Kahil El’Zabar

Jazz warms Chi spots: Hot House @ Alhambra Palace, AACM @ Promontory

December 21, 2016 by Howard Mandel

There are good arguments for building venues just for jazz. But speaking of arts communities in general: Most are moveable feasts, fluid, transient, at best inviting to newcomers to the table. It's demonstrable that when jazz players and listeners alight at all-purpose spaces such as Chicago's Alhambra Palace, where Hot House produced the trio of saxophonist David Murray, bassist Harrison Bankhead and percussionist Kahil El'Zabar on Monday, Dec. 12, or The Promontory in Hyde Park, where flutist Nicole Mitchell, cellist Tomeka Reid and … [Read more...]

Jazz Foundation knows how to party

October 20, 2009 by Howard Mandel

To raise money for musicians' health and welfare, how 'bout a jazz party? In three lofts with river views, a thousand attendees of every age, shape, style enjoyed food 'n' drink 'n' performances including Jimmy Heath playing "Gingerbread Boy," Arturo O'Farrill's teen sons mastering Latin jazz, baritone saxist Hamiet Bluiett with Kahil El'Zabar on mbira. The Jazz Foundation of America kicked out the jams on Sunday night, and raked in donations. … [Read more...]

I'm a Chicago-born (and after 32 years in NYC, recently repatriated) writer, editor, author, arts reporter for National Public Radio, consultant and nascent videographer -- a veteran freelance journalist working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere, consulting on media, publishing and jazz-related issues. I'm president of the Jazz Journalists Association, a non-profit membership organization devoted to using all media to disseminate news and views about all kinds of jazz.
My books are Future Jazz (Oxford U Press, 1999) and Miles Ornette Cecil - Jazz Beyond Jazz (Routledge, 2008). I was general editor of the Illustrated Encyclopedia of Jazz and Blues (Flame Tree 2005/Billboard Books 2006). Of course I'm working on something new. . . Read More…

Howard Mandel on The Jazz & Blues Art Box — instant collection, rare data trove: “I dont know about the publicfunding for the Bern jazz festival OR the videos; the Box itself seems to be…” Jul 31, 00:13
William Osborne on The Jazz & Blues Art Box — instant collection, rare data trove: “The Swiss have made similar collections of recordings of their contemporary classical composers -- not that large, but very comprehensive.…” Jul 30, 20:52
Afifah Rachmawati on Great new jazz photography: Sánta’s faces of Northsea Jazz Fest: “It's great!!” Jul 24, 15:28
Dee on Great new jazz photography: Sánta’s faces of Northsea Jazz Fest: “My visual soul-mate, this Santá-seer!!! Hope to meet him in one of our lifetimes...” Jul 24, 15:19
Ralph A. Miriello on Great new jazz photography: Sánta’s faces of Northsea Jazz Fest: “Great and insightful post Howard. Jazz photgraphy often catches rare glimpses into the artist's soul.” Jul 24, 14:52

ESP Disks — origins of jazz beyond jazz

Reviewing a sleeping giant, ESP Disks before its early '00s revival Howard Mandel c 1997, published in issue 157, The Wire It was a time before psychedelics. Following the seismic cultural disruptions of the mid '50s, rock 'n' roll had hit a … [Read More...]

William Parker, my DownBeat feature from 1998

Howard Mandel c 1998/published by DownBeat, July 1998, under headline Beneath the Underdog (the editor's reference to Charles Mingus's autobiography): There's an anchor for New York's downtown free jazz and improv "wild bunch": his name is William … [Read More...]

Matthew Shipp, my feature for The Wire, 1998

[contextly_auto_sidebar id="IFeXJPobvykRyuU4dU68FilRPv0EE8oC"] This is a complete version of the feature on pianist Matthew Shipp I wrote for The Wire, published in February, 1998 Is this the face of New York's jazz avant now? Pianist Matt … [Read More...]

Rashied Ali (1935 – 2009), multi-directional drummer, speaks

A 1990 interview with drummer Rashied Ali, about his relationship with John Coltrane. … [Read More...]

On The Corner program notes, Merkin Hall concert 5/25/09

Miles Davis intended On The Corner to be a personal statement, an esthetic breakthrough and a social provocation upon its release in fall of 1972. He could hardly have been more successful: the album was all that, though it has taken decades for its … [Read More...]