To be, or not to be....
Let's cut to the heart of what inspired this blog in the first place. In his keynote address to the NEA Institute mentioned in the first post, New Yorker senior theater critic John Lahr stated, with what at least appeared to be a straight face, "If it's not in the New Yorker, it doesn't exist in the culture." He went on to explain his belief that the New Yorker serves as the de facto publication of record for theater in America.
While it's true that the New Yorker consistently has some of the finest and most thought-provoking theater criticism in America, this assertion seems the exact kind of New York-centric thinking that is common in the arts world. If you're serious about theater, you go to New York. If you're serious about film, you go to Los Angeles. Yada Yada.
I, for one, would beg to differ, both in spirit and letter. For one thing, the New Yorker isn't exactly the most widely read publication in America; there are plenty of other newspapers and magazines that offer theater criticism (at least in some small doses) that reach larger numbers of people. The Los Angeles Times is but one example.
But beyond that is the implied question of whether art in other places really matters in our historical and cultural trajectory; whether serious and significant art happens in other places.
I live in Missoula, Montana, sharing a river valley with about 60,000 people. It's true that Missoula lacks the diversity of culture in New York. It's also true that the archives of the Missoulian newspaper aren't quite as widely or well preserved as those of the New Yorker (although that's changing as the paper's body of work online grows); so some things that happen in my city do become largely lost to history once they've passed.
Still, many of the artists I know in Missoula live here for reasons that are more about their art than about their exposure to the world: The mountains inspire them, fly fishing soothes them, etcetera. It's a quieter place than New York, and thus a great place for contemplation and focused creativity. There are important things that happen here.
And Missoula is just one place in a big, big country. It's a place that John Lahr himself visits on occasion, to fly fish. Surely he can understand why an artist might choose the big sky of Montana over the bustle of New York.
And in Missoula, I daresay our local culture matters more to us than what's happening on Broadway.
Bloggers We Love
Bridgette Redman and Lansing Theater
Drew McManus' "Neo Classical" at the Partial Observer
Marc Moss (Missoula, MT artist)
Mary Louise Schumacher's "Art City"
Other Great Sites
American Composers Orchestra
Arts & Letters Daily
Center for Arts and Culture
Cultural Policy and the Arts National Data Archive
National Arts Journalism Program
NEA Arts Journalism Institute for Dance Criticism
NEA Arts Journalism Institute in Classical Music and Opera
NEA Arts Journalism Institute in Theater & Musical Theater
New Music Box: American Music Center
USC Annenberg/Getty Arts Journalism Program
AJ BlogsAJBlogCentral | rss
Terry Teachout on the arts in New York City
Andrew Taylor on the business of arts & culture
rock culture approximately
Laura Collins-Hughes on arts, culture and coverage
Richard Kessler on arts education
Douglas McLennan's blog
Dalouge Smith advocates for the Arts
Art from the American Outback
For immediate release: the arts are marketable
No genre is the new genre
David Jays on theatre and dance
Paul Levy measures the Angles
Judith H. Dobrzynski on Culture
John Rockwell on the arts
Jan Herman - arts, media & culture with 'tude
Apollinaire Scherr talks about dance
Tobi Tobias on dance et al...
Howard Mandel's freelance Urban Improvisation
Focus on New Orleans. Jazz and Other Sounds
Doug Ramsey on Jazz and other matters...
Jeff Weinstein's Cultural Mixology
Martha Bayles on Film...
Fresh ideas on building arts communities
Greg Sandow performs a book-in-progress
Exploring Orchestras w/ Henry Fogel
Harvey Sachs on music, and various digressions
Bruce Brubaker on all things Piano
Kyle Gann on music after the fact
Greg Sandow on the future of Classical Music
Norman Lebrecht on Shifting Sound Worlds
Jerome Weeks on Books
Scott McLemee on books, ideas & trash-culture ephemera
Wendy Rosenfield: covering drama, onstage and off
Chloe Veltman on how culture will save the world
Public Art, Public Space
Regina Hackett takes her Art To Go
John Perreault's art diary
Lee Rosenbaum's Cultural Commentary
Tyler Green's modern & contemporary art blog