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        <title>Jazz Beyond Jazz</title>
        <link>http://www.artsjournal.com/jazzbeyondjazz/</link>
        <description>Howard Mandel&apos;s freelance Urban Improvisation</description>
        <language>en</language>
        <copyright>Copyright 2009</copyright>
        <lastBuildDate>Fri, 20 Nov 2009 08:44:46 -0500</lastBuildDate>
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            <title>Far downtown weekend adventures</title>
            <description><![CDATA[Far out improv, high concept contemporary composition, new jazz scholarship and "cut loose" music from Guadeloupe flood Lowest Manhattan (all the way to Staten Island) this weekend. The folks who bring us the <span class="Apple-style-span" style="font-weight: bold;">Vision Festival</span> stage <a href="http://www.visionfestival.org/schedule/28hours#day1" style="text-decoration: underline; ">28 hours of multidisciplinary improvisation</a> starting tonight (Friday) at 6 p.m. at Clemente Soso Velez Cultural Center; Mode Records throws itself a <a href="http://www.moderecords.com/benefit.html" style="text-decoration: underline; ">benefit marathon concert</a> featuring <span class="Apple-style-span" style="font-weight: bold;">Philip Glass, John Zorn</span> and <span class="Apple-style-span" style="font-weight: bold;">Robert Ashley</span>, among many others on Saturday at Abrons Art Center; jazz scholars convene for The <a href="http://www.cuny.edu/news/newsreleases_p=4531.html"><span class="Apple-style-span" style="font-weight: bold;">Louis Armstrong Symposium</span></a> at College of Staten Island also Saturday starting at 9 a.m., keynote by <span class="Apple-style-span" style="font-weight: bold;">Dan Morgenstern</span>) and the <span class="Apple-style-span" style="font-weight: bold;"><a href="http://us.franceguide.com/article.html?nodeID=422&amp;EditoID=214253">Destination Guadeloupe Festival</a></span><a href="http://us.franceguide.com/article.html?nodeID=422&amp;EditoID=214253"> </a>climaxes with Gwo-ka drumming, "gwanda jazz" and zouk at S.O.B.'s on Sunday (bands from Guadeloupe are also there and at Zinc Bar tonight and tomorrow).The possibilities show <span class="Apple-style-span" style="font-style: italic;">again</span> the breadth and depth of music made and presented in NYC.]]></description>
            <link>http://www.artsjournal.com/jazzbeyondjazz/2009/11/far_downtown_weekend_adventure.html</link>
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            <pubDate>Fri, 20 Nov 2009 08:44:46 -0500</pubDate>
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            <title>Trouble -- or transition -- at Jazz.com?</title>
            <description><![CDATA[<a href="http://jazztimes.com/articles/25325-ted-gioia-president-and-editor-of-jazz-com-steps-down">Stepping down</a> from presiding over <a href="http://www.jazz.com">Jazz.com</a> two years after its launch, editor, <a href="http://www.amazon.com/Imperfect-Art-Reflections-Portable-Stanford/dp/0195063287/?tag=howardmacom-20">author</a> and <a href="http://www.amazon.com/Tango-Cool-Gioia-Mark-Lewis/dp/B000003020/?tag=howardmacom-20">pianist</a> <span class="Apple-style-span" style="font-weight: bold;">Ted Gioia</span> isn't saying much about what's up with the site that has become a major web resource and destination. Naturally, this leads to wondering what has become of the promise and potential of jazz on the web.]]></description>
            <link>http://www.artsjournal.com/jazzbeyondjazz/2009/11/trouble_--_or_transition_--_at.html</link>
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            <pubDate>Thu, 19 Nov 2009 14:03:33 -0500</pubDate>
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            <title>Wynton le Chevalier Marsalis</title>
            <description><![CDATA[A survey in my latest <a href="http://cityarts.info/?p=465">City Arts column</a> of the music of trumpeter-composer Wynton Marsalis, in the jazz spotlight for 25 years. Founder and artistic director of Jazz at Lincoln Center, educator, activist, humanitarian, winner of a Pulitzer and multiple Grammies, Wynton stands tallest in my book when he just <span class="Apple-style-span" style="font-style: italic;">plays jazz.</span>]]></description>
            <link>http://www.artsjournal.com/jazzbeyondjazz/2009/11/wynton_le_chevalier_marsalis.html</link>
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            <pubDate>Thu, 19 Nov 2009 13:15:38 -0500</pubDate>
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            <title>The critics play</title>
            <description><![CDATA[Writer-guitarist Greg Tate was shy about conducting <a href="http://burntsugarindex.com/multi-media/">Burnt Sugar</a> at the Blue Note last night, not stepping out front of his troupe to guide them (kinda like President O waiting for Congress to decide what to do), but the late <a href="http://www.vh1.com/artists/news/1940/11211997/palmer_robert.jhtml">Robert Palmer's spirit </a>hovered quite tangibly over the tribute his daughter Augusta Palmer ran at Le Poisson a couple blocks away, celebrating the screening of her film <span class="Apple-style-span" style="font-style: italic;">The Hand of Fatima <span class="Apple-style-span" style="font-style: normal; ">which tells the story of her disengaged dad and his musical fascinations. The struggle for respect of music journalists who believe black music is the heart-and-soul of America goes on. . . </span></span>]]></description>
            <link>http://www.artsjournal.com/jazzbeyondjazz/2009/11/the_critics_play_1.html</link>
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            <pubDate>Tue, 17 Nov 2009 20:11:26 -0500</pubDate>
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            <title>Performance night of beyond-jazz critics</title>
            <description><![CDATA[Monday 11/16, NYC: writer-guitarist-conductor <span class="Apple-style-span" style="font-weight: bold;">Greg Tate</span>'s <a href="http://burntsugarindex.com/">Burnt Sugar</a> plays the Blue Note, and the late journalist-reedsplayer<a href="http://www.doobeedoobeedoo.info/2009/11/01/benefit-concert-for-the-master-musicians-of-jajouka-celebrating-the-legacy-of-rock-critic-robert-palmer/"> <span class="Apple-style-span" style="font-weight: bold;">Robert Palmer</span> is celebrated</a> by biographer-world musician <span class="Apple-style-span" style="font-weight: bold;"><a href="http://www.johnkruth.com/">John Kruth</a></span>, historian-memoirist-social commentator-radio producer-singer-songwriter <span class="Apple-style-span" style="font-weight: bold;"><a href="http://afrocubaweb.com/nedsublette.htm">Ned Sublette</a></span>, and the <a href="http://www.jajouka.com/">Master Musicians of Jajouka</a> with at Le Poisson Rouge. Are the inmates running the asylum?<div>   </div>]]></description>
            <link>http://www.artsjournal.com/jazzbeyondjazz/2009/11/performance_night_of_beyond-ja.html</link>
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            <pubDate>Sun, 15 Nov 2009 15:52:47 -0500</pubDate>
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            <title>Winners and their blues</title>
            <description><![CDATA[Winners of this blog's first Blues Lyric Contest are suitably troubled -- and all get <span class="Apple-style-span" style="font-style: italic;">Wynton Marsalis and Willie Nels</span><span class="Apple-style-span" style="font-style: italic;">on Play the Music of Ray Charles</span> DVDS to ease their weary minds. All have expressed regrets they can't get to  Jazz at Lincoln Center concerts of Wynton and the Lincoln Center Jazz Orchestra celebrating for Mary Lou Williams' centennial <span class="Apple-style-span" style="font-style: italic;">or</span>  alto saxist Maceo Parker, so sadly those tix go wanting. But that's the blues for ya. . . ]]></description>
            <link>http://www.artsjournal.com/jazzbeyondjazz/2009/11/winners_and_their_blues.html</link>
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            <pubDate>Fri, 13 Nov 2009 13:51:01 -0500</pubDate>
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            <title>Midnight (EST) deadline, blues contest entries </title>
            <description><![CDATA[Prizes of Jazz at Lincoln Center tix for this weekend and dvds of Wynton Marsalis with Willie Nelson for the best blues lyrics or prose poem will be determined at 12:01 tonight (11/11/09). Several stunning (!?!) efforts have been received -- via the comments box below -- but<span class="Apple-style-span" style="font-weight: bold;"> I'm not publishing any of them until all the tries are in and the winners have been chosen</span>. Is it hard to write a blues lyric? See my examples from yesterday, or search the web for classics, which are plentiful. Three to five choruses fitting a standard 12-bar blues form, or a bluesy prose poem of 100 to 150 words are what I want to see -- alto sax soulman Maceo Parker playing in the elegant Allen Room, and Wynton leading the Lincoln Center Jazz Orchestra in music by Mary Lou Williams, with featured soloists Geri Allen and Geoff Keezer are first prizes; second and third are dvds of Wynton and Willie (with guest Norah Jones), autographed by Mr. Jazz at Lincoln Center himself. <div><br /></div><div>Submit your blues now! Don't delay and cry like this -- </div>]]></description>
            <link>http://www.artsjournal.com/jazzbeyondjazz/2009/11/midnight_est_deadline_blues_co.html</link>
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            <pubDate>Wed, 11 Nov 2009 11:50:34 -0500</pubDate>
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            <title>Blues lyrics: write to win</title>
            <description><![CDATA[For tickets to Jazz at Lincoln Center this weekend or a dvd of Wynton Marsalis and Willie Nelson performing live, try writing a blues. How hard can it be?<div><br /></div><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;">"Minutes seem like hours, hours seem like days,</blockquote><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;">Seems my baby would stop her lowdown ways" -- Muddy Waters, "Country Blues"</blockquote><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;"><br /></blockquote><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;"> "Woke up this morning, looked 'round for my shoes</blockquote><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;">You know I had those mean old walkin' blues" -- Robert Johnson, "Walkin' Blues" </blockquote><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;">. </blockquote><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;">"Whoa, oh tell me baby</blockquote><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;">Where did ya stay last night? An' why don't ya hear me cryin'?</blockquote><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;">Whoo hoo, whoo whoo, </blockquote><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;">Whoo who. . . " -- Howlin' Wolf, "Smokestack Lightning"</blockquote>]]></description>
            <link>http://www.artsjournal.com/jazzbeyondjazz/2009/11/blues_lyrics_write_to_win.html</link>
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                <category domain="http://www.sixapart.com/ns/types#tag">Albert King</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Bessie Smith</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">blues lyrics</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Howlin&apos; Wolf</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Maceo Parker</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Mary Lou Williams</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Muddy Waters</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Robert Johnson</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Willie Nelson</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">Wynton Marsalis</category>
            
            <pubDate>Tue, 10 Nov 2009 09:09:32 -0500</pubDate>
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            <title>Jazz at Lincoln Center ducats, Wynton-Willie dvd giveaways!</title>
            <description><![CDATA[Readers of this blog can win 2 tix for JALC's November 14 shows by <a href="http://jalc.org/concerts/details309a.asp?EventID=2045">Maceo Parker</a> or the <a href="http://jalc.org/concerts/details309a.asp?EventID=2046">Lincoln Center Jazz Orchestra playing Mary Lou Williams</a>, or autographed Wynton-Willie Nelson Play Ray Charles dvds. But in keeping with the inherent value of these prizes, I'm making the contest creative, not easy.]]></description>
            <link>http://www.artsjournal.com/jazzbeyondjazz/2009/11/jazz_at_lincoln_center_ducats.html</link>
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            <pubDate>Sat, 07 Nov 2009 10:41:50 -0500</pubDate>
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            <title>US remains jazz central </title>
            <description><![CDATA[Jazz is global, but its most ambitious players still flock to the US to soak in its roots and prove they're part of the scene. Tonight a Parisian septet called <a href="http://www.myspace.com/groupefractale">Fractale</a> wraps up an eight-gig tour of the States at the Drom in the East Village, after stops in New Orleans, Cleveland and Chicago. From December 3 to 6 Spanish <span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: Arial; font-size: 12px; ">pianist Chano Domínguez &amp; his Flamenco Quintet bring its commissioned "The Flamenco Side of Kind of Blue" to the Jazz Standard to assert that the <a href="http://translate.google.com/translate?hl=en&amp;sl=es&amp;u=http://www.barcelonajazzfestival.com/&amp;ei=Aib0SpPkKcfR8Qbl8LzzCQ&amp;sa=X&amp;oi=translate&amp;ct=result&amp;resnum=1&amp;ved=0CAgQ7gEwAA&amp;prev=/search%3Fq%3Dbarcelona%2Bjazz%2Bfestival%26hl%3Den">Barcelona Jazz Festival</a> (in which they premiere the work on November 12) has something to do with the Big Apple. Next February the <a href="http://pdxjazz.com/blog/?cat=19">Portland Jazz Festiva</a>l explores the theme "Is Jazz Dead (Or Has It Moved To A New Address?)." But incontrovertible evidence suggests that however far the sound has spread, those who matter know where jazz calls home.</span>]]></description>
            <link>http://www.artsjournal.com/jazzbeyondjazz/2009/11/us_remains_jazz_central.html</link>
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            <pubDate>Fri, 06 Nov 2009 07:33:36 -0500</pubDate>
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            <title>Henry Threadgill, seer beyond &apos;jazz&apos;</title>
            <description><![CDATA[<div>In my <a href="http://cityarts.info/?p=410">City Arts column</a>: a new album and <a href="http://www.roulette.org/events/artists.php/901">Roulette concert</a> with commissioned work from a worldly-wise 65 yr-old NYC/East Village-based <a href="http://www.gregsandow.com/threadg.htm">composer-bandleader</a> who keeps looking at music -- Varese's and Wagner's, Scott Joplin's and Ornette Coleman's -- to find something new. I call <span class="Apple-style-span" style="font-weight: bold;">Henry Threadgill</span> a prophet in the wilderness, urgently trying to shake us from complacency. At <a href="http://derobertiscaffe.com/">De Roberti's</a> classic Italian pastry shop for coffee yesterday, Threadgill claimed he's just helping American music born in the urban late 20th century to develop its full potential, and it's got a long ways to go.</div>]]></description>
            <link>http://www.artsjournal.com/jazzbeyondjazz/2009/11/henry_threadgill_seer_beyond_j.html</link>
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            <pubDate>Thu, 05 Nov 2009 13:34:20 -0500</pubDate>
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            <title>JazzTimes&apos; robust recovery</title>
            <description><![CDATA[The <a href="http://jazztimes.com/issues/200911">November issue</a> of <span class="Apple-style-span" style="font-weight: bold;">JazzTimes</span> magazine is the first created (not just published) under the imprimatur of <a href="http://www.madavor.com/en/about/">Madavor Media</a>, LLC imprint, and the periodical looks very much the same as before its hiatus last spring. Editors <span class="Apple-style-span" style="font-weight: bold;">Lee Mergener</span> and <span class="Apple-style-span" style="font-weight: bold;">Evan Haga</span> remain, columnists <span class="Apple-style-span" style="font-weight: bold;">Nat Hentoff</span> and <span class="Apple-style-span" style="font-weight: bold;">Nate Chinen</span> are present, most if not all recent editorial contributors remain on the masthead and features -- drumming being the issue's loose theme -- are by regulars, though <span class="Apple-style-span" style="font-weight: bold;">Fernando González</span>, former editor of rival <a href="http://www.jazziz.com/">Jazziz</a>, came onboard to write the story on Guggenheim Foundation and MacArthur fellow <a href="http://www.miguelzenon.com/bio.htm"><span class="Apple-style-span" style="font-weight: bold;">Miguel Zenón</span></a>.]]></description>
            <link>http://www.artsjournal.com/jazzbeyondjazz/2009/10/jazztimes_robust_recovery.html</link>
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            <pubDate>Tue, 27 Oct 2009 13:51:51 -0500</pubDate>
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            <title>Sweet Rhythm quietly ends run as Village jazz stage</title>
            <description>The 7th Ave. home in the &apos;80s and early &apos;90s of Gil Evans&apos; last orchestra, David Murray&apos;s octets, Abdullah Ibrahim&apos;s bands, Lester Bowie&apos;s Brass Fantasy and other avant-gutsy acts closed last night (Oct. 24) without notice or fanfare. Sweet Rhythm nee Sweet Basil was one of the coolest spots to listen, drink and hang out in Greenwich Village, a wood-paneled room with fine sound, sightlines, bookings and bartender, but it never recovered from what its most recent owner described as a post-9/11 decline in street traffic, competition from nearby clubs offering lesser music at no cover charge, and disinterest among the young in jazz.</description>
            <link>http://www.artsjournal.com/jazzbeyondjazz/2009/10/sweet_rhythm_quietly_ends_run.html</link>
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            <pubDate>Sun, 25 Oct 2009 11:14:50 -0500</pubDate>
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            <title>Soupy Sales, 1926-2009, friend to jazz</title>
            <description><![CDATA[The silliest pie-in-the-face TV comic of the '50s had trumpeter Clifford Brown with drummer Max Roach on his kiddie show. Soupy Sales loved jazz -- how cool is that? <a href="http://www.artsjournal.com/jazzbeyondjazz/Soupy%20in%20Sepia.jpg"><img alt="Soupy in Sepia.jpg" src="http://www.artsjournal.com/jazzbeyondjazz/assets_c/2009/10/Soupy in Sepia-thumb-388x400-10914.jpg" width="388" height="400" class="mt-image-none" style="" /></a><div>photo courtesy of Craig Marin, <a href="http://www.Flexitoon.com">www.Flexitoon.com</a> -- more pix there</div>]]></description>
            <link>http://www.artsjournal.com/jazzbeyondjazz/2009/10/soupy_sales_friend_to_jazz.html</link>
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            <pubDate>Fri, 23 Oct 2009 12:05:09 -0500</pubDate>
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            <title>Salsa dura and NYC jazz hot</title>
            <description><![CDATA[My new <i>City Arts</i> <a href="http://cityarts.info/?p=331">column</a> cites <a href="http://www.chriswashburne.com/">Chris Washburne</a>'s SYOTOS band, <a href="http://www.arturoofarrill.com/">Arturo O'Farrill</a> and <a href="http://www.bobbysanabria.com/index2.html">Bobby Sanabria</a> as avatars of Latin American music's essential excitement, so well depicted by the 4-part PBS documentary "<a href="http://www.pbs.org/wgbh/latinmusicusa/">Latin Music USA</a>" (viewable online). But let's not forget <a href="http://www.eddiepalmierimusic.com/">Eddie Palmieri</a> is still in his prime (and coming to the <a href="http://www.bluenote.net/newyork/index.shtml">Blue Note</a> jazz club Dec. 9 - 13).<br /><br /> 
<a href="http://www.howardmandel.com/" target="blank">howardmandel.com</a> <br />
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            <link>http://www.artsjournal.com/jazzbeyondjazz/2009/10/salsa_dura_and_nyc_jazz_hot.html</link>
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            <pubDate>Fri, 23 Oct 2009 11:23:35 -0500</pubDate>
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