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July 20, 2009

The Tyranny of Choice

Choice is good right? Malcom Gladwell does a great talk on how Howard Moskowitz revolutionized marketing by understanding the dynamics of choice. His example here is spaghetti sauce. Traditional marketing strategy had been to get together focus groups and ask them what they liked in a good sauce. Then groups were asked what characteristics they liked in a sauce - should it be chunky? Zesty? Authentic Italian? The results would be tallied and a sauce that matched the most popular characteristics would be produced.

But this is wrong. The mushy middle is nobody's favorite, it's merely the version that the most people will tolerate. Furthermore, the characteristics don't really match consumers' true preferences. You're asking for opinions which are not based on individual research. People often don't know what they want until you tell them and they're happier when you do. We know this in the arts. Inspire with something great and unexpected and people will cheer. Arts organizations that follow the crowd rather than lead are not only less interesting, but they get hooked into a feedback loop that leads to artistic rot.



Note in Gladwell's story that some choice leads to happier customers. For the flip side and a cautionary tale about choice, watch sociologist Barry Shwartz's talk about the tyranny of choice. If choice is good and we can more and more get what we want, why do we seem less satisfied with our choices? He suggests that too much choice is paralyzing and leads to incoherent decisions. Choices inflict the work of having to evaluate and choose. Choices set up higher expectations which are difficult to meet. Consequently we are less satisfied.

As an example, Schwartz cites employer 401k plans. When employees are offered few choices they invest in the programs. Plans with a high number of investment choices see much less employee participation, even though the plans directly benefit those who join. Why? Too hard to choose. Fear of making a bad choice results in paralysis.

Extrapolate this paralysis out to cultural choice. How are you sorting out the noise? We look for trusted guides who can sort it out for us and give us a framework that makes sense. Narrow the choices down to two or three best possibilities and I'm grateful.  This is a dynamic that has tangible currency in the Attention Economy.
July 20, 2009 5:17 PM | | Comments (1) |

1 Comments

supply-side economics is all about choice, as much as possible. It has succeeded as evidenced by the low savings rate and high debt rate of the consumer. No longer is there a choice between buying and not buying, but rather what to buy. Affordability is only a secondary concern and what does not sell for two bucks sells for one at Dollar stores. Quality suffers, in fact, the shorter the life of a product the better for the seller. Quality is as bad as consumers will tolorate. Thanks for the web site. I appreciate being able to view both sides of the equation on the same page. Yannick. Peace be with you.

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...diacritical Over the past 60 years the idea of mass culture has taken on a life of its own; this idea that mainstream culture, mainstream media, is so powerful, so pervasive, that it touches every aspect of our lives. Indeed, it's difficult to escape... more

...Douglas McLennan is an arts journalist and critic and the founder and editor of ArtsJournal.com, the leading aggregator of arts journalism on the internet. Each day ArtsJournal features an array of links to stories from more than 200 publications worldwide. Prior to starting ArtsJournal... more

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culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
critical difference
Laura Collins-Hughes on arts, culture and coverage
Dewey21C
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Dog Days
Dalouge Smith advocates for the Arts
Flyover
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
Plain English
Paul Levy measures the Angles
Real Clear Arts
Judith H. Dobrzynski on Culture
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
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Rifftides
Doug Ramsey on Jazz and other matters...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

classical music
Creative Destruction
Fresh ideas on building arts communities
The Future of Classical Music?
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
PianoMorphosis
Bruce Brubaker on all things Piano
PostClassic
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

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Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world

visual
Aesthetic Grounds
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Another Bouncing Ball
Regina Hackett takes her Art To Go
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
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Tyler Green's modern & contemporary art blog