Mrs. Sarkozy's A Mean Songstress
I didn't pay much attention to the broohaha surrounding the climaxing relationship between French president Nicolas Sarkozy and ex-supermodel / singer-songwriter Carla Bruni even though I was in the UK when France's first couple swung by for an official visit in March. The controversy on the eve of the visit concerning the publication by Christies auction house of a nude photograph of Bruni taken during her career as a supermodel and the media's special interest in Bruni's wardrobe (Christian Dior -- a diplomatic choice, being a French design house designed by John Galliano, a British designer) seemed laughable to me.
But having been introduced to Bruni's music by -- of all people -- my mother, who's a fan and played several of the singer-songwriter's tracks for me while I was home visiting, I've now become completely obsessed with the Italian-born bombshell-maestro.
Bruni's debut CD from 2002, Quelqu'un m'a dit, is one of the loveliest collections of musical musings I've heard in a long time. In many ways, Bruni follows directly in the footsteps of French singer-songwriters that have passed before her, including Serge Gainsbourg and Jacques Brel in the sense that what she puts out into the world is deceptively simple: almost comical little tunes accompanied by little else than a strummed guitar.
But the surface texture of Bruni's songs belies an inner depth and complexity. It's the combination of Bruni's sexy-philosophical lyrics and smoky-throated voice that haunt the listener in particular. My favorite track from the album is the title song. There are about three chords in the thing and Bruni's voice cracks winningly every time she attempts to hit a note above a middle G. But the words, shrugging with a nonchalant sweetness in the face of one's pathetic "little life," are utterly infectious. You don't know if she's being jokey or sincere. Whatever she's being, the music drips sensuality and I just can't get enough.
Here's a link to Bruni's website. Both Quelqu'un m'a dit and her 2007 follow-up album, No Promises, are available in the U.S. via iTunes.
But having been introduced to Bruni's music by -- of all people -- my mother, who's a fan and played several of the singer-songwriter's tracks for me while I was home visiting, I've now become completely obsessed with the Italian-born bombshell-maestro.
Bruni's debut CD from 2002, Quelqu'un m'a dit, is one of the loveliest collections of musical musings I've heard in a long time. In many ways, Bruni follows directly in the footsteps of French singer-songwriters that have passed before her, including Serge Gainsbourg and Jacques Brel in the sense that what she puts out into the world is deceptively simple: almost comical little tunes accompanied by little else than a strummed guitar.
But the surface texture of Bruni's songs belies an inner depth and complexity. It's the combination of Bruni's sexy-philosophical lyrics and smoky-throated voice that haunt the listener in particular. My favorite track from the album is the title song. There are about three chords in the thing and Bruni's voice cracks winningly every time she attempts to hit a note above a middle G. But the words, shrugging with a nonchalant sweetness in the face of one's pathetic "little life," are utterly infectious. You don't know if she's being jokey or sincere. Whatever she's being, the music drips sensuality and I just can't get enough.
Here's a link to Bruni's website. Both Quelqu'un m'a dit and her 2007 follow-up album, No Promises, are available in the U.S. via iTunes.
AJ Ads
Introducing
AJ Arts Blog Ads
Now you can reach the most discerning arts blog readers on the internet. Target individual blogs or topics in the ArtsJournal ad network.
Advertise Here
AJ Arts Blog Ads
Now you can reach the most discerning arts blog readers on the internet. Target individual blogs or topics in the ArtsJournal ad network.
Advertise Here
AJ Blogs
AJBlogCentral | rssspecial
Program Notes
the blog of the National Performing Arts Convention
culture
the blog of the National Performing Arts Convention
About Last Night
Terry Teachout on the arts in New York City
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
rock culture approximately
CultureGulf
Rebuilding Gulf Culture after Katrina
Rebuilding Gulf Culture after Katrina
diacritical
Douglas McLennan's blog
Douglas McLennan's blog
Flyover
Art from the American Outback
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
No genre is the new genre
Rockwell Matters
John Rockwell on the arts
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude
Jan Herman - arts, media & culture with 'tude
dance
Foot in Mouth
Apollinaire Scherr talks about dance
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...
Tobi Tobias on dance et al...
jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...
Doug Ramsey on Jazz and other matters...
media
Out There
Jeff Weinstein's Cultural Mixology
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...
Martha Bayles on Film...
classical music
The Future of Classical Music?
Greg Sandow performs a book-in-progress
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
Harvey Sachs on music, and various digressions
PostClassic
Kyle Gann on music after the fact
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds
Norman Lebrecht on Shifting Sound Worlds
publishing
book/daddy
Jerome Weeks on Books
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera
Scott McLemee on books, ideas & trash-culture ephemera
theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world
Chloe Veltman on how culture will save the world
Stage Write
Elizabeth Zimmer on time-based art forms
Elizabeth Zimmer on time-based art forms
visual
Aesthetic Grounds
Public Art, Public Space
Public Art, Public Space
Artopia
John Perreault's art diary
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Tyler Green's modern & contemporary art blog

Leave a comment