Confessions of an Audio Dolt

headphones.jpegIt's a wonder that I ever got sent to the US as a technology correspondent for a major British newspaper back in 2000, really. My lack of prowess at -- and genuine interest in -- figuring out the nuts and bolts of everyday applications I use is not something of which I'm proud. But there's only so many things I can pay attention to on any given day, and worrying about which format I transfer audio files to and from my laptop sadly isn't one of them.

I was made to feel the full force of my technophobia yesterday afternoon when I went across the Bay to Berkeley to guest-lecture for an hour at an adult "vocal music appreciation" class. Unlike many serious music fans (and most classical music journalists) I don't keep my music library on CD, only digital audio files on my computer, even though most people in my line of work proselytize against this for reasons of quality. I don't perceive a huge difference in the quality of a CD versus most of the audio files on my laptop. frankly. Then again, computer audio files do vary radically in quality, which is a detail I confess that I need to pay closer attention to.

So I turned up to class with a playlist in an embarrassingly motley range of file formats. Some of them were near-CD quality. Others, I must confess, I'd yanked off YouTube using AudioHijack, and the quality was far, far from perfect. One or two of the tracks sounded like they were being played at the bottom of a well.

The teacher of the class was not impressed. He had the most staggeringly stagey audio setup I'd seen in a while, with speakers resting on ball-bearings. You couldn't so much as breathe on the shiny black objects without causing him to get upset. I got a public dressing down for having some of the tracks as MP3 files rather than the more up-to-date AIFF files. "Did you rip some of this stuff off the Internet?" I was asked with a critical "tsk" halfway through the class.

I dunno. Of course it's preferable to have optimal quality when you're listening to music. It's always better if you do. But having a slightly-less-than-perfect listening experience isn't going to cause your eardrums to explode. And going with a not-extremely-good output is OK too if you're under duress (ie you want to play something that is only available on YouTube) and using the music sample to make a general point rather than listening intensively in private.

The students in the class didn't seem to mind all that much anyway. Many of them came up afterwards to say how much they'd enjoyed the lecture. And hopefully the teacher forgave me for my sin. Rest assured, though: I'll be paying closer attention to audio file formats in the future. Lesson learned.
October 29, 2009 8:30 AM | | Comments (4)

4 Comments

It sounds like that teacher should have re-titled the class 'sound-system appreciation', since he was apparently unable to shift his attention past the recording technology to what had been recorded.

I'm a traddie. I like the old songs, the dance tunes, the music put together by anonymous working people for their own pleasure and that of their communities. When I listen, I'm not attending to the reproduction, I'm listening to the music. As long as I can hear all the words and/or notes, the recording is good enough. It's the music that's important, not the recording.

It's the same thing when I play. I'm a very low-quality "sound system", myself, but the music doesn't mind - it lets me reproduce it as well as I can in that moment.

Music is gey more forgiving than many of those who make a big production out of "appreciating" it.

Apparently you weren't informed that it was actually a "High Fidelity Vocal Music Appreciation Class for Would-Be Audiophiles," which is totally different that what you were asked to prepare for. Janet Baker singing the "Sea Pictures" on cassette is still an amazing performance, which is what the class is about, you know, the singing, right?

I try try to use the best equipment, but I've heard great performances on everything from acoustic disks to warbly short-wave radio. You can get used to, and listen through, almost anything, and I've heard $40,000 systems that sounded awful as well as amazing.

The teacher of the class showed bad manners in the way he treated you. Go ahead and pay attention to audio file formats, to protect yourself from such people. But I'll trade a 1949 Toscanini with the CBS Orchestra LP on my cheap turntable, or a VHS Monterrey Pop Festival on my off-brand VHS player through my off-brand 13" TV for lesser content (i.e., most content) played on anything.

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