Comments for diacritical

Comment on What if an Arts Organization was a MOOC? by Helen Lessick

Helen Lessick — Tue, 14 May 2013 01:15:09 +0000

Late to the discussion, but just caught this post, Doug.
Digital public art collections are a MOOC and Municipal funding for contemporary public art provides the content. As a Philadelphia native, I grew up with extraordinary public art which provided education and context. Like Coursera classes, the viewer only needs to tap into the rich resources from online archives such as cultureNOW.org. Sadly most of us click through or walk on by, But when the student is ready, the teaching appears.

Comment on Douglas McLennan by Introduction to Class #3: Popularity Versus Quality

Introduction to Class #3: Popularity Versus Quality — Mon, 15 Apr 2013 07:28:30 +0000

[...] ABOUT DOUGLAS McLENNAN [...]

Comment on Douglas McLennan by Douglas McLennan – Introduction to this Class

Douglas McLennan – Introduction to this Class — Mon, 01 Apr 2013 08:03:15 +0000

[...] ABOUT DOUGLAS McLENNAN [...]

Comment on What if an Arts Organization was a MOOC? by Around the horn: Pesach edition | Createquity.

Around the horn: Pesach edition | Createquity. — Fri, 29 Mar 2013 13:51:27 +0000

[...] of ArtsJournal, Doug McLennan has designed a Massive Open Online Course (MOOC) around the Spring for Music Festival, designed to get people to “listen smarter.” The class lineup looks pretty [...]

Comment on What if an Arts Organization was a MOOC? by Katie Haydon

Katie Haydon — Wed, 27 Mar 2013 02:26:37 +0000

Fantastic, innovative, out-of-the-box, revolutionary idea, Doug. We are in!

Comment on Douglas McLennan by Carnegie Hall MOOC Will Teach You How to Listen to Orchestras (Free) | Open Culture

Wed, 20 Mar 2013 19:01:00 +0000

[...] course will be taught by Baltimore Symphony Orchestra conductor Marin Alsop; ArtsJournal editor Douglas McLennan (seen above); composer Jennifer Higdon; vocalist Storm Large; and conductor Leonard Slatkin. Like [...]

Comment on How Do You Promote Arts Blogs? (A Competition And A Rationale) by Fine Art

Fine Art — Tue, 26 Jun 2012 15:23:17 +0000

“So will Spring For Music find “America’s Best Arts Blogger” from this exercise? Of course not. ”

– I totally agree with you on this. The best of the bunch may not be found by this competition, but to the art bloggers nationwide, it’s a chance to shine and be part of the creme of the crop, so to speak. And if it goes on to be a successful and established search, the prestige it will bring is enough incentive for many often-unappreciated art bloggers.

Comment on How Do You Promote Arts Blogs? (A Competition And A Rationale) by Lisa Hirsch

Lisa Hirsch — Wed, 21 Mar 2012 16:07:28 +0000

Thanks for the thoughtful comments! I have a response of my own posted. Both Elaine Fine (Musical Assumptions) and Zerbinetta (Likely Impossibilities) have interesting comments on the contest and on NY posted.

Comment on How Do You Promote Arts Blogs? (A Competition And A Rationale) by Patrick Vaz

Patrick Vaz — Wed, 21 Mar 2012 14:33:01 +0000

Thanks for the interesting explanation of the reasoning behind the contest, and thanks for linking to me. One correction, however: my last name is Vaz , not Vas.

Comment on Douglas McLennan by Developpez votre auditoire » Blog Archive » L’implication de l’auditoire : un autre point de vue

Mon, 30 Jan 2012 22:32:21 +0000

[...] public pour les arts professionnels. Dans un texte récent, le rédacteur en chef du ArtsJournal, Douglas McLennan (photo), affirme ce qui suit : Les meilleures oeuvres artistiques sont créées par des artistes [...]