« GARRISON KEILLOR: 'VIVA FERLINGHETTI' | Main | E-Z G-WHIZ G-8 STUFF »
July 06, 2005
WHAT IS ROVER BOY HIDING?
If Karl Rove did not out Valerie Plame as an undercover CIA agent, which his lawyer contends, why won't he clarify what he told Time magazine reporter Matthew Cooper about her, if anything? Now that his lawyer has admitted Rover Boy was one of Cooper's confidential sources, what is he still hiding? That he's an arrogant S.O.B., like all the rest in King Georgie Boy's regime? Everybody knows that already.
Posted by jherman at July 6, 2005 09:38 AM
COMMENTS
Tell A Friend
About...
...Straight Up ...Books 'n Stuff ...My Checkered Career ...Jan Herman
Archive
848 entries and counting
Contact
BUSTER KEATON REVISITED THE STARS ACCORDING TO BOGDANOVICH AJBlogCentral
The agenda is just what it says: arts, media & culture delivered with attitude. Or as Rock Hudson once said: "Man is the only animal clever enough to build the Empire State Building and stupid enough to jump off it."
I'm the author of "A Talent for Trouble," the biography of Hollywood director William Wyler. Putnam published it in hardcover. It is now in paperback (Da Capo Press).
Writing of mine has appeared in "little magazines," among them VDRSVP, Ricochet, Unmuzzled Ox, San Francisco Earthquake and John Bryan's Notes From Underground, as well as in Partisan Review, The New York Times Book Review, Trans-Atlantik and The Journal of Film History.
When not listening to Bach or Cuban jazz pianist Chucho Valdes, or dancing to salsa, I like to play jazz piano -- but only in the privacy of my own mind.
jan.herman@gmail.comSearch
Checkered Career
Me Elsewhere
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
more of me "elsewhere"
AJ Blogs
This week only
Midori in Asia
Conversations from the road (June 22-July 3, 2005)
Architecture
Pixel Points
Nancy Levinson on Architecture
Culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of Arts & Culture
blog riley
rock culture approximately
Straight Up |
Jan Herman - Arts, Media & Culture News with 'tude
Tommy T
Tommy Tompkins' extreme measures
Dance
Seeing Things
Tobi Tobias on dance et al...
Media
Serious Popcorn
Martha Bayles on Film
Music
Adaptistration
Drew McManus on orchestra management
Sandow
Greg Sandow on the future of Classical Music
PostClassic
Kyle Gann on music after the fact
Publishing
Beatrix
A Book Review review
Visual Arts
Artopia
John Perreault's art diary
Modern Art Notes
Tyler Green's modern contemporary art blog
AJBlog Heaven
A better case for the Arts?
A public conversation
Critical Conversation
Classical Music Critics on the Future of Music
Sticks & Stones
James S. Russell on Architecture
In Media Res
Bob Goldfarb on Media
RoadTrip
Sam Bergman on tour with the Minnesota Orchestra
AJ BlogCentral
