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Somebody feeling pole-axed just might get the wrong idea and mis-read the headline on this MSNBC.com cover illustration:
-- Tireless Staff of Thousands
Posted by jherman at October 31, 2005 02:51 PM
...Straight Up ...Books 'n Stuff It is now in paperback (Da Capo Press). I've also co-written "Cut Up or Shut Up," experimental fiction, with Carl Weissner and Jurgen Ploog (with a "tickertape" intro by William S. Burroughs).
...My Checkered Career ...Jan Herman
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The agenda is just what it says: arts, media & culture delivered with attitude. Or as Rock Hudson once said: "Man is the only animal clever enough to build the Empire State Building and stupid enough to jump off it."
I'm the author of "A Talent for Trouble," the biography of Hollywood director William Wyler. Putnam published it in hardcover.![A TALENT FOR TROUBLE [G.P. Putnam Sons]](http://www.artsjournal.com/herman/archives/A%20TALENT%20FOR%20TROUBLE%20%28G.P.%20Putnam%20Sons%2C%20Inc.%5D.GIF)
![CUT UP OR SHUT UP [Agentzia Editions, Paris]](http://www.artsjournal.com/herman/archives/Cut%20Up%20or%20Shut%20Up%20%5BAgentzia%20Editions%2C%20Paris%5D.JPG)
Writing of mine has appeared in "little magazines," among them VDRSVP, Ricochet, Unmuzzled Ox, San Francisco Earthquake and John Bryan's Notes From Underground, as well as in Partisan Review, The New York Times Book Review, Trans-Atlantik and The Journal of Film History.
When not listening to Bach or Cuban jazz pianist Chucho Valdes, or dancing to salsa, I like to play jazz piano -- but only in the privacy of my own mind.
jan.herman@gmail.comSearch
Checkered Career
Me Elsewhere
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
more of me "elsewhere"
AJ Blogs
Architecture
Pixel Points
Nancy Levinson on Architecture
Culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of Arts & Culture
blog riley
rock culture approximately
Straight Up |
Jan Herman - Arts, Media & Culture News with 'tude
Tommy T
Tommy Tompkins' extreme measures
Dance
Seeing Things
Tobi Tobias on dance et al...
Media
Serious Popcorn
Martha Bayles on Film
Music
Adaptistration
Drew McManus on orchestra management
PostClassic
Kyle Gann on music after the fact
Rifftides
Doug Ramsey on Jazz and other matters...
Sandow
Greg Sandow on the future of Classical Music
Publishing
Beatrix
A Book Review review
Visual Arts
Artopia
John Perreault's art diary
Modern Art Notes
Tyler Green's modern contemporary art blog
AJBlog Heaven
Midori in Asia
Conversations from the road (June 22-July3, 2005)
A better case for the Arts?
A public conversation
Critical Conversation
Classical Music Critics on the Future of Music
Sticks & Stones
James S. Russell on Architecture
In Media Res
Bob Goldfarb on Media
RoadTrip
Sam Bergman on tour with the Minnesota Orchestra
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