It was Wynton Marsalis, in the Patron Lounge, with the Blackberry
About a week ago, the Detroit Symphony Orchestra launched a new website. Props to them for caring about their online presence, which is more than I can say for some people. But, sadly, the site is strange, distracting and illogical.
I like the homepage, which uses the facade of the building as navigation. This is useful because 1. it's intriguing to see what Flash magic is going to happen when you click on a door [SPOILER ALERT! Nothing happens.] and 2. it (hopefully) leads folks to recognize the real life facade as the home of the symphony when driving/walking by. The rollover calendar on the left is really nice, since there are few things more annoying than waiting for calendars to load, and I think the faux marquee is cute. Cool and cute. Coote.
When you click on a door, however, it doesn't virtually take you in the door, it just takes you to another page. As a friend pointed out, if you're going have fun with a site, might as well carry the theme all the way through.
And then, like most things, it gets complicated. If you're on any given page, you have the option for both quicklinks and five boxes of navigation at the bottom, both of which unexpectedly scroll up and down into the mainframe, and neither of which is fully or partially expanded at any given time. Some links lead you to virtual rooms - but not all links - and it's challenging to figure out how to get from one "room" to another (you click on the colorful subject boxes at the bottom and select "x homepage" at the top of each menu). But then the clickable navigation features in the rooms don't quite line up with what the site wants you to do. Would I know to click on the Blackberry on a restaurant table for Contact information? Probably not. Should I have to rollover everything on a page to find what I want? Definitely not, hence the need for a very clear, text-based navigation bar that stays consistent throughout the pages.
Website navigation is complicated: you need to appeal to the greatest number of peoples' logic while (hopefully) maintaining the creative features and aesthetics you desire. Usability should always be king, though, since websites - especially those for presenters, artists and orchestras - exist primarily to provide information. The CGI rooms are entertaining for circa 5 seconds, and then the user thinks, "No seriously - where's the number for the box office?"
I also think that, when we get ahead of ourselves in fancy land, small-yet-noticeable mistakes are made. Like the use of two different fonts in the HTML sections:

And a few typos, like MEET THE MUSICIAN, a (very useful) category later listed as MEET THE MUSICIANS:
I say all this out of love, I really do, because I hate to see presenters spend money they don't have and miss the mark. We all know what good websites look like - we use them every day to function. Try too hard to be cool/different/unique/"groundbreaking", and you're probably not going to be. And think about your users; you want to draw people further and further into a site, not frustrate them. It's great to include interactive features, but not at the expense of usability.
UPDATE - a few minutes into 9/17 - Stardate 40234, I have just discovered the rhyming Slatkin hologram that (who?) pops up when you click on "Meet the Director" widget on the homepage. I can't decide whether he reminds me more of this or this.
I like the homepage, which uses the facade of the building as navigation. This is useful because 1. it's intriguing to see what Flash magic is going to happen when you click on a door [SPOILER ALERT! Nothing happens.] and 2. it (hopefully) leads folks to recognize the real life facade as the home of the symphony when driving/walking by. The rollover calendar on the left is really nice, since there are few things more annoying than waiting for calendars to load, and I think the faux marquee is cute. Cool and cute. Coote.
When you click on a door, however, it doesn't virtually take you in the door, it just takes you to another page. As a friend pointed out, if you're going have fun with a site, might as well carry the theme all the way through.And then, like most things, it gets complicated. If you're on any given page, you have the option for both quicklinks and five boxes of navigation at the bottom, both of which unexpectedly scroll up and down into the mainframe, and neither of which is fully or partially expanded at any given time. Some links lead you to virtual rooms - but not all links - and it's challenging to figure out how to get from one "room" to another (you click on the colorful subject boxes at the bottom and select "x homepage" at the top of each menu). But then the clickable navigation features in the rooms don't quite line up with what the site wants you to do. Would I know to click on the Blackberry on a restaurant table for Contact information? Probably not. Should I have to rollover everything on a page to find what I want? Definitely not, hence the need for a very clear, text-based navigation bar that stays consistent throughout the pages.
Website navigation is complicated: you need to appeal to the greatest number of peoples' logic while (hopefully) maintaining the creative features and aesthetics you desire. Usability should always be king, though, since websites - especially those for presenters, artists and orchestras - exist primarily to provide information. The CGI rooms are entertaining for circa 5 seconds, and then the user thinks, "No seriously - where's the number for the box office?"I also think that, when we get ahead of ourselves in fancy land, small-yet-noticeable mistakes are made. Like the use of two different fonts in the HTML sections:

And a few typos, like MEET THE MUSICIAN, a (very useful) category later listed as MEET THE MUSICIANS:
I say all this out of love, I really do, because I hate to see presenters spend money they don't have and miss the mark. We all know what good websites look like - we use them every day to function. Try too hard to be cool/different/unique/"groundbreaking", and you're probably not going to be. And think about your users; you want to draw people further and further into a site, not frustrate them. It's great to include interactive features, but not at the expense of usability. UPDATE - a few minutes into 9/17 - Stardate 40234, I have just discovered the rhyming Slatkin hologram that (who?) pops up when you click on "Meet the Director" widget on the homepage. I can't decide whether he reminds me more of this or this.
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About
Life's a Pitch Why don't we apply the successful marketing and publicity campaigns we see in our everyday lives to the performing arts? Great ideas are right there, ripe for the emulating. And who's responsible for the wide-reaching problems in ticket sales and audience development? Boring artists? Greedy managers? Overstretched marketing departments? We're beyond debating who owns the problem. Let's fix this thing.
Amanda Ameer left her position as Publicity Manager at IMG Artists in June 2007 to start First Chair Promotion, and currently represents Hilary Hahn, Gabriel Kahane, The King's Singers, David Lang, Eric Owens and The Wordless Music Series.
Contact Click here to send an email.
Subscribe to the Newsletter Fill in your email address here.
Amanda Ameer left her position as Publicity Manager at IMG Artists in June 2007 to start First Chair Promotion, and currently represents Hilary Hahn, Gabriel Kahane, The King's Singers, David Lang, Eric Owens and The Wordless Music Series.
Contact Click here to send an email.
Subscribe to the Newsletter Fill in your email address here.
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Now Play It
This site has musicians teaching viewers how to play their most popular songs on the guitar via downloadable video. more
This site has musicians teaching viewers how to play their most popular songs on the guitar via downloadable video.
MOMA - Eye on Europe
This microsite for one of MOMA's 2006 exhibitions is a(n extreme) lesson in what can be done digitally for special projects (world premieres?).
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This microsite for one of MOMA's 2006 exhibitions is a(n extreme) lesson in what can be done digitally for special projects (world premieres?).
The Metropolitan Opera
Sometimes, when the (performing arts) world gets me down, I go to The Met's website and feel better about it all.
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Sometimes, when the (performing arts) world gets me down, I go to The Met's website and feel better about it all.
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rock culture approximately
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Rebuilding Gulf Culture after Katrina
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Richard Kessler on arts education
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Douglas McLennan's blog
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For immediate release: the arts are marketable
For immediate release: the arts are marketable
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No genre is the new genre
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Jan Herman - arts, media & culture with 'tude
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Apollinaire Scherr talks about dance
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Tobi Tobias on dance et al...
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Howard Mandel's freelance Urban Improvisation
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Focus on New Orleans. Jazz and Other Sounds
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Doug Ramsey on Jazz and other matters...
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Jeff Weinstein's Cultural Mixology
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Greg Sandow performs a book-in-progress
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Exploring Orchestras w/ Henry Fogel
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Harvey Sachs on music, and various digressions
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Kyle Gann on music after the fact
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Greg Sandow on the future of Classical Music
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Norman Lebrecht on Shifting Sound Worlds
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Jerome Weeks on Books
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Scott McLemee on books, ideas & trash-culture ephemera
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Wendy Rosenfield: covering drama, onstage and off
Wendy Rosenfield: covering drama, onstage and off
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Chloe Veltman on how culture will save the world
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Elizabeth Zimmer on time-based art forms
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Public Art, Public Space
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John Perreault's art diary
John Perreault's art diary
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Lee Rosenbaum's Cultural Commentary
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Tyler Green's modern & contemporary art blog

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