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Foot In Mouth 
If nearly everybody likes to move and watch others move, why are dance audiences so small? more

Apollinaire Scherr 
writes on dance for Newsday. She has written regularly for more

TOPICS ON TAP: 

Friday, February 8, Apollinaire: A family that tangos together

Monday February 11, Apollinaire: La Vishneva: what makes the ballerina great (for New York magazine)

Friday, February 22, Eva and Apollinaire: Juliette Mapp's latest show at Danspace is the best thing she's seen all season in pomo dance, Eva says; Apollinaire complains about the short run--and comes up with a solution.

Wednesday, February 27, Apollinaire: The Paul Taylor season at New York City Center plus a profile of tremendous Taylor dancer Michael Trusnovec with Newsday photographer Ari Mintz's slide show of Trusnovec and Taylor in rehearsal

Thursday, February 28, Apollinaire: The Russian propensity for symbolist poetry--and this preview of Boyarchikov's "Romeo and Juliet" touring the Coasts

Saturday, March 8, Apollinaire: Mark Morris's "King Arthur" doesn't do justice to gorgeous, deep Purcell

Wednesday, March 12, Apollinaire and Eva: Times chief dance critic Alastair Macaulay is getting better--but the dance desk as a whole is anemic

Friday, March 14, Apollinaire: the St. Petersburg Ballet Theatre mystery

Archive  167 entries and counting

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ascherr@artsjournal.com

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Contributors

Eva Yaa Asantewaa

has written dance journalism and criticism since 1976, published most notably in Dance Magazine, Soho News, The Village Voice, The New York Times, The Philadelphia Inquirer, and Gay City News, and on her own blog, InfiniteBody.

Continue reading "Eva Yaa Asantewaa"

Paul Parish

is a regular contributor to Danceviewtimes and San Francisco magazine, and has contributed to many other publications. He was a Rhodes Scholar same time as Bill Clinton. He lives and dances in Berkeley.

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