The Theatre Experience: Time for an Upgrade « PREV | NEXT »: The Upgrades That Make You Feel Worse

August 2, 2009

Great Expectations (Except When They're Not)

telephone.jpgKen Brecher tells this story about Alexander Graham Bell. The inventor of the telephone apparently spent the last part of his life railing against the way people were using his invention. When greeting someone on the phone, he insisted, the proper protocol was to exclaim "ahoy!" Saying "hello" was a misuse of his work.

You can't predict how people will use things, and you can't force people to use them in the ways in which you've conceived of them, even if you're the inventor.

Actually, you can force them. But you forfeit the potential that what you made could be something bigger or more interesting.  Bigger and more interesting is when you release software in the wild (open source) and thousands of developers think of things to do with it that the original author never dreamed of. More interesting is when you give up some control of what you made and let others make things around it. TV ended up being something entirely different than what its inventors initially thought it would be because it was a tool others could be creative with, not an end product with one defined way of using it.

The corollary is trying to impose expectations on things that weren't intended to address those expectations. After a flurry of media attention, Twitter has recently come under attack for things it doesn't do and never pretended to. Jon Friedman in MarketWatch: "I object to Twitter's idiosyncratic cap of 140 characters for writing messages and the inherent inability of its users to go into any real depth about any subject."

Depth is hardly the point. At its best, Twitter can be an incredibly efficient way to monitor a topic or see what stories are flashing into the public consciousness. Much better than blogs. As a news device, Twitter can function as a stream of link blogs that points followers to things they're interested in. It's like having a personal web of friends who work on your behalf in real time. No more waiting on traditional publishing schedules. As I wrote in a recent post after Twitter starred in coverage of the Iran election aftermath, short texts proved remarkably effective at organizing multimedia coverage.

So expectations can get in the way of your own potential, either to create something or to use it effectively. Sociologist Barry Shwartz says that with greater expectation can come less happiness, and that we're happier when expectations are exceeded. The telephone was an amazing thing that revolutionized communication. Imagine thinking it a failure because expectations for its etiquette were disappointed.
August 2, 2009 5:53 PM | | Comments (1) |

1 Comments

Thanks for the interesting post, Douglas. I am a fairly new user of Twitter, approximately 6 months. At first, I didn't get it. But as I used it more, and saw how others used it, it became evident to me that this was an effective way to assimilate and gather a lot of different ideas about a given topic.

Off hand, I can think of one particularly interesting innovation springing off the invention of Twitter. Sites like bit.ly and others that shorten longer URL addresses are directly related to the growing use of Twitter to communicate ideas and news stories. Most recently, I learned that the National Symphony Orchestra, located in D.C., will begin tweeting live concert program notes. I am still note sure how I feel about this. My main concern is who will be reading those notes other than the people in the audience. And if people are looking at their phones while listening to a concert, how much of the music will the actually be listening to?

Leave a comment

About

...diacritical Over the past 60 years the idea of mass culture has taken on a life of its own; this idea that mainstream culture, mainstream media, is so powerful, so pervasive, that it touches every aspect of our lives. Indeed, it's difficult to escape... more

...Douglas McLennan is an arts journalist and critic and the founder and editor of ArtsJournal.com, the leading aggregator of arts journalism on the internet. Each day ArtsJournal features an array of links to stories from more than 200 publications worldwide. Prior to starting ArtsJournal... more

Contact me Click here to send me an email...

Or contact me at: mclennan@artsjournal.com
more

Twitter Feed more

Archives

Archives: 117 entries and counting

Recent Comments

AJ Ads



AJ Blogs

AJBlogCentral | rss

culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
critical difference
Laura Collins-Hughes on arts, culture and coverage
Dewey21C
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Dog Days
Dalouge Smith advocates for the Arts
Flyover
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
Plain English
Paul Levy measures the Angles
Real Clear Arts
Judith H. Dobrzynski on Culture
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

classical music
Creative Destruction
Fresh ideas on building arts communities
The Future of Classical Music?
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
PianoMorphosis
Bruce Brubaker on all things Piano
PostClassic
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world

visual
Aesthetic Grounds
Public Art, Public Space
Another Bouncing Ball
Regina Hackett takes her Art To Go
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog

AJ Blogs

AJBlogCentral | rss

culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
critical difference
Laura Collins-Hughes on arts, culture and coverage
Dewey21C
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Dog Days
Dalouge Smith advocates for the Arts
Flyover
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
Plain English
Paul Levy measures the Angles
Real Clear Arts
Judith H. Dobrzynski on Culture
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

classical music
Creative Destruction
Fresh ideas on building arts communities
The Future of Classical Music?
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
PianoMorphosis
Bruce Brubaker on all things Piano
PostClassic
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world

visual
Aesthetic Grounds
Public Art, Public Space
Another Bouncing Ball
Regina Hackett takes her Art To Go
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog