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June 21, 2009

The Text Revolution - Why Text Is More Efficient Than TV

twitterIran-2.jpgIn the TV Age the tube has dominated breaking news. Watching crucial moments of a big dramatic story on TV can be compelling, and the TV news audience has dwarfed newspaper readership. It is accepted wisdom that TV owns the dramatic breaking story; newspapers bat cleanup.

But maybe not. Watch a big story on cable news and you're in for acres of boring vamping and conjecture wrapped around the couple of minutes here and there that you really do want to see. And those dramatic couple of minutes are endlessly repeated until you're tired of seeing them. Fact is, video is a linear medium that sometimes isn't very efficient at advancing coverage of a story.

On the other hand, text - lowly text - may turn out to be more efficient. Text isn't real-time. Its order can be rearranged on the fly by the reader. It can point to other things - video, photos, charts, diagrams, reference information. More important, it can be skimmed to quickly find only the pieces you're looking for. With mobile devices, text can be transmitted by anyone, quickly and easily.

In the past week, the most compelling coverage of the protests in Iran hasn't been on television, it's been on the internet via Twitter. Thousands of people have been tweeting, reporting what they have seen and pointing readers to photos and video clips posted on YouTube.

Why more compelling? First, it has democratized the reporting, giving access to thousands of eye-witness reports from all over the country, rather than the accounts of a few correspondents who may not have the breadth of access that the thousands of volunteer eye-witnesses do. Perhaps just as important,  the short texts are skimmable, and a number of websites have endeavored to collect and sort through the raw reports. Twitter and YouTube have made coverage that is customizeable by readers. No more Wolf Blitzer endlessly filling time while awaiting new developments.

A funny thing has happened on the way to the YouTube revolution: video everywhere has elevated the role of text. People want to watch video, but on their own terms and not in a linear stream decided by someone else. The easiest way to sort information isn't by video, it's by text. Why do people text one another rather than dial their phones and talk? Texts, in an odd way, seem easier.

In the next week or so, Google will release its Google Voice service, which will take your voice mails and convert them to text transcriptions which can be emailed to you. Why? Because voicemail can be clumsy; text takes the interaction online, where it can be controlled by the recipient. It might be easier to record a voice message, but reading that message is more efficient than dialing in to listen to a recording.

That is not to say that listening to someone's voice - the tone, the inflection, the nuance - doesn't provide more information than text. And text doesn't convey the visual experience of video. But in the future, video and audio might be considered the drill-down rather than the headline, a curious flip of the media world we have recently known where TV has offered the raw immediacy and newspapers weigh in later to add the depth.
June 21, 2009 7:09 PM | | Comments (0) |

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...diacritical Over the past 60 years the idea of mass culture has taken on a life of its own; this idea that mainstream culture, mainstream media, is so powerful, so pervasive, that it touches every aspect of our lives. Indeed, it's difficult to escape... more

...Douglas McLennan is an arts journalist and critic and the founder and editor of ArtsJournal.com, the leading aggregator of arts journalism on the internet. Each day ArtsJournal features an array of links to stories from more than 200 publications worldwide. Prior to starting ArtsJournal... more

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About Last Night
Terry Teachout on the arts in New York City
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Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
critical difference
Laura Collins-Hughes on arts, culture and coverage
Dewey21C
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Dog Days
Dalouge Smith advocates for the Arts
Flyover
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
Plain English
Paul Levy measures the Angles
Real Clear Arts
Judith H. Dobrzynski on Culture
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

classical music
Creative Destruction
Fresh ideas on building arts communities
The Future of Classical Music?
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
PianoMorphosis
Bruce Brubaker on all things Piano
PostClassic
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world

visual
Aesthetic Grounds
Public Art, Public Space
Another Bouncing Ball
Regina Hackett takes her Art To Go
Artopia
John Perreault's art diary
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Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog