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April 10, 2009

Inviting The Audience In (And Letting Them Use You How They Want)

At a time when the American newspaper industry increasingly considers ways to lock down its content and put it behind pay walls, the ever-innovative Guardian newspaper is flinging wide its gates and making it easier for others to take and use its content. Last month the paper announced something it's calling "Open Platform", which is a set of tools that allows anyone to build applications to pull Guardian content and re-use it on the internet.

The Guardian Content API includes articles as far back as 1999 and in some cases much further back. There are approximately 1,000,000 articles available. We will continue to open up more content as we're able to.

GuardianOpenPlatform.jpg

One of the most powerful  things open-source software developers have discovered is that if you open up your toolbox to anyone who wants to use it and allow them the ability to tinker and create, they'll build things with it you never could have imagined. Drupal, for example, is a powerful free open-source content platform that has hundreds of innovations built into and on top of it because users are encouraged to take Drupal for free and make new things with it. Apple has unleashed a torrent of creativity with its iPhone Apps store.

Already, developers have started building applications with the Guardian's Open Platform. Some examples:

"I decided to write an application that searches The Guardian's archive and returns a link to the top hit using Twitter as the UI and the message bus. I didn't need to build a new web site or client application. I wanted people to use whatever technologies they prefer most."

Or this:

"Towards the end of last week, a sleepness night led me to indulge a childish sense of humour with 15 minutes of tomfoolery, the output of which was a graph comparing the decline and fall of various swear-words in the pages of the Guardian over the last decade. In a bid to retain some sense of self-respect, I'll for now ignore the fact that this graph has achieved a readership that dwarfs anything else I've written in my career to date, and focus instead on how I did it."

Who knows what readers will create? But the bigger point is that once the Guardian's users are invited in and given the power to make their own things, they form a stronger community around what the Guardian does. Is there a business model in that? Yes, just as eBay created a new generation of online entrepreneurs, the news organization that helps its community be entrepreneurial stands to reap rewards.

When people ask me which is the news organization that most "gets" the internet, I usually mention The Guardian. The paper has an outsized online presence compared to its print circulation, and it has consistently led the pack in thinking about developing an audience and gathering and presenting information. The Guardian has a huge American audience, and its cultural coverage is probably the best around. In a related post on ARTicles today, I write about the Guardian's artist-in-residence program and some of the reader reaction.

April 10, 2009 7:45 AM | | Comments (0) |

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...diacritical Over the past 60 years the idea of mass culture has taken on a life of its own; this idea that mainstream culture, mainstream media, is so powerful, so pervasive, that it touches every aspect of our lives. Indeed, it's difficult to escape... more

...Douglas McLennan is an arts journalist and critic and the founder and editor of ArtsJournal.com, the leading aggregator of arts journalism on the internet. Each day ArtsJournal features an array of links to stories from more than 200 publications worldwide. Prior to starting ArtsJournal... more

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Jerome Weeks on Books
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lies like truth
Chloe Veltman on how culture will save the world

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AJ Blogs

AJBlogCentral | rss

culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
critical difference
Laura Collins-Hughes on arts, culture and coverage
Dewey21C
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Dog Days
Dalouge Smith advocates for the Arts
Flyover
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
Plain English
Paul Levy measures the Angles
Real Clear Arts
Judith H. Dobrzynski on Culture
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

classical music
Creative Destruction
Fresh ideas on building arts communities
The Future of Classical Music?
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
PianoMorphosis
Bruce Brubaker on all things Piano
PostClassic
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world

visual
Aesthetic Grounds
Public Art, Public Space
Another Bouncing Ball
Regina Hackett takes her Art To Go
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog