show, but gestures toward exposing personalities and lifestyles must be made.
Of course this is just one sliver of a larger discussion. Even if an artist was willing to expose his or her personal life and personality to the public, who are the interested parties and what are the media platforms on which to do it? I sat next to a woman from Inside Edition at a party a couple weeks back, and of course I launched into, "There is so much classical music gossip you could cover! Violinists forget their Strads in the trunks of cars because they're trying to hook up with girls!" Her response? "((smile/nod/blink, smile/nod/blink))." Okee. And would publicizing classical music gossip garner new audiences, or just intrigue the current ones?
When Doug asked me if I wanted to write an ArtsJournal blog, I told him what I really wanted to do was anonymously host a gossip and rumor site about the classical music industry a la Perez Hilton - people would send me tips, and it would be amazing and juicy and exploitative. Then I chickened out and did this instead. And now if I do it, you'll all know it's me! I might do it anyway, in the name of saving the industry from itself.
Is this blog more (less?) meaningful because you now know that I watch trashy TV?
I have a sick fascination with The Girls Next Door, and no, gentle readers, I am not a 22-year-old frat boy. How can I love a show and hate everyone on it, you may ask? [That's not entirely true: I do enjoy Hef, who strikes a kind of ideal imbalance of obsession and apathy.] I watch the show (and, in the interest of full disclosure, have Seasons 1 and 2 on DVD) because I, and, spoiler alert, many others, crave backstage passes to other people's lives.
Given circa 15 minutes and a fast wireless connection, you could probably find out what Lindsay Lohan had for breakfast this morning. Given days/months, you probably couldn't find out what Joshua Bell had for breakfast, what he's doing at this moment, where he likes to eat dinner, if/who he's dating, so on, so forth. Why do we know everything about mainstream celebrities, and nothing about classical musician "celebrities"?
Most of the classical celebrities I know want to be mainstream celebrities, but I think they exist in a celebrity utopia: people generally know who they are, but no one cares what they had for breakfast. The grass is always greener, though, and because they can't get on Letterman, they're not famous enough.
In 2008, you can be a mainstream celebrity for doing absolutely nothing; the three girls "next door" date(d) an American icon...that's it. Not only did three randoms become famous, but the show saved the Playboy brand by exposing the (sanitized) behind-the-scenes elements of Hefner's life. Pre-show, I would have never said anything nice about Playboy, and now I'm buying DVDs about Hef's girlfriends? I'm calling him "Hef" like we're old friends?
[Side-thought, is The Girls Next Door anti-feminist or post-feminist?]
My point: classical musicians need to expose their personal lives if they expect to achieve mainstream levels of fame. In doing so, they may/will lose their privacy/happiness.
We did a YouTube Q&A with Hilary on Schoenberg's birthday, and a lot of the commenters said they were surprised that she was so quirky and funny. Yup, she's totally low-key, a bit strange (but aren't we all?) and ridiculously smart, and yet has (had?) a reputation for being an icy and stand-offish. When I saw the Marilyn Monroe "Happy Birthday, Mr. Schoenberg" she recorded, I told her no, come on...that's too weird! Hilary's response? "Well, that's me! Take it or leave it." Fair enough. She took a risk by answering strangers' questions and exposing her real personality online, but the channel has gotten over 6,000 views in the past few weeks, and hopefully current and future fans feel like they know her a little better, and will consequently enjoy her concerts and recordings more.
I meet my fair share of classical musicians, and most are really interesting and surprisingly down-to-earth. I love that I have to schedule my meetings with David Lang around his picking up his kids from school, for example, and that Eric Owens tells a story about how his aunt wrote a scathing letter to the editor when he got a bad review in Miami at the start of his career. Every classical musician doesn't need a reality TV show, but gestures toward exposing personalities and lifestyles must be made.
Of course this is just one sliver of a larger discussion. Even if an artist was willing to expose his or her personal life and personality to the public, who are the interested parties and what are the media platforms on which to do it? I sat next to a woman from Inside Edition at a party a couple weeks back, and of course I launched into, "There is so much classical music gossip you could cover! Violinists forget their Strads in the trunks of cars because they're trying to hook up with girls!" Her response? "((smile/nod/blink, smile/nod/blink))." Okee. And would publicizing classical music gossip garner new audiences, or just intrigue the current ones?
When Doug asked me if I wanted to write an ArtsJournal blog, I told him what I really wanted to do was anonymously host a gossip and rumor site about the classical music industry a la Perez Hilton - people would send me tips, and it would be amazing and juicy and exploitative. Then I chickened out and did this instead. And now if I do it, you'll all know it's me! I might do it anyway, in the name of saving the industry from itself.
Is this blog more (less?) meaningful because you now know that I watch trashy TV?
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About
Life's a Pitch Why don't we apply the successful marketing and publicity campaigns we see in our everyday lives to the performing arts? Great ideas are right there, ripe for the emulating. And who's responsible for the wide-reaching problems in ticket sales and audience development? Boring artists? Greedy managers? Overstretched marketing departments? We're beyond debating who owns the problem. Let's fix this thing.
Amanda Ameer left her position as Publicity Manager at IMG Artists in June 2007 to start First Chair Promotion, and currently represents Hilary Hahn, Gabriel Kahane, The King's Singers, David Lang and Eric Owens. She is temporarily serving as Director of Publicity at Universal Music Classical.
Contact Click here to send an email.
Subscribe to the Newsletter Fill in your email address here.
Amanda Ameer left her position as Publicity Manager at IMG Artists in June 2007 to start First Chair Promotion, and currently represents Hilary Hahn, Gabriel Kahane, The King's Singers, David Lang and Eric Owens. She is temporarily serving as Director of Publicity at Universal Music Classical.
Contact Click here to send an email.
Subscribe to the Newsletter Fill in your email address here.
Sites
Now Play It
This site has musicians teaching viewers how to play their most popular songs on the guitar via downloadable video. more
This site has musicians teaching viewers how to play their most popular songs on the guitar via downloadable video.
MOMA - Eye on Europe
This microsite for one of MOMA's 2006 exhibitions is a(n extreme) lesson in what can be done digitally for special projects (world premieres?).
more
This microsite for one of MOMA's 2006 exhibitions is a(n extreme) lesson in what can be done digitally for special projects (world premieres?).
The Metropolitan Opera
Sometimes, when the (performing arts) world gets me down, I go to The Met's website and feel better about it all.
more
Sometimes, when the (performing arts) world gets me down, I go to The Met's website and feel better about it all.
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AJ Blogs
AJBlogCentral | rssculture
About Last Night
Terry Teachout on the arts in New York City
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
rock culture approximately
CultureGulf
Rebuilding Gulf Culture after Katrina
Rebuilding Gulf Culture after Katrina
Dewey21C
Richard Kessler on arts education
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Douglas McLennan's blog
Flyover
Art from the American Outback
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
David Jays on theatre and dance
Rockwell Matters
John Rockwell on the arts
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude
Jan Herman - arts, media & culture with 'tude
dance
Foot in Mouth
Apollinaire Scherr talks about dance
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...
Tobi Tobias on dance et al...
jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...
Doug Ramsey on Jazz and other matters...
media
Out There
Jeff Weinstein's Cultural Mixology
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...
Martha Bayles on Film...
classical music
The Future of Classical Music?
Greg Sandow performs a book-in-progress
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
Harvey Sachs on music, and various digressions
PostClassic
Kyle Gann on music after the fact
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds
Norman Lebrecht on Shifting Sound Worlds
publishing
book/daddy
Jerome Weeks on Books
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera
Scott McLemee on books, ideas & trash-culture ephemera
theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world
Chloe Veltman on how culture will save the world
Stage Write
Elizabeth Zimmer on time-based art forms
Elizabeth Zimmer on time-based art forms
visual
Aesthetic Grounds
Public Art, Public Space
Public Art, Public Space
Artopia
John Perreault's art diary
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Tyler Green's modern & contemporary art blog

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