Raving About Arts Journalism At Berkeley High
I wasn't necessarily expecting the experience to be fun or easy. When the managing editor of The Jacket, Berkeley High School's twice monthly internal newspaper, invited me to speak about arts journalism in front of a bunch of the publication's student editors and reporters, the invitation came with a warning: She told me that the group had never before had a speaker from the arts journalism world and that I shouldn't expect the students to be very enthusiastic about my visit. The last time I'd been invited to talk about journalism in front of a bunch of Berkeley High students was as part of a panel at Berkeley Repertory Theatre in tandem with the company's world premiere of Itamar Moses' journalism-centric play based at the school, Yellowjackets. This had been an uninspiring experience. But I decided not to let that deter my decision to accept the invitation. Talking to people -- especially young people -- about the importance of great arts and culture writing is a passion of mine. I relish every opportunity I get to do it, whether it's meeting one-on-one with an aspiring arts reporter to talk about career options over coffee or holding court in front of 30 seniors at Berkeley's only public school -- the second largest and most populous of its kind in Northern California.
Perhaps the managing editor got her classes muddled up when she warned me about enthusiasm levels. For the students who listened to me rant and rave about what I do for a living and the state of the media in general, were not only awake and enthusiastic, but also asked brilliant questions. In short, I couldn't have hoped for a more attentive group.
Questions ranged from "why should anyone pay attention to what you have to say as a critic?" and "do you ever worry about getting to know artists so well that you can't write negative things about their work?" to "how do you structure a great review?" and "how is the Internet impacting what you do?" The hour flew past. Unlike other similar talks I've given and conversations I've had previously, I think I managed to hit all the bases I wanted to hit, from giving practical, nuts and bolts advice to proffering some more high-level ideas about the importance and role of arts writing in contemporary society and my aspirations for its future.
I don't think I could have gotten close to this target without the good humor and switched-on questioning of The Jacket's staff. The Jacket often features arts pieces, and as many as 60 student writers contribute reviews and other culture articles on a wide variety of events. As such, I was surprised to hear that the paper had up until now never invited an arts writer in to speak. I feel very proud and flattered to have been asked. All being well, I'll get to go back to the school in a couple of months' time to work with a small group of interested writers on review-writing skills. Should be a blast.
This post has been ridiculously gushy, I know. But I mean it when I say that my afternoon at Berkeley High was one of the most meaningful I've had in ages.I don't think I've had so much fun since I hosted my first two-hour-long classical music radio show on NPR a few weeks ago.
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Terry Teachout on the arts in New York City
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Andrew Taylor on the business of arts & culture
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rock culture approximately
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Rebuilding Gulf Culture after Katrina
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Richard Kessler on arts education
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Douglas McLennan's blog
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Art from the American Outback
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For immediate release: the arts are marketable
For immediate release: the arts are marketable
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No genre is the new genre
No genre is the new genre
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David Jays on theatre and dance
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Paul Levy measures the Angles
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John Rockwell on the arts
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Jan Herman - arts, media & culture with 'tude
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Apollinaire Scherr talks about dance
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Tobi Tobias on dance et al...
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Howard Mandel's freelance Urban Improvisation
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Focus on New Orleans. Jazz and Other Sounds
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Doug Ramsey on Jazz and other matters...
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Jeff Weinstein's Cultural Mixology
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Martha Bayles on Film...
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The Future of Classical Music?
Greg Sandow performs a book-in-progress
Greg Sandow performs a book-in-progress
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Exploring Orchestras w/ Henry Fogel
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Harvey Sachs on music, and various digressions
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Kyle Gann on music after the fact
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Greg Sandow on the future of Classical Music
Greg Sandow on the future of Classical Music
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Norman Lebrecht on Shifting Sound Worlds
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Jerome Weeks on Books
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Scott McLemee on books, ideas & trash-culture ephemera
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Wendy Rosenfield: covering drama, onstage and off
Wendy Rosenfield: covering drama, onstage and off
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Chloe Veltman on how culture will save the world
Chloe Veltman on how culture will save the world
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Public Art, Public Space
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John Perreault's art diary
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Lee Rosenbaum's Cultural Commentary
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