Creative

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I recently returned from participating in a Colorado Creative Industries gathering in Ft. Collins. There were three separate events presented (a fact which dawned on me only shortly before I got on the plane to attend)–a Change Leaders Conference, a Colorado Creative Districts convening, and CCI’s annual Summit–and I was part of all three. A significant insight for me was the use of the word “creative” in much of the work in Colorado. CCI is one … [Read more...]

Can’t Buy Me Love

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In my last post I ended part-way through a rant about the widely perceived incompatibility of a "fundraising board" with true commitment to community engagement or, more broadly, diversity in general. Without repeating that post, the principal concern was the assumption that money was the only or by far the most important resource that board members can bring to an organization. If that is the conscious or even unconscious view of the board, … [Read more...]

Give or Get

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I was recently asked, yet again, how an organization can reconcile a fundraising board with the need for greater community representation. Rather than immediately entering "rant mode," I thought about it for a couple of days and realized that there was much more to rant about than I have acknowledged in the past. While this is not a question exclusive to the practice of community engagement, because nearly all arts organizations need to do major … [Read more...]

The Ethics of Engagement

Last week I had the privilege of participating in a conference presentation at TCG’s (Theatre Communications Group) Audience (R)Evolution Convening addressing the Ethics of Engagement. I was one member of a panel of four including Martha Lavey, Artistic Director, Steppenwolf Theatre Company; Seema Sueko, Associate Artistic Director, Pasadena Playhouse; and Shay Wafer, Executive Director, 651 Arts. Facilitator Michael Rohd, Founding Artistic … [Read more...]

Yep, We Do That-Sequel (Part II)

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Last time I mentioned that on several occasions recently I have been confronted by the disconnect that exists between arts organizations' self-perceptions with respect to community engagement and the reality of what they are (not) doing. In that post I gave my yes/no, multiple choice questions for assessing community engagement readiness. This time I'm sharing the essay questions. (You can take the professor out of the classroom, but . . . … [Read more...]

Yep, We Do That-Sequel (Part I)

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I have recently had several occasions to be confronted, once again, by the disconnect that exists between arts organizations' self-perceptions with respect to community engagement and the reality of what they are (not) doing. When community engagement is viewed as a good thing, there is a powerful incentive to believe that the things being done are community engagement. (My "glass half full" lies in the first part of that sentence. Some people … [Read more...]

Connecting with Communities: A Conversation Template

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The root of effective community engagement is a sincere desire, steeped in humility, to be of value. All of the “how’s” proceed from there. The humility required does not stem from any question about the value of art or of the work that an organization presents. Rather, the humility rests in awareness of how much is unknown about the needs and interests of a community with which little or no relationship exists. The process of community … [Read more...]

Arts Predispositions III: Noes

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In my last two posts, Arts Predispositions I: Yeses; Arts Predispositions II: Maybes, I introduced the notion of categories in the universe of those who do not take advantage of the arts we present. This thinking is based on work of Bradley Morrison and Julie Dalgleish in the early 1990’s presented in Waiting in the Wings. A central feature of that book was an understanding of the population as a whole being divided into Yeses, Maybes, and Noes … [Read more...]

Arts Predispositions II: Maybes

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In my last post, Arts Predispositions I: Yeses, I introduced the notion of categories in the universe of those who do not take advantage of the arts we present. This thinking is based on work of Bradley Morrison and Julie Dalgleish in the early 1990’s presented in Waiting in the Wings. A central feature of that book was an understanding of the population as a whole being divided into Yeses, Maybes, and Noes with respect to arts participation. … [Read more...]

Arts Predispositions I: Yeses

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In nearing the final stages of my “how to” book on community engagement, a project about which I have hinted a couple of times here, I have been playing with a new concept that may be helpful in plans to reach those who are not currently involved with the arts. This post and my next two will lay out the basic ideas. There is a tendency to look at the universe of non-participants in the arts as an undifferentiated whole except for economic class … [Read more...]