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March 20, 2009

Is Ticketmaster Hurting Because Of Ticket Sales? Nope - Business is Sweet!

ticketmaster.jpgTicketmaster announces a billion-dollar loss, blaming "declining ticket sales, costs associated with layoffs and a massive impairment charge."

The loss is real (in a 2009-paper-losses, bank-accounting kind of way), of course. But:

The bulk of Ticketmaster's loss was because of a $1.1 billion charge the company took because of a precipitous decline in its share price since being spun off from IAC/InterActiveCorp last year.

In fact, TM's business is up. "For the full year, Ticketmaster reported revenue of nearly $1.5 billion, a 17% increase from 2007, thanks to its acquisitions of Front Line Management, resale service TicketsNow and Paciolan, a college-sports ticketing company."

Okay - so the loss is real (sorta), but expansion has increased business revenue. Here's the real marker: "The company said its revenue from ticketing amounted to about $1.4 billion, for 141.9 million tickets sold -- an average of 3% more per ticket than it reaped in 2007." Ticketmaster earned more fees per ticket than the previous year. So business is better, not worse and "declining ticket sales" and "costs associated with layoffs" had nothing/little to do with the loss.livenation.jpg

Why would the company want to portray its finances in more negative light? Maybe because of its proposed takeover of   merger with Live Nation and concerns about the deal that TM will be a monopoly. In fact, TM has been in acquisition mode  for a while, in the past year picking up Front Line Management, resale service TicketsNow and Paciolan, a college-sports ticketing company.

Congress has been inquiring into the Live Nation merger:
 
Sen. Schumer aggressively questioned Ticketmaster's chief executive, Irving Azoff, during a hearing last month on the merger. The deal would create an unprecedented music-industry powerhouse, dominant in ticket sales, concert promotion, venue operation and artist management. That has created a controversy, with competitors and others in the business complaining that the company would have too much power.

TM's fees are exorbitantly high not because it costs so much to process ticket orders, but because the company kicks back money to venues in return for exclusive deals to sell tickets. These payments can run into the hundreds of thousands of dollars, and the company recoups them by charging the consumer higher fees on ticket transactions, claiming the kickbacks as a cost of doing business. The practice effectively cuts out competitors from  selling at these venues. The company defends the practice saying it provides added revenue to concert facilities. The practice has ensured that TM maintains its hold on the ticket sale business.

Ticketmaster has also earned the ire of concert fans recently when it was revealed that the company has become involved in the secondary ticket market, where prices are often much much higher than the face value of a ticket.

Should the Live Nation/Ticketmaster "merger" go through? Probably doesn't matter in the larger monopolistic scheme of things for the concert business (though I can't imagine TM's dominance is good for the business). But I'll certainly continue to curse every time I have to pay that $2.50 "fee" to print out my own ticket at home. With my own paper. With my own ink. Geesh.
March 20, 2009 9:28 AM | | Comments (0) |

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...diacritical Over the past 60 years the idea of mass culture has taken on a life of its own; this idea that mainstream culture, mainstream media, is so powerful, so pervasive, that it touches every aspect of our lives. Indeed, it's difficult to escape... more

...Douglas McLennan is an arts journalist and critic and the founder and editor of ArtsJournal.com, the leading aggregator of arts journalism on the internet. Each day ArtsJournal features an array of links to stories from more than 200 publications worldwide. Prior to starting ArtsJournal... more

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Dewey21C
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Dog Days
Dalouge Smith advocates for the Arts
Flyover
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
Plain English
Paul Levy measures the Angles
Real Clear Arts
Judith H. Dobrzynski on Culture
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

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Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

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Howard Mandel's freelance Urban Improvisation
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Doug Ramsey on Jazz and other matters...

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Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

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Creative Destruction
Fresh ideas on building arts communities
The Future of Classical Music?
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
PianoMorphosis
Bruce Brubaker on all things Piano
PostClassic
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

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book/daddy
Jerome Weeks on Books
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Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world

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Regina Hackett takes her Art To Go
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Tyler Green's modern & contemporary art blog